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Gary Burton / Pat Metheny / Steve Swallow / Antonio Sanchez: Quartet Live
by John Kelman
It's rare that a group can reunite to create what it had decades ago while remaining completely fresh and relevant. When guitarist Pat Metheny regrouped the Gary Burton Quartet--his training ground, beginning in his late-teens, from 1974- 1977--as one of his By Invitation performances at the 2005 Festival International de Jazz de Montreal, it was clear ...
Gary Burton: Forging Ahead
by R.J. DeLuke
"I got started in Nashville and knew a lot of the country musicians. I got my first record contract from Chet Atkins who saw me playing in a local club in Nashville and who decided to talk to RCA and get them to offer me a long-term contract," says this renowned musician born in a small ...
Chick Corea Endorses the Yamaha Avantgrand Hybrid Piano
Legendary jazz pianist Chick Corea recently took Yamaha's newly launched AvantGrand N3 hybrid piano for a “test drive." Initially skeptical about the world's first stringless piano to feature the sound, touch and action of a concert grand, the 67-year-old jazz superstar was quickly won over. “My standard of comparison is the CFIIIS concert grand with a ...
Take Five With Marc Brenken
by AAJ Staff
Meet Marc Brenken:Marc Brenken (born June 17th, 1973) started to play piano at the age of eight and has constantly been developing his own musical language since his studies at the Folkwang Academy of music in Essen, Germany. In 2006 his debut cd eight short stories (with his quartet featuring trumpeter Christian Kappe) was ...
Grant Geissman: Cool Man Cool
by Woodrow Wilkins
There are throwbacks, and then there are throwbacks. Guitarist Grant Geissman takes us back to the era of cool--a visual image of nightclubs patronized by people wearing long shirts, dark glasses and berets. Geissman may be best known for his solo on “Feels So Good," the pioneering smooth jazz song that brought Chuck Mangione's ...
Grant Geissman: Cool Man Cool
by John Kelman
Guitarist Grant Geissman returns after his stellar comeback disc, Say That! (Futurism, 2006), with an album that capitalizes on its predecessor's strengths while at the same time, recruiting an even larger cast of characters. Cool Man Cool is a west coast mainstream jazz affair, celebrating Cool, but with some twists and turns thrown in to make ...
John McLaughlin/Chick Corea: Five Peace Band, Montreal, Canada, April 28, 2009
by John Kelman
John McLaughlin / Chick Corea Five Peace BandSalle Wilfred-Pelletier Montreal, Canada April 28, 2009 The chance to experience the evolution of a one-time group over the course of a single tour is a rare one. Even if a live album is released, it's more often than not recorded ...
The Stanley Clarke Trio: Jazz in the Garden
by Woodrow Wilkins
How do you make one jazz trio different from so many others? Have the diverse stylings of Stanley Clarke on bass, the experience of Lenny White on drums and the adventurous spirit of Hiromi on piano. The result is the Stanley Clarke Trio. Each member of this ensemble is a leader in his ...
Queens: Home of Jazz and Flushing Town Hall
by Greg Thomas
When most people think of jazz in New York City, Manhattan readily comes to mind. The “East Coast" stride piano style was developed in Harlem, where venues such as the Savoy Ballroom, Small's Paradise, the Cotton Club and Minton's Playhouse presented the big bands and small groups of jazz lore. 52nd Street became known for its ...
Bud Shank: A Voice for the Ages
by Jack Bowers
I'll always have fond memories of the 2007 Prescott (Arizona) Jazz Summit, as it was the last time I had the great pleasure of seeing and hearing the phenomenal alto saxophonist Bud Shank doing what he did best: enfolding an entire audience in the palm of his hand with a seemingly endless stream of irrepressible notes ...
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