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38

Article: Album Review

Unhinged Sextet: Clarity

Read "Clarity" reviewed by Edward Blanco

by Edward Blanco

The debut recording from one of the most exciting new groups around, Clarity documents a boppish session of straight ahead traditional jazz delivered by the Unhinged Sextet, a well-seasoned cast of players from all corners of the country who have joined forces for this dynamic recording. Led by pianist Michael Kocour, Director of Jazz Studies at ...

7

Article: Album Review

Patrick Naylor: Patrick Naylor/ Days Of Blue

Read "Patrick Naylor/ Days Of Blue" reviewed by Fiona Ord-Shrimpton

by Fiona Ord-Shrimpton

Days of Blue from Patrick Naylor spends time in all the pantone blue hues, the first five tracks bringing the brighter half of the spectrum, the second half diving the deeper tones. Beginning with “Baba," a bewitching Arabian influenced scale with mystery inspiring cascades, the album depicts a dance of sax and guitar from the start. ...

8

Article: Album Review

John Yao: Flip-Flop

Read "Flip-Flop" reviewed by Franz A. Matzner

by Franz A. Matzner

The trombone is one of jazz's secret weapons. Not as ubiquitous as the saxophone or as iconic as the trumpet in the popular imagination, it nonetheless holds a powerful position as one of jazz's defining instruments. It's also the case that the trombone appears to be currently experiencing a renaissance--one which trombonist, composer, and bandleader John ...

3

Article: Album Review

Connie Evingson: All The Cats Join In

Read "All The Cats Join In" reviewed by Dan Bilawsky

by Dan Bilawsky

Were it not for her decision to remain in Minnesota, Connie Evingson would surely be a better-known jazz vocalist. Over the course of her previous releases she's proven herself to be a prepossessing singer capable of getting to the marrow of a lyric without pretense or posturing. And she's remarkably good at putting together programs, be ...

223

Article: Album Review

Better Than TV: Late

Read "Late" reviewed by Roger Farbey

by Roger Farbey

Five students from Cambridge (UK) recorded this debut album over two sessions, six months apart. The first session from 10 June 2013 opens with “1000 And One" on an ostinato bass figure and relaxed McCoy Tyner-esque piano. This is a relatively straightforward modal piece but with some engaging solos from the brass section and some. By ...

6

Article: Album Review

Aimee Allen: Matter of Time

Read "Matter of Time" reviewed by Geannine Reid

by Geannine Reid

Aimée Allen has a wonderful ear for beauty; fluent in two romantic languages, French and Portuguese, Allen's warm timbered voice also is fluent in conveying passionate phrases that seem to be wholly heart felt. Matter of Time (Azuline Music) is her latest musical offering that contains highly original music and lyrics penned by Allen dealing with ...

70

Article: Album Review

Scott Henderson: Vibe Station

Read "Vibe Station" reviewed by Glenn Astarita

by Glenn Astarita

Guitarist Scott Henderson is one of a select few artists who raised jazz fusion from the embers in the 80s, namely with the band, Tribal Tech. Indeed, this unit proffered a much needed uplift via a far-reaching perspective and armed with a torrential improvisational credo on numerous fronts. Since then, the guitarist has performed with other ...

1

Article: Album Review

Enrico Pieranunzi: The Day After the Silence

Read "The Day After the Silence" reviewed by Neri Pollastri

by Neri Pollastri

Aveva ventisette anni Enrico Pienanunzi quando -era il 1976 -registrava per la Edi-Pan il suo primo piano solo, nonché terzo disco a proprio nome. Un disco che oggi, trentotto anni più tardi, rivede la luce su CD grazie alla Alfa Music, che correda l'uscita di alcune interessanti note storiche e artistiche a cura di Maurizio Franco ...

14

Article: Album Review

Gary Peacock Trio: Now This

Read "Now This" reviewed by Mark Sullivan

by Mark Sullivan

On some level it must be daunting to play in a piano trio with bassist Gary Peacock. He's a longtime member of the Keith Jarrett Standards Trio (with drummer Jack DeJohnette), arguably the definitive contemporary piano trio. Before that, he worked with the great Bill Evans, and with iconoclast Paul Bley (often in the company of ...

7

Article: Album Review

The Rempis Percussion Quartet: Cash And Carry

Read "Cash And Carry" reviewed by Mark Corroto

by Mark Corroto

Besides his regular duo performances with fellow Chicagoans drummer Tim Daisy or Frank Rosaly, The Rempis Percussion Quartet is saxophonist Dave Rempis' longest standing active group. To mark their tenth anniversary in 2014, they met at Chicago's Hungry Brain and recorded two lengthy pieces of music.Success for each of these players has limited their ...


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