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Article: Album Review

Julius Hemphill: The Boyé Multi-National Crusade For Harmony

Read "The Boyé Multi-National Crusade For Harmony" reviewed by Mark Corroto


There is something inherently objectionable when a billionaire acquires an artistic masterpiece by say, Leonardo DaVinci or Claude Monet, only to sequester it from public view. You might feel the same about Julius Hemphill's recordings Dogon A.D. (Mbari, 1972) and 'Coon Bid'ness (Arista/Freedom, 1975). Both five star recordings, now out of print, cost a small fortune ...

41

Article: Under the Radar

A Different Drummer, Part 2: Royal Hartigan

Read "A Different Drummer, Part 2: Royal Hartigan" reviewed by Karl Ackermann


Drums of Life--Drums of DeathThe ruins of the Anasazi people stand undisturbed in the cliffs between the high mesas and the canyon floors of the southwest. Dating to 2500 B.C., the multi-story adobe pueblos and stone cities were the sites of the ancient indigenous peoples of North America. Archeologists have uncovered an assortment of percussion instruments ...

1

Article: Catching Up With

Camille Bertault: la sottile arte della sregolatezza

Read "Camille Bertault: la sottile arte della sregolatezza" reviewed by Emmanuel Di Tommaso


Dopo aver raggiunto improvvisa notorietà grazie a una geniale versione di “Giant Steps," divenuta virale su Facebook, Camille Bertault si è affermata come una delle musiciste più originali ed eclettiche del momento. Con Le Tigre, il suo terzo album dopo i successi di En Vie e Pas de Geant, Camille Bertault esplora nuovi brillanti scenari.

6

Article: Catching Up With

Camille Bertault: The Fine Art of Breaking Jazz Conventions

Read "Camille Bertault: The Fine Art of Breaking Jazz Conventions" reviewed by Emmanuel Di Tommaso


After achieving overnight notoriety thanks to a dazzling rendition of “Giant Steps" which went viral on Facebook, Camille Bertault has now established herself as one of the most original and genre-defying musicians on the scene. In Le Tigre (Okeh/Sony Music, 2020), her third album after the acclaim garnered by En Vie (Sunnyside Records, 2016) and Pas ...

2

Article: Album Review

Kristiana Roemer: House of Mirrors

Read "House of Mirrors" reviewed by Jerome Wilson


Kristiana Roemer is a young German singer whose voice has a lilt and plush texture reminiscent of Annette Peacock. On this, her first album, she uses her intriguing sound in the service of both conventional jazz tunes and floating, airy pieces which border on art songs. Most of the material here is her own writing, though ...

Article: Album Review

Tells No Lies: Anasyrma

Read "Anasyrma" reviewed by Angelo Leonardi


Questo terzo lavoro dei Tell No Lies è risultato uno dei migliori dischi del 2020 nel referendum Top Jazz della critica italiana e i motivi del consenso sono evidenti. Il quintetto bolognese presenta sette nuovi brani di Nicola Guazzaloca che si sviluppano in piena coerenza con l'identità espressiva della formazione, qui ampliata con tre ospiti.

Article: Profile

La Jazz Poetry di Jayne Cortez

Read "La Jazz Poetry di Jayne Cortez" reviewed by Maurizio Zerbo


Articolo originariamente pubblicato nel marzo 2003 e ora riproposto in occasione del mese dedicato al contributo femminile al jazz Per la sua spiccata componente di oralità, la Jazz Poetry è probabilmente l'espressione che meglio di altre connota—insieme al jazz stesso—l'esperienza artistica afroamericana del '900, in quanto trait d'union fra improvvisazione e composizione scritta.

2

Article: Album Review

New Moon Jelly Roll Freedom Rockers: Vol. 2

Read "Vol. 2" reviewed by Doug Collette


The New Moon Jelly Roll Freedom Rockers Volume 2 is replete with the same instinctual camaraderie and musicianly savvy as its predecessor. Likewise culled from sessions recorded in 2007, this sequel is decidedly not comprised of mere leftovers or otherwise sub-par tracks originally left unreleased. On the contrary, the alternately upbeat and reflective atmosphere reaffirms the ...

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Article: In Pictures

Seeing Jazz: The Photography of Luciano Rossetti

Read "Seeing Jazz: The Photography of Luciano Rossetti" reviewed by Karl Ackermann


As a jazz venue, the mid-town Manhattan club Royal Roost had a short life span. The Royal Roost opened in 1948, but the jazz scene had moved past it less than two years later. In Greenwich Village, twenty-five-year-old photographer Herman Leonard had just opened his first photography studio to the south. A bebop fan, he was ...

3

Article: Album Review

Cecil Taylor: Mixed To Unit Structures Revisited

Read "Mixed To Unit Structures Revisited" reviewed by Mark Corroto


A listener could make it their life's work to absorb and appreciate the music the music of Cecil Taylor. One could possibly approach it as a scholar and musician through notation and transcription—not the recommended approach. Such a task would be similar to the process of systematizing a DNA sequence. Taylor's music, and pardon this analogy, ...


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