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JJA's 13th Annual Jazz Awards - Join Us!
Mark your calendar! 13th Annual JJA Jazz Awards June 16, 2009 3:00-6:00pm at The Jazz Standard 116 E. 27th Street New York, NY Join us at the JJA's 13th Annual Jazz Awards as we... Announce our 2009 award winners (see nominees below) Honor winners and nominees ...
The Making of Darcy James Argue's "Infernal Machines"
by Eric Benson
---> “It was like trying to shoot Laurence of Arabia on a Clerks budget," says the 33-year-old composer/conductor Darcy James Argue of his debut album, Infernal Machines (New Amsterdam), which will be released next Tuesday, May 12. Argue didn't have to tread such a quixotic path. Up until five years ago, he was performing as a ...
Alexander von Schlippenbach, Aki Takase and Rudi Mahall: Betting on Tradition
by Clifford Allen
European improvisation began to set itself apart when it built its own tradition, drawing from folk forms and concert music rather than providing provincial answers to questions posed by Ornette Coleman, Thelonious Monk or Duke Ellington. Of course, all these figures factored into the music of players like trombonist Albert Mangelsdorff, drummer Gil Cuppini and reed ...
The Naked Future: Gigantomachia
by Raul d'Gama Rose
There has always been a raw, sinewy character to music performed wherever and whenever Arrington de Dionyso shows up to play his deep, woodsy clarinets. The epic narratives on Gigantomachia, interpreted by de Dionyso's latest ensemble, The Naked Future, provide no exception. If anything, the music is enveloped in an energetic tension from start to finish, ...
Ken Vandermark: The Passion and Ascension of a Brilliant Mind
by Lloyd N. Peterson Jr.
This interview was originally published in 2006. In a world that has difficulty and attitude toward unfamiliar and creative thought, Ken Vandermark is a visionary exploring possibilities with improvisational and compositional forms.A recipient of the MacArthur Foundation Genius Grant, he has used the funding to support his interest in bringing together some of today's ...
Alexander von Schlippenbach: Piano Solo '77
by Nic Jones
Pianist Alexander von Schlippenbach hasn't so much refined his art over the course of his decades-long career as he has redefined his musical personality according to the demands of the setting he's working in and the musical company he's keeping. While that suggests adaptability, that tendency is tempered by the simultaneous singularity of his musical personality. ...
Soft Machine: Drop
by Gary Gomes
Despite significant ambivalence about Soft Machine around the time of this recording, it was the furthest out that the group ever ventured, and its closest approach to free jazz. It also possessed the freest drummer to ever grace a rock group. Australian Phil Howard was, in fact, free by most jazz standards, but by jettisoning the ...
Icons Among Us: Jazz in the Present Tense - World Premiere
by Eric Benson
Icons Among Us: Jazz in the Present TenseWorld PremiereThe Allen Room at Jazz at Lincoln CenterNew York, NYApril 15, 2009 The Jazz Wars are over. Now what? A new documentary asks. Since the early 1980s, jazz has been engaged in its own nonviolent, low-intensity civil war. Decentralized and ...
Trio 3 + Irene Schweizer: Berne Concert
by John Sharpe
Almost without anyone noticing, Trio 3 has become one of the great working bands in jazz. That's not the default outcome of longevity: though saxophonist Oliver Lake, bassist Reggie Workman and drummer Andrew Cyrille first got together under the Trio 3 moniker back in 1992, they have become, if anything, a more cohesive unit over time. ...
Trio of One: Fly at the Jazz Standard
by Eric Benson
FlyJazz StandardNew York, NYApril 10, 2009 Instruments are versatile husks, possessing limited range and a particular timbre, but no set personality of their own. The piano can channel the thoughts of musicians as different from one another as Cecil Taylor and Bill Evans; the saxophone can express the passions of Stan ...
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