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Results for "Charles Mingus"
Frank Zappa's Jazz Legacy Refuses to Die
by Ludovico Granvassu
Frank Zappa may have said jazz is not dead, it just smells funny" but looking at his life and music one does not get the impression that he really believed that jazz was decomposing or dying a slow death. On Freak Out, one of the most impressive debut albums of all times, he ...
Kelly Green: Volume One
by Mike Jurkovic
If we were talking baseball, pianist, vocalist, and composer Kelly Green would be highly touted as a three tool player. And she deserves to be. From every angle she hears breaks and stops, harmonic and melodic whoops, swoops and vocal dips and dives that the rest of us maybe don't until the artist makes them as ...
Dan McClenaghan's Best Releases Of 2018
by Dan McClenaghan
The music keeps moving forward, evolving to higher levels. My search for the best jazz recordings of 2018 led me to these marvelous CDs. Satoko Fujii Satoko Fujii Solo Libra Records A person's sixtieth birthday serves as a milestone, more so in Japan--where it is referred to as Kanreki"--than elsewhere. ...
Frank Morgan and George Cables: Montreal Memories
by Peter J. Hoetjes
Montreal Memories is a duet album recorded at Theatre Port Royal on July 1, 1989, featuring two of the most talented jazz artists of any generation: alto saxophonist Frank Morgan; and pianist George Cables. This is the second duet album they've released, the first being Contemporary's Double Image in 1987. A jazz duet is ...
Bob Dylan: More Blood, More Tracks: The Bootleg Series Vol. 14
by Eric Gudas
The challenge of finding something original to say about Bob Dylan's Blood on the Tracks (1975), the mother of all comeback albums, baffles even the most steely-eyed critic. But Sony has made the task easier with More Blood, More Tracks, the unfortunately titled, overpriced, but nonetheless revelatory fourteenth entry in the Bootleg Series. The six-disc Deluxe ...
Ben Zahler's Songgoing: Quietly Cold
by Chris Mosey
Swiss flautist Ben Zahler names his principal influences as Herbie Mann and Eric Dolphy. Having said that, he immediately backtracks. Mann was too commercial, Dolphy too experimental. Zahler positions himself somewhere between the two. He strives to avoid the streamlined sluggishness" of Mann and similarly has no truck with way-out, overblowing excess a ...
Library of Congress Acquires Archive of Jazz Great Billy Strayhorn
The Library of Congress announced today that it has acquired the original manuscripts documenting the work of composer, arranger and pianist Billy Strayhorn. An important star in the jazz firmament, Strayhorn was the source of much of the sound of the Duke Ellington Orchestra. He worked with Ellington for nearly 30 years, writing or collaborating on ...
Kris Funn: Bass Player, Story Teller
by R.J. DeLuke
Kris Funn didn't start out on bass but, coming from a musical family, there was little chance he wouldn't at least test the water and see what music was all about. In time, the bass reached out and grabbed him. He's since had a career that has had him playing his immense bass skills ...
Charles Mingus: Jazz In Detroit / Strata Concert Gallery / 46 Selden
by Karl Ackermann
With previously unreleased material from Dexter Gordon, Thelonious Monk, John Coltrane, and now, Charles Mingus, it may feel in 2018 like we are living fifty years in the past. Jazz In Detroit / Strata Concert Gallery / 46 Selden captures a short-lived quintet that--given time--could have been Mingus' best. Drummer Roy Brooks and trumpeter Joe Gardner ...
Vijay Iyer, Max Moran and more
by Joe Dimino
This week we begin with Vijay Iyer playing music from Far From Over, the powerful release he has recorded with his Sextet and profiling their show in Kansas City at The Gem Theater headlining a stellar night of jazz that was kicked off by a performance with Hermon Mehari and Logan Richardson. We also focus on ...


