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Abdullah Ibrahim: Perpetual Change
by Ian Patterson
For legendary pianist/composer Abdullah Ibrahim, music is always in a state of evolution. This philosophy is common to nearly all great composers, from [pianist] Duke Ellington to [trumpeter] Miles Davis and from [saxophonist] John Coltrane and [pianist] Ahmad Jamal to [guitarist] Bill Frisell. A piece of music is born, it grows and gradually matures but it ...
Toots Thielemans: European Quartet Live
by Raul d'Gama Rose
Miles Davis never liked the use of the term legend," to describe a living musician, but perhaps an exception ought to be made in the case of Toots Thielemans, who ranks with the great Larry Adler as one of the greatest harmonica players, one for whom music has specially been composed. On ˂em˃Live˂/em˃, together with his ...
Wadada Leo Smith: The Teacher
by Franz A. Matzner
Wadada Leo Smith's career as a creative musician spans more than forty years. The trumpeter/composer's myriad accomplishments have been well-documented, particularly recently, as his recoding and performance career have undergone a marked renaissance, the success of which has shown a spotlight not only on his recent undertakings, but also inspired a reexamination of his past works.
Damani Phillips: The String Theory
by Victor Verney
Damani PhillipsThe String TheorySelf Produced2010 The idea of adding strings to a jazz combo has long been a divisive issue among the music's aficionados. It's often disparaged by many purists as a commercial sell-out, similar to the fusion" concept of marrying jazz with rock. One self-proclaimed hard ...
Loose Tubes: Tomorrow Night is Your Last Chance Ever
by Bruce Lindsay
Twenty years after legendary British big band Loose Tubes played its farewell gigs at Ronnie Scott's Club in London, its first live album, Dancing On Frith Street (Lost Marble Records, 2010), became Jazzwise magazine's Archive Album of 2010. In the intervening decades, the band's members had spread across the British and international jazz scenes to become ...
Mort Weiss: Mort Weiss Meets Bill Cunliffe
by C. Michael Bailey
If it is a Mort Weiss recording, bebop cannot be very far away. Competent bop clarinetists are as scarce as hen's teeth, the most critically accepted being Tony Scott, Buddy Defranco and Weiss. Weiss' most recent recordings, Mort Weiss Meets Sam Most (SMS Jazz, 2006) and B3 and Me (SMS Jazz, 2006), reflect his solid bop ...
Clarinettist Luca Luciano's new album "Partenope" is now out!
The new album , contemporary music for solo clarinet, by the Italian clarinettist/composer Luca Luciano is now out (Masterful Clarinet!" by Musician Magazine). Continuing the journey started with the album Neapolis" (Red Kite Records, 2005) and Clarinet" (MCPS, 2008-2010), the compositions (all Luciano's) included in this release are also part of an on-going academic research that ...
Joe Lovano: Joe Lovano - Bird Songs
by Jonathan Wertheim
Joe Lovano's Us Five debut, Folk Art (Blue Note, 2009), was a triumphantly energetic outing, filled with the sound of two drummers and running through a program of Lovano's originals. It was a highly personal and emphatic debut, and a great one too, but Bird Songs is important in completing the portrait of this ensemble.
James Lent: The Man at the Piano
by Gary Bennett
The Other Side has been a landmark of Hyperion Avenue, sandwiched between a gymnasium and an eatery or two in the Silverlake section of Los Angeles, for several decades. Ownership has changed once or twice; bartenders have come and gone. But faithful patronage of the restaurant-bar hasn't waned. Inside, the blood-red walls are ...
Jackie McLean: New Soil
by Greg Simmons
Jackie McLean's New Soil, is not the most acclaimed album in the classic Blue Note catalogue, but this 1959 release deserves more attention that it gets, being supremely well-played, well-written and--within the limitations of its time--well-recorded. This vinyl reissue, remastered from the original tapes by the good folks at Acous-Tech, is part of a series of ...


