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Joe Harriott: Swings High
by Chris May
Like many players who are primarily thought of as “experimental" and/or “free form"—and virtually all of the best of them--the Jamaican-born, later London-based alto saxophonist Joe Harriott was also a master of straight four/four jazz and Great American Songbook balladry. Yet in 2022, Harriott (1928-1973) is almost exclusively remembered either for his adventures in Indo-jazz fusion ...
Archie Shepp: Fire Music To Mama Too Tight Revisited
by Chris May
In 2022, it is widely accepted that, when free jazz (aka the New Thing) was in its ascent in New York in the 1960s, there was, despite superficial appearances, no fundamental incompatibility between it and the historical jazz tradition. More contentiously, revisionist historians are now suggesting that there was no real conflict between New Thing and ...
Henry Franklin: Jazz Is Dead 14
by Chris May
Adrian Younge and Ali Shaheed Muhammad's Jazz Is Dead label is a moveable feast when it comes to consistency. In its fourteen albums date, there have been some great ones, some not so great ones and a couple of duds. With bassist Henry Franklin, however, the label has come up with a blinder, its most satisfying ...
Mark Guiliana Jazz Quartet: The Sound Of Listening
by Chris May
There is something tantalisingly out of reach on the Mark Guiliana Jazz Quartet's The Sound Of Listening. It is not “difficult" music, but it is cryptic. After multiple replays the code remains unbroken. It seems something important is going on but... what exactly? It is rather like encountering Guiliana's fellow New Yorker, tenor saxophonist Oded Tzur ...
Qasim Naqvi / Wadada Leo Smith / Andrew Cyrille: Two Centuries
by Chris May
Strangely, given their similar ages and trajectories, trumpeter Wadada Leo Smith and percussionist Andrew Cyrille have worked together infrequently. But when they have, the results have been spectacular. In 2018, Smith and Cyrille collaborated with guitarist Bill Frisell on the well received Lebroda for ECM. Lebroda was produced by Sun Chung, who has since ...
Herbie Hancock: An Essential Top Ten Albums
by Chris May
The title of Herbie Hancock's 1973 hit single “Chameleon," pulled from his jazz-funk monster Head Hunters (Columbia), was an apt one. Hancock had already undergone several transformations: from the blues-and-gospel-infused vibe of his Blue Note debut, Takin' Off (1962), to more experimentally inclined Blue Note albums in the mid-to-late 1960s, and on to his early 1970s ...
Alina Bzhezhinska & HipHarpCollective: Reflections
by Chris May
In an inspired piece of programming, London's Barbican Centre presented the then virtually unknown harpist Alina Bzhezhinska and her quartet as one of the support bands on its November 18, 2017 one-nighter A Concert for Alice and John, a show headlined by Pharoah Sanders. It would be an exaggeration to say Bzhezhinska stole the show (see ...
The Comet Is Coming: Hyper-Dimensional Expansion Beam
by Chris May
A long time ago in a galaxy far, far away, tenor saxophonist Shabaka Hutchings (King Shabaka), synths maven Dan Leavers (Danalogue) and drummer Max Hallett (Betamax) were students at London's Guildhall School of Music and Drama. As alumni, they formed The Comet Is Coming. To jumble allusions with as much abandon as the band approach cosmic ...
Laura Jurd: The Big Friendly Album
by Chris May
The Big Friendly Album is what it is called and that is exactly what it is. London-based trumpeter/cornetist and composer Laura Jurd's fourth album under her own name is a big hearted, gorgeously lyrical, feel-good romp, which does not preclude cerebral engagement but which wears its complexities so lightly that one barely notices them.
Enrico Rava & Fred Hersch: The Song Is You
by Chris May
Flashbacks pop up immediately on registering the instrumentation (flugelhorn and piano) and material (jazz standards and Great American Songbook ballads) on Enrico Rava and Fred Hersch's The Song Is You. Among them, Chet Baker and Paul Bley's Diane (Steeplechase, 1985) and Baker and Enrico Pieranunzi's The Heart Of The Ballad (Philology, 1988). The ...
