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Mundell Lowe Quartet Live At The Saville Theater
by Robert Bush
Mundell Lowe Quartet Saville Theater, San Diego City College San Diego CA July 13, 2010 Tuesday night's affair was standing-room-only for the rare appearance by Mundell Lowe, an iconic figure in the annals of jazz history. Lowe cut his teeth as an improviser in the Roosevelt administration--that he ...
Giacomo Gates: An Unconventional Backstory
by Sean Dietrich
Giacomo Gates brings a rich, full-bodied timbre to the vocal jazz table. His pure vocalese approach has earned him lauds among critics, who hail him a champion artist in the modern jazz genre. He's been performing alongside the most recognized artists in the industry, using only his voice to produce a broad range of spectral color. ...
Introducing Anthony Braxton
by Robert Levin
[Editor's Note: This article first appeared in Jazz & Pop Magazine, 1970]To anyone still questioning the validity of the systems and methods at which Cecil Taylor and Ornette Coleman arrived, I would first of all recommend that he listen more attentively to the work of those men. But I'd also suggest that he make ...
Tribe: Message From The Tribe: An Anthology of Tribe Records 1972-1976
by Chris May
If the 1960s was the decade of sexual liberation and psycho-pharmaceuticals, the 1970s was the decade of self-empowerment and community activism, and nowhere was this more true than in black America. Musicians were among the vanguard of the activists, forming collectives to increase their leverage within the “entertainment" industry and, through education projects, to strengthen their ...
Nat Birchall: Alone In The Music
by Chris May
Two of the most over-used phrases in music journalism are “overnight star" and “out of nowhere," and so apologies for starting with them here. But when it comes to describing British saxophonist Nat Birchall, they have an unusual degree of exactitude. Birchall, born in 1957 in the rural seclusion of the hill country of North-West England, ...
Guitarist Steve Cardenas Interviewed at AAJ
Kansas City has had a long and storied place in jazz history. From Count Basie, to Charlie Parker and Lester Young, some of the best and brightest in the genre have either been raised or cut their teeth in K.C. While there seems to be an historical tinge to the city whenever its contribution to jazz ...
Laurie Antonioli: A Constellation In The West
by C. Michael Bailey
While vocalist Laurie Antonioli may not be a household name, she is not exactly an unknown quantity. The Bay area native has been singing pre-professionally and professionally since the late 1970s, initially influenced by the diamond songwriting talents of Joni Mitchell, James Taylor and Neil Young. She took a right turn listening to her grandmother's 78s ...
Jan Bang: Head, Shoulders, Hips, Knees and Toes
by John Kelman
When it comes to organically integrating modern technology into music, few countries are innovating to the degree of Norway, and at the epicenter of that country's forward-thinking approach to melding improvisation with jazz and Norwegian traditionalism--not to mention contemporary classicism, pop, ambient and more; truly any and all musical markers--is producer/remixer/sampler Jan Bang, who has just ...
Chu Berry, Joe Harriott, and Yusef Lateef
by Sean Dietrich
The role call for sax genius is a lengthy one. But upon briefly thumbing past names like Charlie Parker, John Coltrane and Coleman Hawkins, one finds a glow beneath the surface radiating from lesser known players. Members of the vast sax community, who don't often get the same press other celebrated players receive. ...
Albuquerque Jazz Orchestra Rekindles Cuban Fire Suite
by Jack Bowers
On June 5, 2010, with the temperature in Albuquerque hovering around 100 degrees, the Albuquerque Jazz Orchestra couldn't have wished for a better time to perform Johnny Richards' incendiary Cuban Fire suite, first recorded in 1956 by the Stan Kenton Orchestra. The sold-out concert was the opening event in the city's annual Jazz and Blues Under ...
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