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Jim Snidero: Live at the Deer Head Inn
by Jack Bowers
Any short list of the finest alto saxophonists playing today must include the name Jim Snidero who has been a force to reckon with on the New York City jazz scene for almost four decades. Snidero earns high marks on his latest album not only for his typically sharp and fluent improvisations but also for his ...
Record Store Day 2021 Jazz Releases
Since its inception in 2007, Record Store Day has become an important event for record collectors around the world. Every year, limited edition runs of albums from a variety of different genres hit the shelves, and jazz is no exception. There are two 2021 Record Store Day drops planned: one on June 12 and the other ...
Tali Rubinstein: Plastic Art
by Scott Krane
Recorder player, Tali Rubinstein, studied early music from the Baroque and Renaissance periods for many years, mostly as a teenager. The Israeli-American virtuoso learned under Bracha Kol, a recorder player and operatic vocalist based in Israel. If asked back then whether she was interested in playing jazz, Rubinstein would have looked at you with some interest ...
CODE Quartet: Genealogy
by Friedrich Kunzmann
Chordless or not, quartets tend to find a way around the necessity of vertical simultaneousness to create significant harmonies. With the Montreal-based Code Quartet it's the former variety of instrumentation, combining a vital rhythm section of drum and bass with two horns, much like Ornette Coleman's groundbreaking quartet or its logical continuation in the group Old ...
Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word
by Rob Garratt
It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant intervieweequite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...
Ignaz Schick / Oliver Steidle: ILOG2
by Mark Corroto
The combination of Berlin based musicians Ignaz Schick and Oliver Steidle, known as ILOG, expands on the concepts of free improvisation with ILOG2 to include, for the lack of a better term, mania. Their frantic, often feverish, improvisations bring to mind both John Zorn's Naked City and William Burroughs' cut-ups. The opening piece, There Is No ...
Take Five with Matt Clark
by AAJ Staff
Meet Matt Clark I'm a guitarist and composer from Brighton, England. My career has spanned 35 years, encompassing genres as broad as jazz, blues, alternative, experimental, and electronic music. The year of COVID-19 and lockdown has been both testing and inspiring. Lack of live music and in-person collaboration has meant rethinking my musical output. ...
Thelonious Monk: A Thriving Legacy
by Doug Hall
If legendary jazz musicians were collected together in one giant jigsaw puzzle and each musician was one pieceThelonious Monk's individual piece would be impossible to cut out. As a singular artist, his shape or place in jazz is too uniquely non-conforming. From a musical and historical standpoint, he is recognized as one of the ...
Derrick Gardner, Logan Richardson & Barry Harris
by Joe Dimino
We start with a track off of big band director's Derrick Gardner 2020 album Still I Rise. We add some Kansas City spice with Charlie Parker and stellar saxophonist Logan Richardson with music from his Afrofuturism (Whirlwind Recordings, 2021) release. We also take a look at the new work from Matt Moran, Adam Shulman and Grant ...
Dan Wilson: Vessels Of Wood And Earth
by Chris May
Dan Wilson's Vessels Of Wood And Earth starts well. Just over a minute into track one, the guitarist launches into a lightning-speed solo which sounds a little like Wes Montgomery channeling Charlie Parker on speed. On track two, Stevie Wonder's well named Bird Of Beauty," he rings the changes, exchanging Montgomery and Parker for Pat Metheny ...


