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Lorin Cohen: Home
by Dan Bilawsky
What's “home?" Is it where somebody's born and raised? Is it where a person resides at a given time? Or is it any place where an individual finds a high level of comfort, joy, and possibility? For Lorin Cohen, it's all three. This talented bassist-composer makes that fact plainly apparent on this, his leader debut.
Steve Barta: Symphonic Arrangement: Suite for Flute and Jazz Piano Trio
by C. Michael Bailey
French composer and pianist Claude Bolling achieved what might be considered the best example the Gunther Schuller's “Third Stream" that elusive synthesis of classical music and jazz improvisation, in his Suite for Flute and Jazz Piano Trio (CBS Masterworks, 1975). Bolling composed the seven-part musical suite with his friend, flautist Jean-Pierre Rampal, in mind. The recording ...
Francois Carrier/Michel Lambert: iO
by Mark Corroto
Listening to the nine improvised duets on saxophonist François Carrier and Michel Lambert's latest release iO, one gets the sense the creative process comes not from friction, but from friendship. The music isn't forged from a skirmish, like, say a Peter Brotzmann/Han Bennink record might be. It has more in common with Charles Lloyd's duo with ...
Buddy Rich: Birdland
by Glenn Astarita
There's usually a reason why previously unreleased material was never initially offered for consumer consumption, whether it's due to subpar sound quality, less than adequate material or blasé musicians' outtakes and so on. However, these tracks by the Buddy Rich Killer Force band were recorded at various venues through the years when saxophonist Alan Gauvin--who also ...
Bettye LaVette: Worthy
by AAJ Staff
Leonessa che non si stanca di ruggire (carriera ormai cinquantennale, tra sparizioni e riscoperte), Bettye LaVette si affida nuovamente alla illuminata produzione di Joe Henry per questo disco in cui personalizza in modo convincente un canzoniere molto vario. Si apre con “Unbelievable," canzone di un tardo Bob Dylan che, immersa in una marinatura ...
Happy Family: Minimal Gods
by Claudio Bonomi
Da catalogare sotto la voce rock/avant prog. Lo dice e consiglia la stessa Cuneiform, l'etichetta americana di Washington D.C. capitanata da Steve Feigenbaum , che nel 1995 li scoprì e li portó al debutto discografico. Stiamo parlando degli Happy Family, band giapponese che vent'anni fa fece quasi gridare al miracolo grazie a una micidiale miscela che ...
Ode To Omni: Anchors
by Hrayr Attarian
The Philadelphia based collaborative group, Ode to Omni continues its intriguing forays into spiritual jazz with its second release, the live recording, Anchors. Under percussionist Marcus Myers' leadership the band interprets four long and cinematic Myers originals with a sublime blend of raw passion and harmonic sophistication. Starting with “Flesh and Spirit," a delightfully tense and ...
Tom Collier: Alone in the Studio
by C. Michael Bailey
Percussionist Tom Collier has the solo touch. His previous recording, Tom Collier: Plays Haydn, Mozart, Telemann and Others (Origin, 2012) had the vibraphonist and educator making his way through a Baroque and classical recitals to great effect. Presently, Collier strolls through some originals and standards and not-so-standard standards making up this most inventive and clever collection ...
Steel Bridge Trio: Different Clocks
by Mark Corroto
Heard at the imaginary music awards ceremony, “and the winner of the quietest and most accessible avant-garde recording of 2015 (dramatic pause), Different Clocks by Steel Bridge Trio." “Accepting the award for the trio is Jimmy Giuffre and Eric Dolphy. If there were such awards, and certainly there should be, Chicagoan Tim Daisy would ...
Daniel Smith: Jazz Suite for Bassoon
by Jack Bowers
Jazz Suite is the second album by bassoonist Daniel Smith to be reviewed in these precincts (Smokin' Hot Bassoon Blues was the first). This one is far more agreeable, for at least two reasons: first, the territory Smith traverses seems to be relatively more familiar (especially the “Baroque Adaptations") and, second, he manages to play squarely ...
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