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Girls in Airports: Fables
by Ian Patterson
Copenhagen quartet Girls in Airport is in fine form on Fables, its fourth release, and first on the Edition Records label. There are fewer big tunes than before although the band's trademark melodic hooks and rhythmic drive, its understated lyricism and hypnotic grooves are all present in abundance. What's been brought into sharper focus is the ...
Quintorigo, Roberto Gatto: Around Zappa
by Mario Calvitti
Dopo il progetto di qualche anno fa intitolato a Charles Mingus e quello più recente su Jimi Hendrix, i Quintorigo ne dedicano ora uno anche a Frank Zappa, un'altra delle icone musicali del XX secolo che da sempre annoverano tra le loro fonti di ispirazione, anche se la spinta necessaria alla realizzazione del progetto è giunta ...
Maciej Lewenstein: Quantum Mechanics of Polish Jazz
by Cezary L. Lerski
Maciej Lewenstein was born in 1955 in Warsaw. He is a theoretical physicist and currently an ICREA professor at Institut de Ciències Fotòniques (ICFO) in Castelldefels near Barcelona, Spain. He has written more than 500 scientific papers and is the recipient of many international and national prizes. Next to theoretical physics his other passion is music ...
Philadelphia's Cutting Edge Big Band: Bobby Zankel's Warriors of the Wonderful Sound
by Victor L. Schermer
Anyone familiar with the music business can tell you that it's hard enough to get a big band together for an occasional gig, let alone sustain it over an extended period of time. The time and effort involved in composing and arranging new charts, covering the cost of twelve or more musicians, and meshing their complicated ...
BGO Records: Excellence in Jazz Reissues
by Jakob Baekgaard
In the digital age we live in, there is no doubt that the business of reissuing music is booming. It has never been easier to get music, old and new, in digital or physical form. However, one thing is to re-release a record; another thing is to do it the right way. BGO Records, run by ...
Zappa and Jazz: Did it Really Smell Funny, Frank?
by Geoffrey Wills
The following is an excerpt from “Chapter 2: Early Encounters with Jazz" of Zappa and Jazz: Did it Really Smell Funny, Frank? by Geoffrey Wills (Matador, 2015). When, at the age of fourteen, Zappa entered Mission Bay High School in San Diego in 1955, his first exposure to the elitist snobbery of a ...
Tom Lawton: Jazz and the Modern Art of Man Ray
by Victor L. Schermer
In his book, Jazz Modernism: From Ellington And Armstrong To Matissse And Joyce (Yale University Press 2004), author Alfred Appel depicts the numerous but easily overlooked parallels between jazz music and modern art and literature. Many jazz musicians are art aficionados, and many of the twentieth century's great artists loved jazz and often kept record collections. ...
Jesper Lundgaard, featuring Enrico Pieranunzi & Alex Riel: 60 Out Of Shape
by Chris Mosey
Back in the glory days the Copenhagen jazz club Montmartre was known as “The Village Vanguard of Europe." In the 1960s some of the biggest names in the music played there: Ben Webster, Dexter Gordon, Stan Getz... the list goes on. And on: Roland Kirk, Sonny Rollins, Cannonball Adderley, Bill Evans, Charles Mingus, ...
Rob Reddy: Bechet: Our Contemporary
by Troy Collins
With so much history to explore, tribute albums to jazz greats have become an established custom, regularly issued by artists of varying experience, from neophytes to masters. The most efficacious of these homages provide a fresh perspective on longstanding traditions, tracing the lineage of current concepts to past advances. A salient example of this phenomenon is ...
The Weave: Knowledge Porridge
by Phil Barnes
Once there was a time when to be an individual meant pursuing self-realisation, working out who you were, how you felt about the world and what you believed for yourself. If that meant that say Thelonious Monk, Sun Ra or Charles Mingus were viewed as eccentrics then too bad, it was just how they were or ...
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