Results for "Cello"

LILLABOX

LILLABOX – Album “Faidherbe Street” Word music feat. Tara Baswani from Le Cirque du Soleil Cd Digital & Physical Plaza Mayor Company ltd The Orchard Ref; SERG150 Canada Tour June - August 2016 Concert 15 september 2016 at Divan du Monde 75018 Paris Lillabox is a guitar/cello instrumental duo founded in 2013 by Alex Hetzel and Mathieu Deranlot. Composed by a cellist from the Paris Conservatory and a self-taught guitarist, the duo performed all over France these last years and knew how to get the attention of radio shows (Matinale Culturelle/France Music, Jazz Box/Aligre FM, …). Dynamic bows and inspired riffs allow them to explore and merge different influences, for a brand new style: "contemporary world music", in the borders of jazz, rock, and arab-andalusian music Complementary in many ways, both musicians knew how to transform their differences into strength, offering us a rich repertoire, in which each brings his specificities and his plural influences

Jo Alisch

Born: February 20, 1984

Johannes 'Jo' Alisch was born into a family of actors and musicians in 1984 and started learning the Cello at the young age of six. Surrounded by everything music, theatre and performance life since early childhood years he has ever since been cultivating his talents as a cellist, double bassist and performer and weaves them into a wide range of musical projects today, both as a leader and sideman. Rooted and educated in western classical music, he has promoted manifold artistic interests beyond the borders of musical genres and forms - especially across music-cultures. Overcoming the hurdling of formal orthodox music education, a day in his musical life could start with a string quartet rehearsal, go on with a lesson in Indian raga music and may peter out on double bass in the swinging rhythm section of one of the regional jazz clubs. Apart from his musical education from Masters Johannes holds a double MA in Humanities from Heidelberg University, first and foremost in anthropology, musicology and education.

Leyla McCalla

Huub Bogaers

Born: August 6, 1957

played with Ad Peijnenburg, Jacq and Bert Palinckx, Dave Hubback, Koen Scherer, Marjolein Kempen and others. Occasional gigs with John Tchicai, Lol Coxhill, Makiko Goto, Muneer Fenell.

Akua Dixon

Born: July 14

With her sublime new album, Akua’s Dance, cellist Akua Dixon brings her sumptuous sound to the foreground on an array of material encompassing exquisite balladry, the music’s deepest roots in African and African-American culture, and instrumental pieces gleaned from Dixon’s opera-in-progress. Her label Akua’s Music will release the new CD on February 10. “The music moves forward from where I was to where I’m going,” says Dixon, who notes that her last release, 2015’s critically hailed album Akua Dixon, was a string- centric recording that featured her “in a sectional way,” Dixon says

Max Dyer

Dan Kassel

I'm a contemporary cellist who loops and layers cello in a solo setting, as well as performs with different musicians of all styles.

Jisoo Ok

Juan Verdera

Born: 1974

Born in 1974 in Cuba, Juan Verdera started the cello at the age of 7. After his large experience in classical music, his creativity pushed him to search new sounds in the world of jazz fusion and progressive rock. From the record of the movie's music “ En Tres y Dos” (Cuba) to the leadership of the progressive rock band Dinastia (Cuba) when still a teenager, he founded Juan Verdera Trio latin jazz (Hamburg) and the ambitious jazz fusion band Zone- T Project (Madrid), among others. Now living in Brussels, he's creating new projects and collaborating with other musicians. ————————— A NEW JAZZ FUSION EXPERIENCE! Born in Brussels, Juan Verdera's Trio fuses the most modern jazz sounds with classical music and cuban contemporary music, where we found polyrhythms, broken harmonies and a lot of liberty of improvisation

Vlad Makarov

Born: December 11, 1950

Vlad Makarov is the free improv musician, painter and improviser cello & guitar. He is the pioneer of Russian new improvised music and Russian alternative art. From the different styles; free improvisation, contemporary classic, new jazz, avant-rock, experimental, noise, electro-acoustic music. Makarov’s aesthetic is not postmodernism but the authentic own language for making the art whole. Makarov as a musician follows the aesthetic creed of free improvised music. He has developed his own structural method and style of improvisation. His music filled emotional pressure of the tragic freedom