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Charles Mingus: @ Bremen 1964 & 1975
by Chris May
Four hours of previously unissued, premier-league music by Charles Mingus is something to shout about, and @ Bremen 1964 & 1975 is about as good as the bassist and composer's posthumously released live albums get. Four CDs chronicle two extended, intense performances recorded in Germany by Radio Bremen. Both gigs featured all-star bands and both are ...
A Night at the Jazz Circus! - Part 1
by Ludovico Granvassu
Circus is like Jazz. They both require a great deal of originality and a capacity to improvise and be in the moment. They come out of a sense of urgency and self-expression since artists do not embrace them to get rich. And they both demand incredible dedication and discipline. This week we explore the ...
Charles McPherson: Jazz Dance Suites
by Jerome Wilson
Alto saxophonist Charles McPherson has a reputation as one of the last true followers of the bebop tradition but this release shows that his talents stretch beyond that. The music consists of scores he wrote for the San Diego Ballet where his daughter Camille is a solo dancer. It encompasses two full suites and an excerpt ...
Rahsaan Roland Kirk: An Alternative Top Ten Albums Guaranteed To Bend Your Head
by Chris May
Jazz musicians are rarely called shamanistic but the description fits Rahsaan Roland Kirk precisely. Clad in black leather trousers and heavy duty shades (he was blind from the age of two), a truckload of strange looking horns strung round his neck—two or three of which he often played simultaneously--twisting, shaking and otherwise contorting his body, stamping ...
Ivo Perelman, Lucas Goicoechea, Charles Mingus, Roberto Ottaviano and More
by Maurice Hogue
There's a wide swath of styles in this episode, further demonstrating the incredible depth of improvised music. From an historic live performance in Germany by Charles Mingus, to the powerful saxophone of Ivo Perelman joined by an improvising string trio, to contemporary guitar by England's Ray Russell, to rising stars from Argentina (saxophonist Lucas Goicoechea), to ...
Sanja Markovic: Ascension
by Mike Jurkovic
Enveloped in a dark though illuminating light, Serbia's Sanja Markovic delivers an assertive, immersive debut with Ascension, quickly proving herself an agile, articulate vocalist, multi-instrumentalist (tenor and soprano sax), arranger and composer. In lesser hands, the complement of nineteen musicians she has at her side and ready, and the seven questing, spacious songs of ...
Essential Michael Brecker
by Jason West
This article was originally published at All About Jazz in November 1999. Michael Brecker's contributions to music are generous and, like the pregnant ideas that flow from his tenor horn, they continue to grow. At 50, the saxophonist has found acceptance in a wide variety of musical settings, having performed with pop stars like ...
DUX Orchestra: Duck Walks Dog (With Mixed Results)
by John Sharpe
The cover of the 1994 archival recording Duck Walks Dog (With Mixed Results) by the DUX Orchestra presents an intriguing line up which combines American free jazzers with Swedish baritone saxophonist Mats Gustafsson. Even within the New York City contingent there is diversity, as veteran stickman Walter Perkins (who played with Sonny Rollins, Roland Kirk and ...
A Jazz Immuno-Booster: Part 8
by Ludovico Granvassu
The immuno-booster series is back. After all and, sadly, the pandemic is everything but over so our need for soothing and uplifting music is greater than ever. As usual, we've asked a number of prominent jazz musicians to share with our readers the music they rely for encouragement. For this instalment the selectors were ...
Angelica Sanchez & Marilyn Crispell: How To turn the Moon
by Dan McClenaghan
Fans of piano jazz might have a preference for the trio format—piano/bass/drums. Or they might like their piano straight, no chaser, with solo piano sets. There is no shortage of trio and solo recordings floating around for our listening enjoyment. But two pianos? Rare, though not unheard of. Brad Mehldau and Kevin Hays offered up the ...
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