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Article: Album Review

Matt Ulery's Loom/Large: Festival

Read "Festival" reviewed by Vic Albani

by Vic Albani

Normalmente (e specialmente in Italia) quando un Ente culturale pubblico commissiona un lavoro ad un musicista il risultato è quasi sempre--per dirla con Totò -una vera ciofeca. A Chicago per fortuna, non è così e quindi Festival, nuovo lavoro del prolifico contrabbassista e tubista Matt Ulery già titolare di ben sei lavori discografici alle spalle, è ...

Article: Album Review

Claudio Fasoli Double Quartet: Inner Sounds

Read "Inner Sounds" reviewed by Alberto Bazzurro

by Alberto Bazzurro

Uomo di sintesi, nei titoli, come ci viene in mente solo Steve Lacy (ce n'è uno addirittura identico, fra questo disco e il songbook lacyano, “Vespers"), ma anche nell'espansione musicale, Claudio Fasoli ci regala con questo suo nuovo lavoro uno dei capitoli più alti della sua ormai quarantennale carriera di leader. Per comporlo (in tutti i ...

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Article: Album Review

Steve Slagle: Alto Manhattan

Read "Alto Manhattan" reviewed by Mark Sullivan

by Mark Sullivan

Alto Manhattan is Latino for the New York City neighborhood “upper Manhattan" (or “the heights"). It's also where veteran alto saxophonist/flutist Steve Slagle lives, making for a nice bit of wordplay in the album title. This is a well-balanced program, with just a bit more Latin tinge than average. “Family" launches the set with Latin-flavored hard ...

3

Article: Album Review

The Seth Yacovone Band: Shovel Down

Read "Shovel Down" reviewed by Doug Collette

by Doug Collette

Vintage hard rock with heavy metal overtones that should appeal as much to fans of the original Gov't Mule as those of early Black Sabbath, the initial studio album by The Seth Yacovone Band 2.0., Shovel Down is the initial and fairly lofty plateau in a judicious plan by the bandleader to remain as independent as ...

4

Article: Album Review

Satoko Fujii Orchestra Tokyo: Peace

Read "Peace" reviewed by Budd Kopman

by Budd Kopman

If pianist Satoko Fujii is known for anything, it is for the enormous amount of energy that she brings to her work, plus the pace she maintains with groups scattered all over the world. Her latest offering, Peace, with her Tokyo Orchestra was recorded in 2014, as was Ichigo Ichie (her Berlin Orchestra), Uminari ...

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Article: Album Review

Satoko Fujii Orchestra Tokyo: Peace

Read "Peace" reviewed by Dan McClenaghan

by Dan McClenaghan

The rumor rolled out in mid-2016 that Japanese pianist/composer/bandleader Satoko Fujii had another orchestral album on the way. Peace was the title. “Peace" isn't a word that normally comes to mind when considering Fujii's music. “Bedlam," maybe, but not “peace." In preparation for the oncoming Peace, three previous Fujii orchestral CDs on Libra Records ...

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Article: Album Review

Tom Challenger and Kit Downes: Black Shuck

Read "Black Shuck" reviewed by Bruce Lindsay

by Bruce Lindsay

"Atmosphere" is one of those oft-used, hard to pin down, words that music writers are wont to distribute across their outpourings. Sometimes, it's used without qualification--an “atmospheric" piece, a song that has “atmosphere"--much in the way that people speak of having “blood pressure." So when a work such as Tom Challenger and Kit Downes' impressive Black ...

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Article: Album Review

Daniel Diaz: Swan Song

Read "Swan Song" reviewed by Mark Sullivan

by Mark Sullivan

French composer Daniel Diaz makes his living composing soundtrack music, but Swan Song is more of a personal travelogue/soundscape. It's based around memorable melodies, supported by sophisticated harmonies and gentle, sometimes elusive rhythms. The overall effect is not unlike some of Brian Eno's ambient music: a series of brief atmospheric tunes that make more of an ...

3

Article: Album Review

Frank Kimbrough: Solstice

Read "Solstice" reviewed by Budd Kopman

by Budd Kopman

Pianist Frank Kimbrough's latest offering, Solstice on the Pirouet label, is a joy from beginning to end. Pirouet is the home of some other fine piano trios, including those of Marc Copland (see Some Love Songs, Modinha, Voices and Night Whispers). Copland, arguably working from the Bill Evans aesthetic is, of course, ...

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Article: Album Review

David S. Ware/Matthew Shipp: Live in Sant’Anna Arresi, 2004

Read "Live in Sant’Anna Arresi, 2004" reviewed by Karl Ackermann

by Karl Ackermann

Describing David S. Ware as a maverick would be a gimmicky shortcut around the depth of the late saxophonist's vision. Outside of John Coltrane we have not seen a Ware contemporary with more depth of spirituality, presented in such a visceral way. Similarly, Matthew Shipp employs a type of unimaginable creative mysticism that transcends technique and ...


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