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Results for "Charlie Haden"
David Binney / Alan Ferber: In the Paint
by John Kelman
With an influence felt, perhaps, as much or more in the work of others than in his own record sales, alto saxophonist David Binney rarely co-leads groups, but his longstanding collaboration with pianist Edward Simon has been fruitful in more ways than one. Sharing compositional and conceptual duties frees him to focus more on his playing, ...
Tineke Postma: The Traveller
by David Adler
On Dutchwoman Tineke Postma's fourth outing, The Traveller, the young saxophonist leads a top-tier American lineup of Geri Allen (piano), Scott Colley (bass) and Terri Lyne Carrington (drums). Far from being overwhelmed, Postma holds her ground and even challenges the band with a set of strong original material, plus “Adagio 13," an adaptation of a string ...
David Sanborn: Only Everything
by Joel Roberts
Only Everything is alto saxophonist David Sanborn's second straight release paying homage to one of his greatest and earliest influences, Ray Charles. While some jazz purists may dismiss Sanborn as a slick TV personality and practitioner of smooth or pop jazz, he's always had firm roots in bluesy, R&B-based jazz, dating to his early days playing ...
John Geggie: Unexpected Conversations
by John Kelman
Most cities have them: musicians who act like a lightning rod, focusing and driving their jazz scenes. In Ottawa, Canada, bassist John Geggie has been one of those significant focal points for two decades, but in particular over the past ten years. He's one of the founding organizers and faculty members of Jazzworks which, amongst other ...
Take Five With Daniel Volovets
by AAJ Staff
Meet Daniel Volovets: Daniel Volovets, 17, has been studying classical, brazilian, and flamenco guitar for almost 10 years. His love affair with music began at the age of 7, when he began studying with classical guitarist Anatoly Shapiro. He has also studied with Tony Hauser, concentrating heavily on Brazilian and flamenco music, and with James Flegel ...
Chris Cheek / Victor Prieto: Rollo-Coaster
by Mark F. Turner
An odd couple of sorts, this union between accordion and saxophone is at once curious but proves a match made in heaven with Chris Cheek and Victor Prieto's collaborative release Rollo-Coaster. With great aplomb, they cover a wide scope of music from Tango to improvisational stints and other influences. Prieto, originally from Galicia, ...
Donald Vega: Tomorrows
by Elliott Simon
Combined with a forward-looking mindset and an emotional depth not often found on initial offerings, Tomorrows has all the things that a debut should: breadth of style, fresh approach and intimacy that lets one get to know the artist. Pianist Donald Vega, who fled from Nicaragua, has faced much adversity in his young life and impresses ...
Thierry Lang: Lyoba Revisted
by John Kelman
New sources of inspiration can sometimes be no farther away than your own backyard. Coming from Fribourg--a small, beautifully preserved old town in the west of Switzerland--the classically trained and jazz-savvy pianist Thierry Lang has long been drawn to area's endemic music, in particular that of Joseph Bovet, a priest who lived in the area from ...
Linda Oh Trio: Entry
by Mark F. Turner
First appearances and sounds can be deceiving. Linda Oh's petite stature defies the muscularity that her instrument emanates--a knotty booming bass that's at once authoritative and free flowing, delivered with momentum and zest. And like the well-noted arcos of Charles Mingus, Dave Holland and Charlie Haden, Oh already has the traits to become a noteworthy player ...
Empty Cage Quartet: Gravity
by Troy Collins
Widely admired for its intricate mathematical construction, the Mayan calendar is far more than just a lightning rod for misguided prophets predicting the end of the world; it is also the source of inspiration for Gravity, the fourth studio recording from the young West Coast-based Empty Cage Quartet. The album consists of two extended compositions, which ...
