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7

Article: Album Review

Paul Bley Trios: Touching & Blood Revisited

Read "Touching & Blood Revisited" reviewed by Mark Corroto

by Mark Corroto

Pianist Paul Bley (1932—2016) wasn't just a witness to jazz history, he was a key contributor. Bley performed with Lester Young, Charlie Parker, Charles Mingus, and Sonny Rollins, yet his true sound was set in motion when he performed with Ornette Coleman in California, evidenced by Live At The Hillcrest Club 1958 (America Records, 1971). While ...

1

Article: Album Review

Johannes Wallmann: Elegy For An Undiscovered Species

Read "Elegy For An Undiscovered  Species" reviewed by Friedrich Kunzmann

by Friedrich Kunzmann

Supported by the Artemis supergroup members drummer Allison Miller and trumpeter Ingrid Jensen as well as by long-time collaborator Dayna Stephens and bassist Nick Moran, Johannes Wallmann can count himself lucky to have a celebrity packed core band behind him to present six new cuts fresh off the pianist's pen. In addition to the celebrity lineup, ...

2

News: Recording

The Complete Joe Henderson Blue Note Studio Sessions Now Available on Mosaic Records

The Complete Joe Henderson Blue Note Studio Sessions Now Available on Mosaic Records

When you get your copy of Mosaic’s new five-CD collector’s set, The Complete Joe Henderson Blue Note Studio Sessions, you’ll be holding a master key to unlocking 1960s jazz. That’s a big statement. But when you consider how much was happening from 1963 to 1966, the years covered by this collection, and contemplate how many different ...

24

Article: History of Jazz

Clifford Brown’s Trumpet and One Summer in Atlantic City

Read "Clifford Brown’s Trumpet and One Summer in Atlantic City" reviewed by Arthur R George

by Arthur R George

Part 1 | Part 2 For 22-year-old trumpeter Clifford Brown, the summer of 1953 in Atlantic City, New Jersey, was transformative. Playing with bebop elders, he cumulatively opened the door for what came next: a groove-oriented swinging style, in which small groups used structured arrangements like big bands, with room for improvisation, but less ...

8

Article: Album Review

Larry Coryell: Larry Coryell's Last Swing With Ireland

Read "Larry Coryell's Last Swing With Ireland" reviewed by Ian Patterson

by Ian Patterson

In his latter life, Larry Coryell was a frequent visitor to Ireland, where he would invariably hitch up with bassist David Redmond and drummer Kevin Brady, the esteemed rhythm team for the likes of Tommy Halferty, Bill Carrothers, Norma Winstone and Ian Shaw. In May 2016, during Coryell's last trip to Ireland, he entered Dublin's Hellfire ...

14

Article: Album Review

Jim Snidero: Live at the Deer Head Inn

Read "Live at the Deer Head Inn" reviewed by Jack Bowers

by Jack Bowers

Any short list of the finest alto saxophonists playing today must include the name Jim Snidero who has been a force to reckon with on the New York City jazz scene for almost four decades. Snidero earns high marks on his latest album not only for his typically sharp and fluent improvisations but also for his ...

10

News: Music Industry

Record Store Day 2021 Jazz Releases

Record Store Day 2021 Jazz Releases

Since its inception in 2007, Record Store Day has become an important event for record collectors around the world. Every year, limited edition runs of albums from a variety of different genres hit the shelves, and jazz is no exception. There are two 2021 Record Store Day drops planned: one on June 12 and the other ...

16

Article: Interview

Tali Rubinstein: Plastic Art

Read "Tali Rubinstein: Plastic Art" reviewed by Scott Krane

by Scott Krane

Recorder player, Tali Rubinstein, studied early music from the Baroque and Renaissance periods for many years, mostly as a teenager. The Israeli-American virtuoso learned under Bracha Kol, a recorder player and operatic vocalist based in Israel. If asked back then whether she was interested in playing jazz, Rubinstein would have looked at you with some interest ...

2

Article: Album Review

CODE Quartet: Genealogy

Read "Genealogy" reviewed by Friedrich Kunzmann

by Friedrich Kunzmann

Chordless or not, quartets tend to find a way around the necessity of vertical simultaneousness to create significant harmonies. With the Montreal-based Code Quartet it's the former variety of instrumentation, combining a vital rhythm section of drum and bass with two horns, much like Ornette Coleman's groundbreaking quartet or its logical continuation in the group Old ...

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Article: Interview

Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word

Read "Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word" reviewed by Rob Garratt

by Rob Garratt

It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant interviewee—quite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...


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