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Martin Lutz Group: LoLife/HiLife
by Chris May
Danish pianist and composer Martin Lutz spent much of his childhood in Eastern and Southern Africa and elements of those regions' music are to the forefront of his writing, grafted on to a Northern European folk and neo-classical base. On LoLife/HiLife, Lutz leads a sextet with a three-saxophones frontline and the African influence is most clearly ...
Marius Neset: Geyser
by Chris May
Geyser is Norwegian saxophonist Marius Neset's third album with new-music ensemble London Sinfonietta. The piece was commissioned for the BBC Proms at the Royal Albert Hall, where this recording was made on September 3, 2022. As on the two previous albums, the Sinfonietta are joined by Neset's high-voltage jazz quintet with pianist Ivo Neame, vibraphonist Jim ...
Jaimie Branch: Fly Or Die Fly Or Die Fly Or Die ((World War))
by Chris May
As the malign forces of Amerikkka gather for their 2024 assault on truth, justice and democracy, an assault from which, if it is successful, there may be no peaceable reversal available four years down the line, the American jazz world should hang its head in shame. Denunciations of and opposition to the rise of domestic neo-fascism ...
Rob Luft: Dahab Days
by Chris May
In an interview with AAJ in 2020, Rob Luft was asked to name six all-time favourite albums. Number one on his list was Norwegian guitarist Eivind Aarset's Dream Logic (ECM, 2012), a duo project with electronicist Jan Bang. Said Luft: “It's an album that really sounds like dreams, it's wonderful how it floats for forty-five, fifty ...
Miho Hazama's M_Unit: Beyond Orbits
by Chris May
Beyond Orbits is the fêted composer and conductor Miho Hazama's fourth album with M_Unit. She founded the band in 2012, two years after moving from Tokyo to New York and while she was still studying for a masters in jazz composition at the Manhattan School of Music. Hazama released M_Unit's first album in ...
George Russell’s New York N.Y. Receives World Premiere At Milton Court
by Chris May
Guildhall Induction Jazz Orchestra & Choir Milton Court Concert Hall Guildhall School of Music & Drama London September 27, 2023 Addressing the audience before the Guildhall Induction Jazz Orchestra's recreation of George Russell's first large-ensemble masterpiece, New York N.Y. (Decca, 1959), director and conductor Scott Stroman explained the choice ...
Charles Mingus: At Antibes 1960 Revisited
by Chris May
Charles Mingus' exhilarating blend of roots and the avant-garde only rarely seems as binary* (see below) as it does on this recording from the 1960 Antibes Jazz Festival. Most often on a Mingus album, you do not hear the joins. This time, on one level, you do. Mingus leads a pianoless quintet completed by ...
Bill Evans: Ten Essential Sideman Albums
by Chris May
Bill Evans attracts a special sort of fan. Clinically obsessive is a reasonable description. While far from undiscerning, we find something, usually plenty, to enjoy in every record Evans played on. And we want them all in our collection. Evans' hardcore fans include practically every musician who played with him. Eddie Gomez, his ...
Bill Dixon: With Archie Shepp, 7-Tette & Orchestra Revisited
by Chris May
If Bill Dixon is today, in 2023, less widely remembered than other New Thing warriors such as Archie Shepp, Cecil Taylor and Albert Ayler, it is partly because he had little desire for celebrity, devoting much of his energy to organizing on behalf of his fellow musicians and composers, and teaching. In 1964, midway ...
Vilhelm Bromander: In This Forever Unfolding Moment
by Chris May
Ornette Coleman's haunting “Lonely Woman" is becoming something of a 2023 soundtrack. At the time of writing, we have had memorable versions from Kahil El'Zabar's Ethnic Heritage Ensemble on Spirit Gatherer (Spirit Muse), and Kurt Elling and Charlie Hunter on The Iridescent Spree (Edition), plus another couple of efforts about which the less said the better. ...
