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Sébastien Paindestre Trio: Paris
by Mark Sullivan
French pianist Sébastien Paindestre--last heard on the French/American quartet Atlantico's En Rouge (La Fabrica'son, 2016)--leads his own trio in a mostly-original program. The liner notes credit a Fender Rhodes technician, and the opener “Scottish Folk Song" (by Walt Weiskopf) shows why. After introducing the tune on acoustic piano with double bassist Jean-Claude Oleksiak and drummer Antoine ...
Scott Tixier: Cosmic Adventure
by James Nadal
If there is a French connection in contemporary jazz, it might arguably be the violin. Though the instruments role was explored by American pioneering ensembles, the French players added an innovative approach to improvisation, incorporating more of the European influence. Heralded as a violin trendsetter for the current generation, French wunderkind Scott Tixier returns four years ...
Carol Duboc: Open The Curtains
by Edward Blanco
Jazz vocalist and pianist Carol Duboc delivers her eighth solo album presenting seven vibrant originals and three cover tunes on a set of jazz, R&B, funk and Smooth-styled music on the exciting Open The Curtains. Making this a special recording for Duboc, the singer illuminates the power of women by assembling an all-star, talented cast of ...
Aaron Bennett / Darren Johnston / Lisa Mezzacappa / Frank Rosaly: Shipwreck 4
by John Sharpe
Named after the Oakland studio where the disc was recorded, the Shipwreck 4 brings together three West Coast improvisers with Chicago drummer Frank Rosaly for a program of six collectively created selections. As apparent on Everybody's Somebody's Nobody (Clean Feed, 2016), his duet with guitarist Fred Frith, trumpeter Darren Johnston's work maintains a melodic core, albeit ...
Michael Shrieve's Spellbinder: Michael Shrieve's Spellbinder
by Dan Bilawsky
Drummer Michael Shrieve's Spellbinder is not your garden variety group. It's a beast of band that slams, seduces, grooves, jams, and rocks in high gear. Should we expect anything less from the rhythmic motor behind Santana? While Shrieve is best known as the driving force behind that legendary outfit, both in its original ...
Olivier Le Goas: Reciprocity
by Dan McClenaghan
Matt Cibula, writing for All About Jazz, wondered in his review of French drummer Olivier Le Goas' Gravitation (Altrisuoni, 2007): “Who the heck is Olivier Le Goas...?" indicating perhaps a paucity of information about the leader, even in this day of Internet info overload. Nine years later there still isn't much on-line scoop about the man. ...
Ron Stabinsky: Free for One
by Budd Kopman
The first thing to note about pianist Ron Stabinsky's debut recording Free For One is the quality of sound. The piano's lows are solid and centered, the mid-range clear and very fast while the highs sing. This is how piano should be recorded--not only is it a good test for the output end (speakers) of the ...
Frode Gjerstad Trio: Steam In The Casa
by Nicola Negri
Frode Gjerstad has been a key figure of Norway's free jazz scene since the 1970s. In 1981 he started a fruitful collaboration with John Stevens, who encouraged him to pursue his interests in free improvisation, eventually connecting him with a diverse range of important international musicians. A few years later he started working with a younger ...
Herbie Hancock: The Blue Note Albums
by Maurizio Zerbo
Risale al 1962 il primo disco di Herbie Hancock, già distintosi al fianco di Donald Byrd come pianista equilibrato e raffinato, di sicuro affidamento. La stima di cui godeva era già tale da rendere il suo esordio discografico un vero e proprio evento. A differenza di quanto normalmente avveniva per le opere prime, Takin Off (Blue ...
Charlie Hunter: Everybody Has A Plan Until They Get Punched in the Mouth
by Doug Collette
Adorned with the kind of facetiously sardonic title he's applied to a few recent records, Charlie Hunter's latest album nevertheless documents further changes in his ever-restless musical persona. Not only is this, his seventeenth-plus album as a leader, on a new label, but he enlists a new accompanist and, perhaps most significant of all, returns to ...
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