Home » Search Center » Results: Chris Lightcap
Results for "Chris Lightcap"
Mary Halvorson: Meltframe
by Stefano Merighi
Il primo disco di Mary Halvorson in solo sancisce la piena maturità acquisita dalla chitarrista bostoniana. Un'artista che folgora immediatamente oppure insospettisce, che appare come un'apprendista sempre in fase di studio oppure come una razionale dispensatrice di finezze da tempo metabolizzate. Fin dalle prime sortite in trio, o in gruppi più ...
Saalfelden 2015
by Vincenzo Roggero
Memorabile edizione la trentaseiesima del Saalfelden Jazz Festival. Forse il caldo più consono ai mari del sud che ad una località alpina ha sciolto anche gli animi più rigidi, ha favorito la libera circolazione delle idee, ha creato un clima di condivisione e stimolo artistico. Forse gli dei della musica hanno soffiato un vento benevolo sulle ...
Mary Halvorson: Meltframe
by Karl Ackermann
In a quietly forceful way, guitarist Mary Halvorson has cemented her place among the company of modern-day counterparts such as Eivind Aarset, Nels Cline and Terje Rypdal. The Brooklyn based composer/musician has performed with the likes of Anthony Braxton (both sharing credentials at Wesleyan University), cornet player Taylor Ho Bynum and the avant-garde group Trevor Dunn's ...
Melissa Stylianou: No Regrets
by Angelo Leonardi
Canadese di nascita e formazione, la cantante Melissa Stylianou ormai da un decennio vive a New York, dove s'è fatta conoscere e apprezzare per le pregevoli collaborazioni (Ben Monder, Chris Lightcap, Matt Wilson, Rodney Green) ed i concerti in prestigiosi club come il Blue Note, l'Iridium, il Jazz Standard o il Birdland. Se nei quattro ...
Lena Hovanesian: irwinorange
by Dan McClenaghan
In assigning colors to a musician's “sound," does alto saxophonist Lena Hovanesian blow orange? Maybe. On her debut CD, irwinorange, the title taken from the 2014 Franklin Evans' painting of the same name, Hovanesian's alto has a citrus-y tang, as she explores, sonically, her love of abstract art and natural beauty of Hawaii and her native ...
Max Johnson, Kirk Knuffke, Ziv Ravitz: Something Familiar
by Karl Ackermann
New York native Max Johnson does not appear to require sleep. The bassist/composer, whose career spans the wide terrain from the Trans-Siberian Orchestra to Lollapalooza to Anthony Braxton consistently delivers fresh, adventurous, high-quality music against an ambitious output. With his now-regular working trio of Kirk Knuffke on cornet and drummer Ziv Ravitz, the group has released ...
Chris Lightcap's Bigmouth: Epicenter
by Luca Canini
Ha ancora senso parlare di mainstream? Esiste un jazz che guarda al futuro riuscendo allo stesso tempo ad essere immediatamente riconoscibile e masticabile anche da chi di jazz poco, o niente, ne capisce? Domande oziose soltanto all'apparenza. Che nel loro studiato candore squarciano il velo di una dicotomia che a uno sguardo distratto può apparire insanabile: ...
Chris Lightcap's Bigmouth: Epicenter
by Dave Wayne
Conceived as a continuous seven-part extended work for his band, Bigmouth, the first seven tracks on Chris Lightcap's Epicenter are as remarkable for their diversity as they are for the ways in which they're tied together. The unifying theme here is “New York: Lost and Found," and the music could indeed work as a sort of ...
Chris Lightcap's Bigmouth: Epicenter
by Budd Kopman
The closing track of bassist Chris Lightcap's muscular and vibrant Epicenter is a very intense and almost brutal version of Lou Reed's “All Tomorrow's Parties" from the 1967 release Velvet Underground & Nico. This tune, which is among Reed's most highly crafted works and which captures the essence of both the times and its subculture, is ...
Chris Lightcap's Bigmouth: Epicenter
by Mark F. Turner
"Nine South" from New York bassist Chris Lightcap's Epicenter ignites the rhythm sense with its undeniable influence from West African music. Written as part of a commissioned work granted by Chamber Music America New Jazz Works, the piece was inspired by Lightcap's routine drive into Manhattan. Propelled by contagious hooks, fiery solos, and powerful harmonies, the ...
