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Miguel Zenon: Alma Adentro: The Puerto Rican Songbook
by Dan McClenaghan
The cover photo on alto saxophonist Miguel Zenón's Alma Adentro: The Puerto Rican Songbook is of two people dancing in the middle of a boulevard. They are nicely dressed. The man's coat tail flies and their dance clasp is a passionate embrace, suggestive of a romantic yearning hitched to the side of a good time, a ...
Patrick Brennan: Rhythms of Passion
by Ludwig vanTrikt
Since moving to New York City in 1975, one-time bassist/painter Patrick Brennan has crafted a musical path that is open in its candor and indebtedness to all facets of black music. Much like trumpeter Wadada Leo Smith, the alto saxophonist brews a thicket of his own distinct musical language that “unlike much contemporaneous vanguard music is ...
Django Bates: Like Life
by Chris May
Django BatesLike LifeStoryville2011 (1998) If you had to choose one artifact which is emblematic of the work of the British composer, bandleader and keyboards and e-flat horn player Django Bates, then his notorious “derangement" of John Kander and Fred Ebb's “New York, New York" would be a ...
Alex Garnett: Serpent
by Bruce Lindsay
The Alex Garnett who peers out of the cover of Serpent looks a little aggressive and wil0- eyed, with odd vertical slits where his pupils should be--a serpent indeed. The Garnett on the inside is more benign, but with a contemporary hipness. In the excellent black and white back cover photo, the besuited saxophonist is cool ...
Ray Scro: What Jazz Education Means
by Andrew J. Sammut
For Ray Scro, music education is a redundancy. He's been performing, studying and teaching music for nearly fifty years in his home of Staten Island, and throughout New York City. In the early seventies Scro studied under saxophonist and guru Lee Konitz, and he's played with Jimmy Knepper, Chuck Wayne, Charlie Persip, and Chico Hamilton, among ...
Ornette Coleman: Change Of The Century
by C. Michael Bailey
Ornette ColemanChange Of The CenturyAtlantic1959 Change Of The Century was an audacious album title, to say the least. On his second Atlantic release--and second with his most like-minded ensemble (trumpeter Don Cherry, bassist Charlie Haden and drummer Billy Higgins)--alto saxophonist Ornette Coleman pushed the freedom principal farther. At ...
Dave Chamberlain displays guitar prowess on new album
Mainly known for his deft skills with the double bass, Dave Chamberlain lets his guitar prowess grab the spotlight on his trio's latest album, On the Back Foot. Together with saxophonist Dave O'Higgins, they produce a collection of stellar instrumentals that define class and elegance. But for Chamberlain, it's an opportunity to renew his love for ...
Charlie Parker and Dizzy Gillespie - Bird and Diz (Verve, 1950)
Alto saxophonist Charlie Parker and trumpeter Dizzy Gillespie were inexorably linked in the bebop firmament of jazz, cutting a number of remarkable records together during a relatively short time span, releasing a musical revolution (or evolution) in the process. This album was recorded on June 6, 1950 with pianist Thelonious Monk, bassist Curly Russell and drummer ...
Ornette Coleman: The Shape Of Jazz To Come
by C. Michael Bailey
Ornette ColemanThe Shape Of Jazz To ComeAtlantic1959 Ornette Coleman's Contemporary Records releases Something Else!!!! (1958) and Tomorrow Is The Question! (1959) documented the alto saxophonist's development from the last vestiges of bebop toward a harmonically freer jazz language. Coleman's album titles became more prophetic as they were ...
North Sea Jazz Festival, July 8-10, 2011
by R.J. DeLuke
North Sea Jazz FestivalJuly 8-10, 2011AhoyRotterdam, The Netherlands The North Sea Jazz Festival in the Netherlands is staggering in size, touted as the world's largest indoor jazz festival and that's certainly a good bet. With 13 stages running from late afternoon until the early morning hours, it's far more than a ...
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