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756

Article: Book Excerpts

Cecil Taylor at the Take 3, 1962-'63

Read "Cecil Taylor at the Take 3, 1962-'63" reviewed by Robert Levin

by Robert Levin

The following is a chapter from “Going Outside: Fiction * Commentary * Jazz." robert-levin.com. In the summer of 1962, Cecil lands a three-month, four-night-a-week gig at The Take 3, a coffee house on Bleecker Street. It's right next door to The Bitter End where Woody Allen had performed just weeks ...

195

Article: Multiple Reviews

A Triple Bill of Keys & Drums

Read "A Triple Bill of Keys & Drums" reviewed by Robert Iannapollo

by Robert Iannapollo

Three albums by keyboards and drums duos--two of them recorded in the early 1990s, the third in the noughties--demonstrate the wide and varied territory this pared down instrumentation can inhabit. Andrew Hill / Chico HamiltonDreams Come TrueJoyous Shout!2008 On paper, the duet of late pianist Andrew Hill and drummer Chico ...

758

Article: Profile

Introducing Anthony Braxton

Read "Introducing Anthony Braxton" reviewed by Robert Levin

by Robert Levin

[Editor's Note: This article first appeared in Jazz & Pop Magazine, 1970]To anyone still questioning the validity of the systems and methods at which Cecil Taylor and Ornette Coleman arrived, I would first of all recommend that he listen more attentively to the work of those men. But I'd also suggest that he make ...

884

Article: Live Review

Festival International de Jazz de Montreal: July 2-5, 2010

Read "Festival International de Jazz de Montreal: July 2-5, 2010" reviewed by Peter Walton

by Peter Walton

Festival International de Jazz de MontréalMontréal, Quebec, CanadaJuly 2-5, 2010I arrived in Montréal mid-week, the Festival International de Jazz de Montréal already in high gear. Closing off six square blocks of downtown Montréal, an area commanding six major outdoor stages and several indoor theaters and concert halls, the Festival International de ...

369

Article: Album Review

Archie Shepp: The New York Contemporary Five

Read "The New York Contemporary Five" reviewed by John Barron

by John Barron

Although saxophonist Archie Shepp is listed as the leader of this release, The New York Contemporary Five was really a collective; a short-lived, free jazz super-group from the early 1960s. The band, with a front line of Shepp, cornetist Don Cherry and alto saxophonist John Tchicai, was recorded live at the famed Jazzhus Montmartre in Copenhagen, ...

74

News: Interview

Drummer Muhammed Ali Interviewed at AAJ

Drummer Muhammed Ali Interviewed at AAJ

Though not as well known as his brother, drummer Rashied Ali (1935-2009), Muhammad Ali spent the 1970s as one of the busiest drummers in free jazz, primarily working in a cooperative Paris-based quartet with saxophonist Frank Wright, pianist Bobby Few and bassist Alan Silva, and known as the Center of the World Quartet. Born in Philadelphia ...

1,171

Article: Interview

Muhammad Ali: From a Family of Percussionists

Read "Muhammad Ali: From a Family of Percussionists" reviewed by Clifford Allen

by Clifford Allen

Though not as well known as his brother, drummer Rashied Ali (1935-2009), Muhammad Ali spent the 1970s as one of the busiest drummers in free jazz, primarily working in a cooperative Paris-based quartet with saxophonist Frank Wright, pianist Bobby Few and bassist Alan Silva, and known as the Center of the World Quartet. Born in Philadelphia ...

219

Article: Album Review

Marc Edwards / Weasel Walter Group: Blood Of The Earth

Read "Blood Of The Earth" reviewed by Mark Corroto

by Mark Corroto

Double drummer-led free jazz sessions come with a price, and both aural and contemplative muscles need to be flexed. With Blood Of The Earth, from drummers Marc Edwards and Weasel Walter, the challenges for immersion in a sonic concentration of spontaneity and stamina. But this is not your father's retread of John Coltrane's Ascension (Impulse!, 1965). ...

1,101

Article: Interview

Jan Bang: Head, Shoulders, Hips, Knees and Toes

Read "Jan Bang: Head, Shoulders, Hips, Knees and Toes" reviewed by John Kelman

by John Kelman

When it comes to organically integrating modern technology into music, few countries are innovating to the degree of Norway, and at the epicenter of that country's forward-thinking approach to melding improvisation with jazz and Norwegian traditionalism--not to mention contemporary classicism, pop, ambient and more; truly any and all musical markers--is producer/remixer/sampler Jan Bang, who has just ...

1,252

Article: Live Review

Live!Singapore: June 8-11, 2010

Read "Live!Singapore: June 8-11, 2010" reviewed by Ian Patterson

by Ian Patterson

Rarely do the worlds of jazz, classical music, world music and musical theatre come together in one place to hobnob and strut their stuff, but that was exactly what happened at Live!Singapore, an ambitious event organized by Koelnmesse and IMG Artists. Festival directors, producers, agents, managers, executives and artists of these four disciplines came from more ...


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