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175

Article: Interview

Enrico Rava: To Be Free or Not To Be Free

Read "Enrico Rava: To Be Free or Not To Be Free" reviewed by Ian Patterson


Freedom, it could be argued, is most deeply understood by those who have been somehow constrained against their will, or who have been prisoners of their own skewed vision of what it means to be free. Trumpeter Enrico Rava knows the meaning of musical freedom; he was part of the free-jazz scene of the 1960s and ...

156

Article: Interview

Jack DeJohnette: Time and Space

Read "Jack DeJohnette: Time and Space" reviewed by John Kelman


It begins with the sound of a resonating bell, followed by a gently cascading piano solo that gradually assumes shape and form, hovering around two chords and creating an inviting ambiance that resolves with another ringing of the bell, segueing gently into the groove-heavy “Salsa for Luisito." The track is “Enter Here," and the album is ...

119

Article: Album Review

Dead Cat Bounce: Chance Episodes

Read "Chance Episodes" reviewed by Dave Wayne


Combining a supremely agile multi-reed quartet with a lithe rhythm section, Dead Cat Bounce is anything but moribund on its Cuneiform debut, Chance Episodes. The title is a bit of a misnomer as well, as the highly developed compositions--all written and arranged by saxophonist/woodwind multi-instrumentalist Matt Steckler--leave little to chance. Originally commissioned by Chamber Music America ...

117

Article: Album Review

Andre Goudbeek / Le Quan Ninh / Peter Jacquemyn: Uwaga

Read "Uwaga" reviewed by Jerry D'Souza


The Alchemia, in Krakow, Poland, has long been the venue for a series of free jazz and improvised music concerts. The lineup never flags for want of extraordinary musicians, and time has witnessed the likes of Ken Vandermark, Barry Guy, William Parker and Peter Brötzmann on that stage. Alto saxophonist André Goudbeek, bassist Peter Jacquemyn and ...

310

Article: Record Label Profile

Cuneiform Records: Growing Progressive Music for 27 Years

Read "Cuneiform Records: Growing Progressive Music for 27 Years" reviewed by Mark Redlefsen


Twenty seven years is a long time for a niche progressive music label such as Cuneiform Records not just to survive, but to remain inventive and, in the best sense, ambitious. Steve Feigenbaum founded Cuneiform back in 1984, and with his wife, Joyce, runs it from Silver Springs, Maryland. Hosting bands such as Universe Zero, digging ...

115

Article: Album Review

Louis Moholo-Moholo / Dudu Pukwana / Johnny Dyani / Frank Wright: Spiritual Knowledge And Grace

Read "Spiritual Knowledge And Grace" reviewed by Sid Smith


Accidents are part and parcel of any kind of improvised music. Such occurrences can be fickle things with a capacity to make or break a situation. So, when Chris McGregor was prevented from joining the first night of a Dutch tour by The Blue Notes in 1979, Louis Moholo-Moholo, Dudu Pukwana and Johnny Dyani embraced the ...

244

Article: Album Review

Dreamtime: Double Trouble

Read "Double Trouble" reviewed by Nic Jones


Reel Recordings has excelled in the business of audio restoration, as this 2CD/DVD set goes to show. On one level, Dreamtime is no more than a footnote in British jazz, but not only did the band feature some potent soloists, it was one of the few to bridge the divide between composed and free music with ...

184

Article: Album Review

Tommy Meier Root Down: The Master And The Rain

Read "The Master And The Rain" reviewed by Mark Corroto


Swiss-born reed man Tommy Meier's immersion into African jazz dips into a body of music covering three continents touched by the African diaspora of people and sound. A follow-up to Root Down (Intakt, 2008), his Root Down orchestra's The Master And The Rain, once again, offers a large ensemble update on the music of Fela Kuti ...

179

Article: Album Review

Elton Dean's Ninesense: Happy Daze + Oh! For The Edge

Read "Happy Daze + Oh! For The Edge" reviewed by Mark Redlefsen


This reissue of two Ninesense recordings, from the late British saxophonist Elton Dean, creates a gateway back to the London jazz scene of the 1970s. Digging into bands that he played with previously outside of his work with Soft Machine, he formed the nine-piece Ninesense with Keith Tippett, along with several other members of that pianist's ...

1,349

Article: Interview

Howard Riley: Five Decades in Music

Read "Howard Riley: Five Decades in Music" reviewed by Maxim Micheliov


Howard Riley gave his performance in Vilnius, Lithuania in September, 2009. It was his first visit to the country in a five-decade career, and one of just a few eastern Europe destinations made at the time, by the British free jazz pianist. The concert was recorded and released in 2010 as the double-disc set, Solo in ...


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