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Craig Taborn: Daylight Ghosts
by Vincenzo Roggero
Misterioso. E imperscrutabile. Si presenta così il nuovo album di Craig Taborn. Perché le certezze del primo brano -oh, ecco il Taborn che conosciamo, il suo approccio, i punti fermi del suo stile, le linee guida della sua estetica in bella evidenza -svaniscono nel resto del lavoro. Dove ci si addentra progressivamente e irrimediabilmente in una ...
Marbin: Goat Man & The House of the Dead
by Dave Wayne
It's truly been fun to watch Marbin grow and develop over the past few years. Their eponymous, self- released debut album, from way back in 2009, was a duet affair with the two principals--saxophonist Danny Markovitch and guitarist Dani Rabin--plying their talents on a clutch of brief and very intricate instrumentals. Sounding at times like an ...
Kneebody: Anti-Hero
by Vic Albani
Bene. Facciamo il punto. Sono anni che sostengo a piena voce come i Kneebody siano una delle vere, grandi realtà della musica moderna. Dunque persino ovvio che, nel mondo di oggi capace di fagocitare tutto con estrema leggerezza e ambiguità, il quintetto americano passi nel fiume galleggiando come tutto il resto. Ci sono ...
Steve Khan: Backlog
by James Nadal
In what could best be described as an enduring exploration, Steve Khan has undertaken the role of expanding and redefining the role of the guitar in the hybrid genre of Latin Jazz. Backlog continues with the concept established as far back as 2005 on The Green Field (Tone Center), in the transformation of straight-ahead jazz compositions ...
Marcello Pellitteri: Acceptance
by Tyran Grillo
From branches of sadness have sprouted leaves of affirmation, and these are their songs. As the first in a series of albums dedicated to Marcello Pellitteri's late daughter, Veronica (1991-2014), Acceptance marks a turning point in the renowned drummer's career that no one could have foreseen. Despite its mournful theme, the album is filled ...
Nate Najar: This Is Nate Najar
by Edward Blanco
Hailing from St. Petersburg, FL, guitarist Nate Najar unveils his third full length recording for the Candid Records label on the simply-titled This Is Nate Najar where he touches on the music of Chick Corea and Antonio Carlos Jobim as well as delivering a straight jazz sound with several cover tunes and a couple of originals. ...
Ruthie Foster: Joy Comes Back
by James Nadal
To prove the point that one can go home again, Ruthie Foster returned to the small church in Caldwell, Texas, where she began, singing hymns in the choir, in search of inspiration for Joy Comes Back. For Foster, singing gospel and soul is a birthright, blues and country her second nature; the vast Americana musical landscape ...
Mahavishnu Orchestra: Apocalypse
by Julian Derry
Well, there's not much to say about the new release of Apocalypse. Well, not as much as many Mahavishnu fans had hoped; rumours of a long awaited and much needed remastering of this legendary album, making the rounds of the mailing lists were alas, premature. So what is this CD? Answer: it's the exact same, level-for-level ...
Rich Halley/Carson Halley: The Wild
by Dan McClenaghan
Saxophonist Rich Halley, home-based in Portland, Oregon, is a relentless creator of fine and oftimes fiery free jazz, averaging, since 2010, about two CD releases per year, including Creating Structure (2015); Eleven (2016); and Outlier, (2016), all on his Pine Eagle Records label. These were quartet outings, featuring like-minded free-jazzers--trombonist Michael Vlatkovich, bass man Clyde Reed ...
Mike Casey: The Sound of Surprise: Live at the Side Door
by Edward Blanco
Making his recording debut with much anticipation, saxophonist Mike Casey delivers an inspiring performance on The Sound of Surprise: Live at the Side Door featuring four re-imagined standards from the likes of John Coltrane, Ornette Coleman, Kurt Weill and Jackie Mclean as well as three originals from the band. A graduate of the University of Hartford, ...
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