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Dexter Payne Quintet: Jazz for All (Jazz Forró)
by Chris M. Slawecki
Dexter Payne plays clarinet with an easy, warm and conversational style. It never sounds like he's pushing or stretching toward the next note, but more like he kind of just lets the next note flow out from this one. On Jazz For All, Payne and his quintet flow through Brazilian choro from a unique, multi-cultured and ...
Art Zoyd: Art Zoyd - 44 1⁄2 At A Glance: Selections from the Art Zoyd Box Set
by Mark Sullivan
Because France's Art Zoyd was a member of the Rock In Opposition (RIO) movement--a loose confederation of bands making left of center music and subverting the conventions of the music business--they are often characterized as a progressive rock band. But after a brief early period with a standard rock configuration, their instrumentation and musical style came ...
William Flynn: Traveler
by Mark Sullivan
Wichita-based guitarist, composer and educator (Professor of Jazz Guitar at Wichita State University) William Flynn presents a brief program of evocative originals, accompanied by his quartet with pianist Addison Frei, double bassist Young Heo and drummer Matt Young. The mention of Wichita inevitably recalls the title of the Pat Metheny/Lyle Mays composition (and album) “As Falls ...
Bill Anschell: Shifting Standards
by Paul Rauch
Seattle based pianist Bill Anschell has created a tremendous body of work over the the past 30 years, as a composer, musical director, and pianist. He returned to Seattle in 2002 after 25 years abroad and formed a relationship with Origin Records, releasing more than a dozen records both as a leader and co-leader. Whether composing ...
Jon Durant: Parting Is
by Glenn Astarita
Imaginative guitarist Jon Durant, co-leader of the band Burnt Belief with Colin Edwards of Porcupine Tree, traveled between the East Coast and his second home near Portland, Oregon, to produce this set of solo guitar works. Yet, according to the artist, the album title reflects the “sweet sorrow" that occurs after his wife visits for a ...
Wadada Leo Smith: Solo: Reflections and Meditations on Monk
by Vincenzo Roggero
Omaggiare la figura e la musica di Thelonious Monk è sempre una sfida ardua da superare per qualsiasi musicista. Se poi la si affronta in solitaria e nemmeno al pianoforte bensì alla tromba, ardua lo diventa ancora di più. Ma è lo stesso Wadada Leo Smith che ci rassicura. “La maggior parte delle persone -afferma nelle ...
Wadada Leo Smith: Najwa
by Maurizio Comandini
Il trombettista Wadada Leo Smith chiama a raccolta i suoi fedelissimi per una nuova scorribanda nei territori dell'emozione, con la sua tromba spiritata che guida il cammino con saggezza e ferma determinazione, tracciando le linee guida attraverso le quali poi tutti i musicisti saranno chiamati a dare il proprio ampio contributo nella tessitura narrativa dei cinque ...
The Heliosonic Tone-tette: Heliosonic Toneways Vol. 1
by Chris M. Slawecki
Many albums in the Sun Ra musical universe have a great backstory, but the story behind Heliosonic Toneways Vol. 1 is better than most. On April 20 1965, Sun Ra recorded The Heliocentric Worlds of Sun Ra, featuring himself on the relatively obscure bass marimba, at Richard Alderson's RLA Studio in New York City. ...
Jakob Bro: Returnings
by Mark Sullivan
Danish guitarist Jakob Bro reunites with double bassist Thomas Morgan and drummer Jon Christensen--the trio that recorded his ECM debut Gefion (ECM, 2015)--and adds veteran ECM stalwart trumpeter/flugelhornist Palle Mikkelborg to the mix. Usually adding a horn would make a group sound brasher, but most of the time Mikkelborg seems to have brought out Bro's introspective, ...
Anders Lauge Meldgaard: At synge verden ind i en ny og mangefoldet tid
by Jakob Baekgaard
To be in the world is to see it. To be in the world is to hear it. To be in the word is to taste it. But what happens when we lose our ability to perceive the wonder that is right in front of us and our senses are dulled? Perhaps we start to take ...
