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New Albums From Stern, Shepik, Brady, Eldritch Priest, Bernstein And More
by Bob Osborne
This week's batch of new releases includes a more than usual amount of guitar lead music. With new albums from Mike Stern, Brad Shepik, Tim Brady, Eldritch Priest, and Peter Bernstein, plus two new singles from Ari Joshua, there are more than enough examples of guitar music to keep six-string fans engaged. In addition there is ...
My Summer with Sonny
by Patrick Burnette
Raise your hands, jazz fans, if you've been thinking about jazz legend Sonny Rollins during the last few months. After all, the great man is still with us at age 94. Reaching such an age is an accomplishment for anybody, but a miraculous feat for an African-American jazz musician born in the early decades of the ...
Remembering Dan Morgenstern
by Sanford Josephson
This article previously appeared in Jersey Jazz Magazine. In 1938 when Dan Morgenstern was eight years old, he and his mother fled Nazi-controlled Austria for Copenhagen. Nine years later, they arrived in New York, and Morgenstern was not interested in seeing the Statute of Liberty or the Empire State Building. He just wanted to ...
Ivo Perelman: What A Year In Music
by Mark Corroto
There is an adage in the music world that one is damned to be a completist. Ever since performances have been captured on cylinders, records, and now digitally, music devotees have endeavored to collect entire catalogs of their favorite musicians or ensembles. Think about the obsessive hunters of 78 rpm blues records from backwoods artists of ...
Remembering Benny Golson: Killer Joe
by Ian Patterson
Benny Golson, one of Philadelphia's most famous jazz sons, died on 21 September, 2024. He was 95. One of the last giants of the golden age of jazz, Golson enjoyed a rich career as a leader, composer and arranger. His recording career as a leader spanned seven decades, from The Modern Touch (Riverside, 1958) to Horizon ...
A Conversation with Charlie Hunter
by Jason West
This article was first published at All About Jazz in May 1999. One tends to get the impression that Charlie Hunter truly doesn't care about the big money, the acres of critics, or the international hype he receives. Perhaps this is because the 31 year-old Bay Area native is too concerned about growing as ...
Christopher Zuar, Kenny Barron, and Andrea Wolper
by Jerome Wilson
This episode features a wide variety of approaches, such as large ensemble jazz from Christopher Zuar and Eberhard Weber, small group work from Kenny Barron and Artemis, and vocals from Andrea Wolper and Tiziana Ghiglioni. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of ...
Dorothy Ashby: Afro-Harping Deluxe Edition
by Chris May
There are certain instruments that struggled for attention in the years when the jazz ecology was an overwhelmingly male preserve--or rather, when many men perceived jazz to be a male preserve, and a heterosexual, alpha male one at that. Exhibit A, the flute, was described by one leading male alto saxophonist, a near contemporary of Charlie ...
Phil Schaap: Talking Technology and More
by Marshall D Katzman
This article was transcribed from a March 21, 2021 interview on the Mister Radio Podcast. Marshall Katzman: You're listening to Mister Radio, and I'm your host, Marshall. Today's guest has won six Grammy Awards and eight Grammy nominations, including an award for Best Album Notes for Bird, the complete Charlie Parker on Verve. Frank ...
Ken Peplowski: Unheard Bird
by Jack Bowers
Even when the recording (in this case, two) is a classic--as, for example, Charlie Parker's memorable Bird with Strings (Mercury Records, 1950)--some songs that deserve better are necessarily left on the cutting-room floor. Some may see that as disappointing, while others--like reed specialist Ken Peplowski--embrace it as an opportunity. On Unheard Bird, Peplowski--with strings and a ...
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