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Return to Forever: Back, Bold and Badass
by R.J. DeLuke
This article was first published at All About Jazz in June 2008. The word has long been out and the 2008 reunion tour of Return to Forever, one of the standard bearers of the jazz-rock fusion movement of the 1970s, is well on its way. Intricate, emotive and—yes—loud music that hasn't really been heard ...
Chick Corea: In The Present Tense
by Jim Worsley
This article was originally published at All About Jazz on November 12, 2020. RIP, Chick. What can you say about music icon Chick Corea that hasn't already been said? His past, his career has been honored, dissected, and revered. As it should be. A composer and pianist of unparalleled skills and accomplishments, Corea's place ...
My Conversation with Chick Corea
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in August 1999. It would be silly for me to even attempt to pontificate on the ramifications Chick Corea has had on this music. But it should be universal that his impact has been substantial at worst. So I will let him ...
Chick Corea
by Mark Sabbatini
In memory of NEA Jazz Master Chick Corea: 1941-2021. This article was first published at All About Jazz in 2004. Pianist Chick Corea is one of the major pioneers of fusion, with his influence since the 1960s also extending to post-bop, Latin, free-form and avant-garde jazz. He is a rarity in his proficiency and ...
Andrew Nixon, Ed Croft, Joe Goretti: In Congruence
by Chris May
Every now and again an album comes along by a musician you have never heard of which knocks you sideways and, having done so, picks you up and makes you feel better about the world. Such an album is pianist Andrew Nixon's self-released debut, In Congruence. Nixon, we learn from his website, is ...
Dan Bonsanti: Cartoon Bebop
by Jack Bowers
The malicious coronavirus pandemic that brought most of the world to its knees in 2020 has spawned the use of several reanimated words including “virtual," whose meaning is “sort of here but not really," as in virtual video chats, conference calls, exhibits, films and even musical performances. “Virtual" has spread its tentacles into almost every walk ...
Cory Weeds: O Sole Mio! Music From The Motherland
by Pierre Giroux
Even in these trying and uncertain times, there are some professional creative artists who recognize the need to “carry on" and make the best of a bad situation. Saxophonist Cory Weeds is one of those individuals. He is releasing O Sole Mio! Music From The Motherland on his own label, CellarMusic. Weeds has merged his talents ...
Nicola Conte: Good Juju From Italy’s Spiritual Jazz Shaman
by Chris May
Ever since his debut album, the acid-jazz masterpiece Jet Sounds (Schema), in 2000, the producer, composer, DJ and guitarist Nicola Conte has kept the jazz world guessing by constantly moving the goal posts. The trumpeter Miles Davis famously said, “I always gotta change. It's like a curse." But with Conte, it feels more like a blessing, ...
Saluting Harold Arlen
by Russell Perry
Born Hyman Arluck on February 15, 1905, Harold Arlen was one of the most important composers of the Great American songbook. Arlen's first collaboration with lyricist Ted Koehler, “Get Happy," became his first hit in 1930 and ever since his tunes have been covered by jazz artists. In 2000, his collaboration with Yip Harburg, “Over the ...
Frank Kimbrough: Changing the Contexts, Keeping It Fresh
by Wayne Zade
From the 1995-2003 archive: This article first appeared at All About Jazz in September 2002. Frank Kimbrough is one of the most versatile and innovative pianists in jazz on the New York and national scenes. He has been the pianist in the Maria Schneider jazz orchestra and has recorded seven albums under his own ...
