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PunktFestival 2017
by Luca Vitali
Punkt Festival Kristiansand, Norvegia Varie sedi 31.8-2.9.2017 Come sempre Punkt è un festival fuori dall'ordinario e all'insegna dell'imprevisto e dell'imprevedibile. Una sorta di Industria 4.0 della musica: fuori dal “circolo" dei tour estivi, tipico dei festival jazz, e poco interessato a fotografare il passato e il presente, è invece molto attento ...
Jazzfestival Saalfelden 2017
by Stefano Merighi
Fotografare lo stato dell'arte nell'ambito del jazz e delle musiche limitrofe è compito che il festival di Saalfelden svolge assai bene ormai da decenni. Non solo la rassegna austriaca non rinuncia ad alcuna delle sue prerogative estetiche (apertura massima rispetto agli stili contemporanei, volontà di anticipare tendenze, capacità di realizzare prime esecuzioni mondiali), ma anzi, trova ...
Bray Jazz Festival 2017
by Ian Patterson
Bray Jazz Festival Various venues Bray, Ireland May 28-30, 2017 There are just so many cultural events going on in Ireland over the May Bank Holiday weekend that it can be a bit of a head-spin deciding what to opt for. Roots music gatherings, literature festivals, classical recitals, a chamber ...
Alexander Zethson: Pole Of Inaccessibility
by Mark Corroto
You are both awake and asleep. Listening, but at the same time paying no heed to the experience. Am I talking about the ancient Buddhist practice of yoga nidra or the recording Pole Of Inaccessibility by Swedish pianist Alexander Zethson? Actually both. The finest tribute that can be paid to these two discs of ...
Big Ears Festival 2016
by Mark Sullivan
Big Ears Festival Knoxville, TN March 31-April 2, 2016 Since its beginning in 2009, the Big Ears Festival has always been willfully, unapologetically eclectic. Their own self-description is “a dynamic, interactive experience that explores connections between musicians and artists, crossing all musical genres while interfacing with film, performance and the visual arts." ...
The Necks: Vertigo
by Dave Wayne
Permit me a moment on a soapbox. Improvisation is merely a process, just as composition is a process. It is simply a way to organize sound. There are no imperatives, no agendas. Just spontaneity and interaction. Contrary to what's been drilled into your head over the years, improvisation doesn't necessitate “harsh" or “abrasive" sounds. In the ...
The Necks: Vertigo
by Mark Sullivan
The Necks don't swing. Since they are sometimes described as an “experimental jazz trio," it seems best to just put that on the table at the outset. I hesitate to call their music “free improvisation," as well, because of the abrasive, dissonant qualities so often found in that music--which doesn't describe The Necks at all. What ...
Roil: Raft of the Meadows
by John Sharpe
Established in 2007, Roil comprises three Australians from the Sydney jazz scene, sharing pianist Chris Abrahams with that other better known Antipodean combo The Necks. Like that last outfit Roil manifests as an egalitarian concern, continuing in the lineage trailblazed by Bill Evans in the 1960s via Howard Riley's trio with Barry Guy a decade later. ...
Enjoy Jazz Festival 2014
by Adriana Carcu
Enjoy Jazz Festival Heidelberg, Mannheim, Ludwigshafen, Germany October 2 -November 15, 2014 Here are the festival numbers: 80 shows in almost seven weeks on 25 stages, performed by 250 musicians from 35 countries. Beyond the numbers there are many names: quite a few well known, a fair amount of established artists ...
Lloyd Swanton: The Necks Trust Each Other to Not Push the Music Too Fast
by Nenad Georgievski
The Australian jazz--improv--jam trio The Necks has been active for quarter century. Consisting of drummer Tony Buck, bassist Lloyd Swanton and keyboardist Chris Abrahams, The Necks' members are all seasoned jazzers who approach the trio's music rather differently. Drawing inspiration from electronica, systems music and rock, the Necks have reshaped the role of the jazz keyboard ...
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