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Hazelrigg Brothers: Songs We Like
by Dan McClenaghan
George Hazelrigg, pianist, and bassist Geoff Hazelrigg, The Hazelrigg Brothers, are owners of Hazelrigg Industries, a company that markets high-end audio gear; and they have crafted a high-end musical statement with Songs We Like, an inviting piano trio effort built mostly around popular rock songs. Jimi Hendrix is here; so is Ian Anderson, Jethro Tull's frontman, ...
Glasgow Improvisers Orchestra: GIO Sevens
by Duncan Heining
Back in the 60s, there was a pop show on British TV called Thank Your Lucky Stars. It featured a spin-a-disc" segment, where a DJ and three teenagers scored a clutch of 45s on a scale of one to five. One of these was a girl from the West Midlands called Janice Nicholls, who delighted audiences ...
Roger Beaujolais: Sunset
by Dan Bilawsky
Vibraphonist Roger Beaujolais' name may not be familiar to listeners on the American side of the pond, but he's been a pretty steady presence on the British scene for decades, making a splash with The Chevalier Brothers, hitting the studios with artists as far apart as rocker-turned-folkie Robert Plant and Cuban icon Omara Portuondo, and leading ...
Adam Larson: Second City
by Troy Dostert
The first thing one notices when listening to tenor saxophonist Adam Larson's latest release, Second City, is the torrent of notes coming out of his horn, seemingly in unstoppable waves. But Larson's got a lot more to offer than just impeccable chops. He possesses a rhythmic sophistication and compositional cleverness that should help him distinguish himself ...
Kneebody: Anti-Hero
by Mike Jacobs
Several questions came to mind when listening (repeatedly) to Kneebody's latest offering, Anti-Hero. 1. Why does this feel important?" Easy one. Anti-Hero is by far the strongest effort yet from arguably the most original collective to strafe the jazz world in recent history. All the pheromones that make Kneebody so attractive have ...
Adam Fairhall: Friendly Ghosts
by Roger Farbey
Following undergraduate studies, virtuoso pianist Adam Fairhall took a Master's degree at Leeds College of Music, receiving a MMus in Jazz Studies (Performance) in 2005. Whilst at Leeds he studied with pianist Mark Donlon and took lessons with British jazz composer Matthew Bourne. The title of his album Friendly Ghosts, Fairhall's debut recording as a soloist, ...
Big Mean Sound Machine: Runnin' for the Ghost
by Chris M. Slawecki
On Runnin' for the Ghost, Big Mean Sound Machine sounds intent on obliterating every imaginable musical border: the lines between regional or geographic styles, the divide between acoustic and electronic instruments, the boundary between live and sampled music, the gap between ancient and contemporary music...just about any and every musical box" you can think of.
Swingadelic: Mercerville
by Dan Bilawsky
Swingadelic loves a good tribute. This little big band's first date for Zoho was all about Duke--Pearson, not Ellington--and its second set on that imprint focused on the music of New Orleans icon Allen Toussaint. Now the group has set its sights on another singular figure, taking a trip to Johnny Mercer country with positive results. ...
Piffaro: Back Before Bach: Musical Journeys
by C. Michael Bailey
Johann Sebastian Bach did not develop as an artistic entity in a vacuum. While he may be considered the intellect that whipped music into some semblance of order, he was, by no means, the first to start or try to do so. Piffaro, The Renaissance Band, last written about by this critic on Music From the ...
Bob Downes Open Music: Let Your Mind...Space Out
by Roger Farbey
Any CD release by Bob Downes is a significant event but the psych-entitled Let Your Mind...Space Out is important because it also celebrates the 80th birthday of this virtuoso jazz multi-instrumentalist. It's hard to credit that Downes, like his contemporaries Mike Westbrook and Mike Gibbs has now achieved octogenarian status, given that his early oeuvre was ...



