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21

Article: Album Review

Christoph Irniger Pilgrim: Big Wheel Live

Read "Big Wheel Live" reviewed by Glenn Astarita

by Glenn Astarita

Here's a young European jazz outfit that has a distinct personality. Led by Swiss tenor saxophonist Christoph Irniger, the quintet's upfront deportment is consummated by interweaving progressions and climactic pieces riding above variable currents. One of many outwardly enticing attributes is how sublime choruses often feel like they are on the verge of exploding into impacting ...

6

Article: Album Review

Jaco Pastorius: Jaco Pastorius

Read "Jaco Pastorius" reviewed by Sacha O'Grady

by Sacha O'Grady

For any serious fan of jazz fusion, the release of Jaco Pastorius' debut solo album should have come as no surprise. Largely self taught, by 22 he was already teaching bass at the University of Miami, where he forged a strong friendship with guitarist Pat Metheny, one which would lead to the two eventually recording together, ...

Article: Album Review

Dave Holland, Chris Potter, Lionel Loueke, Eric Harland: Aziza

Read "Aziza" reviewed by Angelo Leonardi

by Angelo Leonardi

Se dovessi scegliere il brano per me più elettrizzante dal disco di questo super gruppo non esiterei a consigliare l'ultimo: “Sleepless Night," un concentrato di energia ritmico/percussiva al calor bianco, esaltata dal lungo confronto tra il tenore di Chris Potter e la chitarra (in questo caso distorta) di Lionel Loueke. È comunque vero ...

Article: Album Review

Szilard Mezei Septet: Cet

Read "Cet" reviewed by Alberto Bazzurro

by Alberto Bazzurro

Ogni nuova uscita discografica riguardante Szilárd Mezei (negli ultimi anni sono frequenti) è una piccola festa. Questo suo nuovo lavoro, inciso a inizio 2015 alla testa di un settetto dalle timbriche e dalle dinamiche veramente efficaci, non fa certo eccezione. Vi convergono sette pagine del violista serbo-magiaro svarianti dai sei minuti e mezzo al quarto d'ora ...

10

Article: Album Review

Michael Aadal Group: Pomona

Read "Pomona" reviewed by Mark Sullivan

by Mark Sullivan

Proof that great Americana music can come from unexpected places--Norway, in this case. Pomona Avenue in Fullerton, California was the original location of the famed Fender factory. Guitarist Michael Aadal used only solid body guitars on this album--a Stratocaster and a Telecaster, the most iconic Fender models. That says something about the sound of Pomona, but ...

3

Article: Album Review

Chefa Alonso & Tony Marsh: Goodbye Red Rose (2008/9)

Read "Goodbye Red Rose (2008/9)" reviewed by John Eyles

by John Eyles

An air of nostalgia and remembrance pervades this album, starting with its title and cover photograph which portrays the duo of Spanish-born soprano saxophonist Chefa Alonso and Lancaster-born drummer Tony Marsh on stage at The Red Rose in Finsbury Park, north London, on 20th January 2008, during John Russell's long-running monthly improv concert series Mopomoso. In ...

3

Article: Album Review

Honey Ear Trio: Swivel

Read "Swivel" reviewed by Mark Corroto

by Mark Corroto

The opening track of Allison Miller's new Honey Ear Trio recording, “Arby," had me singing the lyrics to “Heavy Metal Drummer," the 2002 Wilco hit song ..."She fell in love with the drummer/Another and another/She fell in love/I miss the innocence I've known/Playing KISS covers, beautiful and stoned." That connection is made from the heavy, maybe ...

4

Article: Album Review

Miroslav Vitous: Music of Weather Report

Read "Music of Weather Report" reviewed by John Ephland

by John Ephland

The music on bassist Miroslav Vitous' Music Of Weather Report is a fascinating document by an original member of that seminal group, formed in 1970. Revisiting music he helped to create as well as one tune that came after he left the group in 1974 (along with new music he wrote and one from original member ...

6

Article: Album Review

Stephan Crump: Stephan Crump's Rhombal

Read "Stephan Crump's Rhombal" reviewed by Mark Corroto

by Mark Corroto

Often times, a jazz performance without a chordal instrument, a guitar or piano, is considered to be flying without a net. Exciting, but often without aim. It routinely relies on just one powerful figure to command the proceedings. That is, unless the ensemble is configured under egalitarian principles. Equal contribution and respect for the differing voices ...

11

Article: Album Review

Jane Bunnett & Maqueque: Oddara

Read "Oddara" reviewed by James Nadal

by James Nadal

There has been a constant stimulating fascination associated with Cuba that has attracted numerous jazz musicians to delve deeper into its musical traditions. Also, judging by the amount of recent recordings by Cuban artists, and those who feature them in collaborative efforts, the island sustains its status as a vital source of inspiration on the global ...


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