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Article: Live Review

Suoni Per Il Popolo 2017

Read "Suoni Per Il Popolo 2017" reviewed by Mike Chamberlain


Casa del Popolo, Sala Rossa, La Vitrola Suoni Per Il Popolo Montreal, Quebec, Canada June 1-24, 2017 This year's edition of the Suoni per il Popolo, or Suoni as it is popularly known, was the 17th since the inception of Mauro Pezzente and Kiva Stimac's Casa del Popolo mini-empire, which also ...

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Article: Live Review

Vossa Jazz 2017

Read "Vossa Jazz 2017" reviewed by Ian Patterson


Vossajazz 2017 Various Venues Voss, Norway April 7-9, 2017 Some places punch above their weight. Voss is one. With just 14,000 inhabitants, this small Norwegian town in the county of Hordaland, can boast a world-renowned sky-diving training centre, the country's foremost folk music academy, one of the best wine cellars in ...

9

Article: Live Review

Rodrigo Amado, Joe McPhee, Kent Kessler, Chris Corsano, live at Bimhuis Amsterdam

Read "Rodrigo Amado, Joe McPhee, Kent Kessler, Chris Corsano, live at Bimhuis Amsterdam" reviewed by Henning Bolte


Rodrigo Amado, Joe McPhee, Kent Kessler, Chris Corsano Bimhuis Amsterdam March 8, 2017 As part of a European tour through nine countries, the Portuguese-North American configuration of Lisbon tenor saxophonist Rodrigo Amado, multi-instrumentalist Joe McPhee (saxophones, trumpet, didgeridoo), bassist Kent Kessler from Chicago, and young drummer Chris Corsano ...

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Article: Album Review

Chris Corsano/Sylvie Courvoisier/Nate Wooley: Salt Task

Read "Salt Task" reviewed by Mark Corroto


I imagine the tracks for the inaugural meeting between these improvising musicians are presented to us in the order they were recorded. I say that because the music gives the impression it is undergoing the process of refinement as the recording progresses. Perhaps, as each of the individual tracks progresses. But, like the musicians, ...

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Article: Album Review

Insufficient Funs: Insufficient Funs

Read "Insufficient Funs" reviewed by Ian Patterson


An original name, if not quite such an original concept. Saxophone and drum duets used to be as rare as the proverbial hen's teeth, with John Coltrane and Rashied Ali's 1960s collaboration always the benchmark. In recent years, however, this striking duo combination has seen something of a boom. Charles Lloyd and Billy Higgins; Dave Rempis ...

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Article: Album Review

Dragonfly Breath III: Live at the Stone: Megaloprepus Caerulatus

Read "Live at the Stone: Megaloprepus Caerulatus" reviewed by Mark Corroto


Today's zen koan: why does a watched pot never boil? The answer to that question is found in the music of Dragonfly Breath III: because it is always boiling. The roil we speak of comes from the quartet of saxophonist Paul Flaherty, trombonist Steve Swell, violinist C. Spencer Yeh, and drummer Weasel Walter. The ...

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Article: Album Review

Rodrigo Amado Motion Trio: Desire & Freedom

Read "Desire & Freedom" reviewed by Mark Corroto


Rodrigo Amado's Motion Trio is the model of free jazz genuineness and efficiency, and by that I mean proficiency. They give off an impression of nonchalance here, but don't let their relaxed approach fool you, beneath the surface their music is burning with all the agitation of the 1960's New Thing in jazz. After ...

3

Article: Album Review

Nate Wooley/Hugo Antunes/Jorge Queijo/Mário Costa/Chris Corsano: Purple Patio

Read "Purple Patio" reviewed by John Sharpe


From the perspective of release dates Purple Patio can be seen as a follow up to Malus (NoBusiness Records, 2014) by the core trio of trumpeter Nate Wooley, Belgium-based Portuguese bassist Hugo Antunes and celebrated drummer Chris Corsano. But in actual fact the limited edition LP was recorded two weeks previously, presumably during the same tour. ...

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Article: Album Review

Nate Wooley/Hugo Antunes/Jorge Queijo/Mário Costa/Chris Corsano: Purple Patio

Read "Purple Patio" reviewed by Mark Corroto


If I had to do it all over again, I would not have judged Purple Patio as soon as I dropped the needle onto the LP. Yes, this is a vinyl-only release, and yes, it is only an edition of 300 copies. Instead, I should have listened to both sides all the way through. But that ...

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Article: Album Review

Joe Morris: Shock Axis

Read "Shock Axis" reviewed by Mark Corroto


I am applying for a NEA grant to test my theory that you can judge an album by it's cover. For instance, The Rolling Stones' Exile on Main St (RSR, 1972) and The Clash's London Calling (CBS, 1979) are two albums where you just knew what to expect by gazing at the covers. In the jazz ...


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