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Jamaaladeen Tacuma: For the Love of Ornette
by Dan McClenaghan
This is almost too good to be true: an “almost" Ornette Coleman album, blowing in out of the blue. Coleman isn't the leader on the set, but he's here, sounding as strong and true as ever. Bassist Jamaaladeen Tacuma joined the alto saxophonist/free jazz pioneer's electric Prime Time Group in the mid-'70s, contributing to ...
Free Jazz Quartet: Memories for the Future
by AAJ Italy Staff
Nelle belle note di copertina del disco, registrato in concerto nel 1992 ma pubblicato solo ora, Brian Morton fa notare come la musica del Free Jazz Quartet esprima alcune caratteristiche assimilabili a una generica definizione di jazz, sebbene ogni definizione possa essere problematica a ambigua. Tali caratteristiche sono riconducibili a un approccio particolare alla creazione di ...
Jake Fryer / Bud Shank Quintet: In Good Company
by Edward Blanco
On April 2, 2009 the world lost another giant of jazz when alto saxophonist great Bud Shank died peacefully in his Tucson, Arizona home. But the master chose not to pass away with a whimper but, rather, with a bang, blowing his last notes the day before at Studio West in San Diego. Shank was one ...
Hristo Vitchev Quintet: The Perperikon Suite
by C. Michael Bailey
The San Francisco Bay Area is harboring a musical danger in Bulgarian guitarist Hristo Vitchev. The danger is production of germane, even compelling modern jazz that engages and warrants attention. As styles and genres become less relevant, the direction Vitchev initiated with his quartet recording, Songs of Messambria (First Orbit Sounds, 2009), and duet release, Secrets ...
Mandy Harvey: After You've Gone
by Florence Wetzel
Do you need to know about an artist's personal life when experiencing their art? This question comes to mind when listening to Mandy Harvey, because the astonishing fact is that the jazz singer is deaf. She suffered from hearing problems throughout her childhood, yet she still sang in choirs and was lauded for her vocal talent. ...
Deborah Brown: For The Love Of Ivie: A Tribute to Ivie Anderson
by Victor L. Schermer
Ivie Anderson was Duke Ellington's mainstay singer from 1931 to 1942, melding the depth of Billie Holiday with the sophisticated attitude of Lena Horne. Deborah Brown is one of the finest modern jazz vocalists ever to grace live venues and recording studios. In common with Anderson, she is a musician's vocalist, having played with the likes ...
Anthony Branker & Ascent: Dance Music
by Edward Blanco
Dr. Anthony Branker holds an endowed jazz chair, and is currently director of the Program in Jazz Studies at Princeton University. A composer and musical director, Branker established the jazz collective, Anthony Branker & Ascent in 2004, featuring an A-list of players--among them, saxophonists Tia Fuller and Ralph Bowen fronting a light ensemble, with vocalist Kadri ...
Andrew Rathbun: The Idea of North
by Ian Patterson
What effect does solitude have on a person? How can one grow as a result of being alone? These questions provoke a musical response from saxophonist, Andrew Rathbun, though the roots of his inspiration for this music lie over forty years ago. In 1967, legendary concert pianist Glenn Gould produced a radio documentary called “The Idea ...
Chantale Gagne: Wisdom of the Water
by Raul d'Gama Rose
Chantale Gagné has adopted what seems to be the perfect persona for her album, Wisdom of the Water. The young, Montreal-based pianist appears here as an almost childlike water sprite, a naiad, who sometimes mixes fun with erudition too. This is a perfect persona for the metaphor that is brought to fruition as it rushes and ...
Mort Weiss: Mort Weiss Meets Bill Cunliffe
by C. Michael Bailey
If it is a Mort Weiss recording, bebop cannot be very far away. Competent bop clarinetists are as scarce as hen's teeth, the most critically accepted being Tony Scott, Buddy Defranco and Weiss. Weiss' most recent recordings, Mort Weiss Meets Sam Most (SMS Jazz, 2006) and B3 and Me (SMS Jazz, 2006), reflect his solid bop ...
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