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Wayne Shorter: Emanon
by Mike Jurkovic
With his most trusted cohorts standing shoulder-to-shoulder with him--pianist Danilo Perez, ever-ready bassist John Patitucci, and drummer Brian Blade--Wayne Shorter knows, beyond instinct, that any music he envisions will come to life. And inspire. And amaze. And so we have Emanon, a three-CD set whose first disc--four sweeping orchestral works recorded with the quartet ...
Kukuruz Quartet: Julius Eastman Piano Interpretations
by Alberto Bazzurro
Julius Eastman, morto non ancora cinquantenne nel 1990, è stato un esponente del minimalismo (nonché pianista, cantante e ballerino) influenzato a diverso titolo da John Cage, Morton Feldman e Meredith Monk (della quale fu in particolare collaboratore). Le quattro sue composizioni raccolte e reinterpretate dal Kukuruz Quartet in questo album, databili fra l 1979 e il ...
Delgres: Mo Jodi
by Phillip Woolever
The France-based trio Delgres have successfully created one of the year's strongest all round albums. Sung mostly in Creole, the project's heartfelt social statements come through clearly in global terms nonetheless. The band is named after Louis Delgres, an infantry officer who died in the rebellion after Napoleon's 19th century campaign to reintroduce slavery ...
Kind Folk: Why Not
by Dan Bilawsky
Back in 2014, trumpeter John Raymond, alto saxophonist Alex LoRe, bassist Noam Wiesenberg, and drummer Colin Stranahan gathered in a tiny apartment in Brooklyn to test out their chemistry and let the music flow. Four years later, after some more sporadic get-togethers and a bump or two in the road, we have their debut.
Randy Brecker & Mats Holmquist with the UMO Jazz Orchestra: Together
by Jack Bowers
Here's a productive cross-border alliance if ever there was one: American trumpeter Randy Brecker, Swedish composer / arranger Mats Holmquist and Finland's superb UMO Jazz Orchestra, Together for the first time in a recording studio. The versatile Brecker is the featured soloist throughout, while Holmquist wrote five of the album's engaging songs and arranged all of ...
Frode Gjerstad: Bop Stop
by Giuseppe Segala
A cavallo tra gli anni Settanta e Ottanta, quando nella scena jazz norvegese la presenza dell'etichetta germanica Ecm stimolava e indirizzava le scelte di tanti musicisti, il sassofonista Frode Gjerstad si volgeva a un altro panorama, cercando il contatto con le odissee procellose dell'improvvisazione storica europea, volgendosi soprattutto all'area britannica. Qui collaborò con grandi maestri che ...
Welf Dorr Unit: Blood
by Glenn Astarita
NY-based, German saxophonist Welf Door pilots this exciting multinational quartet through hardcore jazz fusion, funk, and detours into the solar system via these impressive pieces, often executed with tenacity and forthright intentions. Essentially, the band packs a massive punch as they grind out a diverse track mix with plenty of flare-ups, embellished with progressive jazz lines ...
Orrin Evans: Presence
by Mike Jurkovic
You have to wonder how many outlets a restless creative like hard bopping pianist Orrin Evans needs to fully express himself. Twenty-five or so albums into a legacy that finds him as the newest member of The Bad Plus after years of riffing and ripping it up with The Mingus Big Band, experimenting with soul/jazz Luv ...
UNT One O'Clock Lab Band: Lab 2018, The Rhythm of the Road
by Jack Bowers
Another year, another excellent recording from the University of North Texas' flagship ensemble, the One O'Clock Lab Band, which has been producing similarly impressive albums for more than four decades. Unlike many of its predecessors, Lab 2018 has a subtitle, “The Rhythm of the Road," a nod to the band's twenty-eight concerts in a dozen cities ...
Liran Donin's 1000 Boats: 8 Songs
by Roger Farbey
The virtuosic bass solo that opens “I Can See Tarifa" is the prelude to a dynamic ensemble vamp, unleashing torrents of unbridled saxophone . “The Story Of Annette And Maurice" is more reflective and utilises the twin horns in close harmony and Donin's pizzicato bass duetting with Maria Chiara Argirò's piano. The piece gradually picks-up momentum ...
