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Art Pepper: Blues For The Fisherman
by Greg Simmons
What jumps out of Art Pepper's Blues for the Fisherman is his alto saxophone's boldness and overt expressiveness. If prior exposure has only scratched the surface of Pepper's work--perhaps with the ubiquitous Art Pepper Meets the Rhythm Section (Contemporary, 1957)--this live recording fairly smashes expectations of a polite, cool performance. Recorded in two nights at Ronnie ...
JazzBoston Organizes Local Awards Party for Wally's Cafe on Saturday June 11
Elynor Walcott and sons Paul, Frank, and Lloyd Poindexter, who own and run the storied Wally's Café, in Boston, have been named 2011 “Jazz Heroes" by the Jazz Journalists Association. Established in 1947 by Elynor Walcott's father, Joseph L. ("Wally") Walcott, an immigrant from Barbados, it was the first African American owned nightclub in New England ...
Konitz/Mehldau/Haden/Motian: Live at Birdland
by Dan McClenaghan
Konitz/Mehldau/Haden/MotianLive at BirdlandECM Records2011 The tunes are familiar, Great American Songbook and jazz standards all. So for those unfamiliar with the names involved in this quartet outing, the old complaint of “same old same old" could surface. But with alto saxophonist Lee Konitz at the top of ...
Jen Shyu and Theo Bleckmann: Breaking the Song Barrier
by Daniel Lehner
Before Robert Moog came out with the first synthesizer, before Adolphe Sax invented his famous reed instrument, before the trumpets sounded at Jericho, even before the world's ancient tribes tightened their animal skins to make drums, humanity's first instrument was the voice. Not that this is of particular consequence to Theo Bleckmann. “To me, that argument ...
Anthony Braxton: Trio and Quintet (Town Hall) 1972
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by Raul d'Gama Rose
If Anthony Braxton were to be judged on the basis of his oeuvre alone, he would stand completely apart from any modern composer, bar none. He has an enormous body of work, written for every conceivable permutation and combination of ensemble, from two to over a hundred and also for practically all the modern instruments known ...
Take Five With Benjamin Drazen
by AAJ Staff
Meet Benjamin Drazen: Benjamin Drazen is a native New Yorker, and grew up in Roslyn, NY. He got his frist great jazz saxophone education from the late great Dave Burns. (Dave was a master trumpeter with the Dizzy Gillespie and Duke Ellington Orchestras as well as leading his own groups) A graduate of the ...
Heiner Stadler: Tribute to Bird & Monk
by Nic Jones
Tribute to Bird & Monk is a scintillating blast recorded in 1978, when the battle lines between innovation and the tradition were clearly drawn. In tackling compositions by Thelonious Monk and Charlie Parker, and casting them in a fresh light, arranger Heiner Stadler obviously wasn't shy about playing the provocative agent. Initially it sounds as if ...
Take Five With PT Gazell
by AAJ Staff
Meet PT Gazell: Hot, swingin, smooth, original, clean, lyrical, faster than a speeding bullet, diatonically chromatic, one of a kind, masterful, the swingingest, Oh yeah, like what? Nat “King} Cole, Benny Goodman, Louis Jordan, Ben Webster, Harry “Sweets" Edison, Wes Montgomery, Tiny Moore...that's what! Dig it. PT Gazell--American master of the ...
Pre-bop Jazz Trombone This Week On Riverwalk Jazz
This week, Riverwalk Jazz celebrates the great voices of pre-WWII jazz trombone. The Jim Cullum Jazz Band joins forces with leading “old-school" players active today. Though all of them claim Jack Teagarden as a major influence and model for their playing, some have taken a special interest in the playing of other lesser-known but important historical ...
Now's the Time: Miles Davis 1945-1989
by Jeff Dayton-Johnson
Franck Bergerot's Miles Davis: Introduction à l'écoute du jazz moderne (Seuil, 1996) suggests that you can hear a lot of Davis' musical world in his 45-second solo on Charlie Parker's “Now's the Time," beginning at 1:45. This is one among many dimensions of Davis' musicianship—nocturnal, blues-tinged, largely without the mute, alternating between a tenderness and a ...
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