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36

Article: Interview

Logan Richardson: To Boldly Go Where No Jazz Has Gone Before

Read "Logan Richardson:  To Boldly Go Where No Jazz Has Gone Before" reviewed by Chris May


In a 2016 interview, Kansas City-born alto saxophonist Logan Richardson said: “Jazz will constantly change because there's constantly a new us, new times. There will always be a fight from the conformists--but they don't represent where the tradition is coming from." Richardson was talking not long after the release of his adventurous Blue Note album, Shift, ...

10

Article: Album Review

Nik Bartsch: Entendre

Read "Entendre" reviewed by Chris May


Back in 2006, Swiss composer and keyboard player Nik Bärtsch's ECM debut, Stoa, recorded with his group Ronin, sounded like the album James Brown might have made if he'd appointed Steve Reich musical director of his backing band, The J.B.'s. Simultaneously cerebral and on the good foot, it was minimalism, Jim, but not as we knew ...

5

Article: Album Review

Wes Montgomery: The NDR Hamburg Studio Recordings

Read "The NDR Hamburg Studio Recordings" reviewed by Chris May


Recorded in spring 1965, during Wes Montgomery's sole European tour, The NDR Hamburg Studio Recordings presents the guitarist as part of an all-star international octet assembled for a one-off appearance on German television station NDR. The programme was part of a series presenting musicians who did not regularly work together in informal “rehearsal" performances. Montgomery's tour, ...

7

Article: Album Review

Swantje Lampert: Now!

Read "Now!" reviewed by Chris May


The Austrian tenor saxophonist Swantje Lampert caught the jazz bug relatively late, while studying for a degree in law. She took up the saxophone and, some twenty years later, after graduating from the Vienna Conservatoire and the Berklee School of Music, has matured into an assured player and a characterful composer. Lampert is ...

23

Article: Album Review

Logan Richardson: AfroFuturism

Read "AfroFuturism" reviewed by Chris May


In a 2016 interview, Kansas City-born alto saxophonist Logan Richardson said: “Jazz will constantly change because there's constantly a new us, new times. There will always be a fight from the conformists--but they don't represent where the tradition is coming from." Richardson was talking not long after the release of his adventurous Blue Note album, Shift. ...

4

Article: Album Review

See Through 4: Permanent Moving Parts

Read "Permanent Moving Parts" reviewed by Chris May


Composer and bassist Pete Johnston, leader of Toronto's See Through 4, cites Lennie Tristano and Eric Dolphy as primary reference points for the quartet's music. As a listener, you may feel such connections are tenuous. Whatever his strengths, Tristano was not known for playfulness, a quality which runs through Permament Moving Parts. Plus, the contrapuntalism to ...

5

Article: Album Review

Andy Hague's Double Standards: Release

Read "Release" reviewed by Chris May


English musicians pay a price for living outside London—the country is too small to support more than one major metropolitan music hub, even in the digital age. The old adage out of sight, out of mind still applies. Trumpeter and record label director Matthew Halsall's Manchester-based Gondwana operation, and the vibrant spiritual jazz scene which is ...

9

Article: Album Review

Solstice: Food For Thought

Read "Food For Thought" reviewed by Chris May


An off-the-wall and extraordinarily beautiful album, Food For Thought is London sextet Solstice's follow-up to Alimentation (Two Rivers), a niche-jazz landmark in 2016. The album blends jazz with prog-rock and tropicalia-like psychedelia. It is intricate, lyrical and wildly inventive. It is also technically demanding and forensically arranged, yet it all sounds effortless. It is, most of ...

48

Article: Building a Jazz Library

Saxophone Colossi: An Alternative Top Ten Banging Albums

Read "Saxophone  Colossi: An Alternative Top Ten Banging Albums" reviewed by Chris May


Miles Davis once said you could tell the history of jazz in four words: Louis Armstrong, Charlie Parker. You might want to add John Coltrane, you might even want to add Davis. But however you cut it, saxophones and trumpets have been the flag bearers of the music. Trumpets got things rolling and saxophones came into ...

5

Article: Album Review

Gustav Lundgren: Live At Fasching

Read "Live At Fasching" reviewed by Chris May


If the Norway's Eivind Aarset is one side of Scandinavian fretboard virtuosity, Sweden's Gustav Lundgren is the other. Aarset works with experimentalists such as Jon Hassell and Jan Bang. Lundgren is more straight-ahead, evoking Jack Wilkins and Pat Metheny. Both guitarists, however, are lyrical players. If you enjoy the linear melodism of Lundgren's Live At Fasching, ...


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