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Neal Miner: Invisibility
by Pierre Giroux
Bassist Neal Miner has always been a strong supporter of jazz's lyrical tradition, and Invisibilility finds him in top form, not only as an instrumentalist but also as a composer deeply rooted in the idiom's classic origins. Joined by tenor saxophonist Chris Byars and drummer Jason Tiemann, Miner creates a trio sound that is conversational, closely ...
50 Years Later: 10 Jazz Albums from 1975 That Deserve Another Spin
by Kyle Simpler
1975 was a landmark year for music, marked by several outstanding album releases. Bob Dylan's Blood on the Tracks (Columbia), Led Zeppelin's Physical Graffiti (Swan Song), Pink Floyd's Wish You Were Here (Harvest), Frank Zappa's One Size Fits All (DiscReet) and Jeff Beck's Blow by Blow (Epic) were just a few of the titles that have ...
Michael Dease: Flow
by Howard Mandel
Everything comes together for Michael Dease and company on Flow, which should be no surprise but mustn't be taken for granted. The dynamic Mr. Dease, a consummate musician, sweeps his diverse crew of long-term collaborators and gifted newcomers through a confluence of songs rich in melody, rhythm and feeling. Pleasure-forward, Flow entices, refreshes, buoys and inspires. ...
Mid Century Modern Jazz
by David Brown
This week, the show kicks off with recent releases form Anat Fort, Matthew Shipp and Sumi Tonooka We then jump back to the 1950s for some mid-century modern recordings from Benny Golson, Gerry Mulligan, Roy and Diz, Louis Armstrong, Al Haig, Milt Jackson, June Christy The Four Brothers, Dorothy Donegan, The Joe Newman Octet, Terry Gibbs, ...
Gary Bartz Is Nobody's Jazz Musician
by Bridget A. Arnwine
Gary Bartz is nobody's jazz musician. What he has built and created as an artist with a career that spans six decades defies labels, especially ones that have storied racist connotations and otherwise derogatory origins like the word jazz. He is a composer of the finest order and as gifted as the most revered names in ...
Craig Taborn / Nels Cline / Marcus Gilmore: Trio Of Bloom
by Jack Kenny
The concept of a musical “supergroup" is hardly new. It could be argued that Charlie Parker and Dizzy Gillespie's assembly at Massey Hall in 1953 was an early example. This legendary bebop concert, despite the undeniable talent on stage, famously showcased clashing egos, particularly with a less-than-healthy Bud Powell. Charles Mingus even had to re-record his ...
George Coleman: George Coleman with Strings
by Jack Kenny
The allure of recording with strings has captivated many jazz icons, from Stan Getz and Dizzy Gillespie to, most famously, Charlie Parker. For some, it is a pursuit of a different kind of respectability, an envying nod to the classical world. For George Coleman, a revered NEA Jazz Master, it was a chance to expand his ...
Mike Pope: The Parts You Keep
by Jack Bowers
You have to admire a bandleader who enhances an album by dedicating one of his compositions to an Uber driver and inviting his 85-year-old mother to play piano on the last two numbers. That is exactly what bassist Mike Pope does on The Parts You Keep, and they are two of the recording's more pleasing episodes. ...
George Coleman: George Coleman with Strings
by Dan McClenaghan
Tenor saxophonist George Coleman decided to leave the orbit of trumpeter Miles Davis in 1964. Or he got an elbow to the ribs and a hip check to leave the quintet, to be replaced by Wayne Shorter in the saxophone slot. Three top-notch live albums came out of the group that featured Coleman: In Europe: Live ...
Jane Ira Bloom, Kieran Brown, Charlie Parker & Sheila Jordan
by Joe Dimino
Our journey into the 921st episode of Neon Jazz begins with the incomparable Sheila Jordan--a legend whose fearless spirit and boundless artistry will forever echo through jazz. She left us on August 11, 2025, at the age of 96, after a life lived with unmatched courage, grace, and musical brilliance. In her honor, we open with ...
