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Monica Behan: Right Where I Need to Be
by Jim Olin
Drawing upon the wistful beauty of Joni Mitchell and the confessional ache of Carole King, Monica Behan's voice commands immediate attention. There is an ethereal quality to her singing that illuminates track after track on her new album Right Where I Need to Be. No matter what genre she decides to explore, from vocal jazz to ...
Conjunto Sabrosura: Hecho En Puerto Rico
by James Nadal
Salsa music is intended for dancing. Long before festivals and concerts became the norm, this music was spawned in nightclubs where people went to dance. The virtuosity of the musicians was taken for granted, and they were expected to deliver an established set of no-nonsense entertainment for the paying customers. Conjunto Sabrosura is an intense salsa ...
Roberta Piket: One For Marian: Celebrating Marian McPartland
by Karl Ackermann
A young, unrecorded artist is asked to share her talents, sitting in a chair that had been warmed by Bill Evans, Oscar Peterson, Brad Mehldau, Mary Lou Williams, Dave Brubeck, Chick Corea and Dizzy Gillespie to name just a few of the legends who graced Marian McPartland's Piano Jazz series. It says a great deal about ...
Larry Coryell: Spaces
by Sacha O'Grady
The origin of Spaces can be traced back to when Larry Coryell saw John McLaughlin performing at Count Basie's nightclub with the Tony Williams Lifetime ensemble. Apparently he was so impressed with what he heard, that he invited McLaughlin to join him in the studio and record what would turn out to be arguably one of ...
Cuong Vu/Pat Metheny: Cuong Vu Trio Meets Pat Metheny
by Karl Ackermann
Vietnamese trumpeter Cuong Vu has been a frequent Pat Metheny collaborator dating back to the guitarist's Speaking Of Now (Warner Bros., 2002). It has taken well over a decade for Vu to flip the table, putting Metheny in a role he is seldom seen in, that of a sideman. In fact, across almost fifty albums, the ...
Kate Williams: Four Plus Three
by Bruce Lindsay
Pianist Kate Williams seems to be fond of septets: Four Plus Three is her third septet album after Made Up (kwjazz, 2011) and Atlas & Vulcana (kwjazz, 2014). Of course, there are other albums in her discography, including the excellent Smoke & Mirrors duo recording with saxophonist Bobby Wellins (kwjazz, 2012), but the seven-piece ensemble seems ...
Jeff Parker: The New Breed
by Jakob Baekgaard
There are certain artists that you know you can always count on. Whenever they are involved in something, at least it is going to be interesting and often it will be great. Guitarist Jeff Parker is one of those artists. It has been an undivided pleasure following Parker through his many constellations, whether ...
Cuong Vu Trio With Pat Metheny: Cuong Vu Trio Meets Pat Metheny
by Dan McClenaghan
One of the most distinctive jazz sounds to have appeared this millennium has been shaped by Cuong Vu. Beginning with his It's Mostly Residual (ArtistShare, 2005) through Vu-Tet (ArtistShare, 2007) and into Leaps of Faith, (Origin Records 2011), the modernistic and often plugged-in trumpeter has crafted an assault of sound: a thick, sludgy, glow-in-the-dark, pugnaciously percussive ...
John Coltrane: Meditations
by Sacha O'Grady
One man's meditation can be a migraine to another. By the early '60's, John Coltrane found himself moving ever further away from traditional forms of musical expression, and into what could be described as uncharted territory, even for jazz. So much so that the saxophonist's influence and ability to break down barriers not only within his ...
Lars Bech Pilgaards Slowburn: Som før
by Jakob Baekgaard
Danish guitarist Lars Bech Pilgaard has been involved in a number of underground projects and has his own record label, Mom Eat Dad Records. Recently, he has moved in an exciting new direction where influences from African music, jazz and experimental rock are combined. This original sound was featured prominently on his new project, Klimaforandringer (Climate ...
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