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Results for "Chick Corea"
Lost Within Jobim, the BOOM, and You
by Chris M. Slawecki
Albare Plays Jobim Vol. 2 Alfi Records 2021 “I was 14 when I first heard the music of Tom Jobim," recalls Albare, nom de guerre of guitarist Albert Dadon. “I already had six years of guitar learning under my belt. When I first heard those bossa ...
Carlos Vega: Art of the Messenger
by Jack Bowers
In case you didn't quite catch the “message" subtly embedded in the title of Chicago-based tenor saxophonist Carlos Vega's new recording, Art of the Messenger, here is a brief reminder that it was drummer Art Blakey who formed the Jazz Messengers in the mid-1950s and led the celebrated hard-bop ensemble until his death in 1990. The ...
Marty Sheller: The Name Behind The Sound You All Know, Part 1
by Skip Heller
There are certain musicians who embody eras, even if they're not the player with their picture on the cover. In our contemporary musical climate, Greg Leisz comes to mind. Since 1991, he has popped up on hundreds of acclaimed albums, and without ever really changing his style, he has become centrifugal beyond the considerations of genre ...
John McLaughlin, Gary Willis, Tribal Tech, David Binney, Tom Coster
by Len Davis
Today a fusion fest with some of the finest releases over the last 30 years John McLaughlin, Chick Corea, Niacin, David Binney and much more.Playlist Niacin “Prelude & Funky Opus" from Krush (Prosthetic) 00:00 John McLaughlin"Mr DC" from The Heart Of Things (Verve) 07:24 Chick Corea “El Stephen Parts 1&2" from The Ultimate Adventure ...
Francois Bourassa: L'Impact du Silence
by Dan McClenaghan
Solo piano outings often serve as a baring of the artist's soul. Montreal-based pianist Francois Bourassa does just that on his tenth album, L'impact du Silence. Influenced by the piano artistry of Chick Corea, Brad Mehldau and Bill Evans, Bourassa has concentrated on small ensemble work—trios and quartets—on his previous recordings. Bringing his classical music influences ...
Samara Joy: Ascension Into Jazz
by R.J. DeLuke
When Samara Joy performs, she takes her place, stands confidently and sings. Immediately the strength and richness of her voice—which is natural—grabs the attention of the listener. There are no gyrations. It's refreshing that a young artist doesn't see the need for unnecessary vocal gymnastics. Too often, those can miss the mark. Her style ...
Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word
by Rob Garratt
It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant interviewee—quite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...
Amina Figarova: Persistence
by Maurizio Zerbo
Il pregio della varietà sostanzia la cifra artistica della pianista Amina Figarova, non circoscritta entro i soli confini del jazz. Dopo il progetto orchestrale del penultimo CD, la musicista azera residente a New York apre la finestra del suo etereo pensiero compositivo verso i territori della fusion, del funk, del rap. Da queste premesse discende un ...
Take Five with Markos Chaidemenos
by AAJ Staff
Meet Markos ChaidemenosMarkos Chaidemenos is a jazz musician who discovered his love for piano at the age of 16 (2005) and his passion for jazz at the age of 22. Although Markos earned his first bachelor at Informatics & Telecommunications in National and Kapodistrian University of Athens, he never worked in the field. After he mastered ...
Chick Corea final tributes, plus new Australian Jazz from The Andy Sugg Group and new music from Jane Getter Premonition
by Len Davis
Our final tribute to Chick Corea, the Andy Sugg Group's new release Grand & Union plus a preview of the upcoming release from Dave Holland, and some rock fusion from guitarist Jane Getter and her new release Anomalia. Playlist Chick Corea “Tap Step" from Tap Step (Stretch) 00:00 Chick Corea “Nite Sprite" from The ...
