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20

Article: Multiple Reviews

Carla Bley & Jack DeJohnette: ECM Trios

Read "Carla Bley & Jack DeJohnette: ECM Trios" reviewed by Mark Sullivan


Two different approaches to the trio, led by veteran ECM bandleaders. Big band composer/pianist Carla Bley continues her recent run of chamber ensemble recordings, reconvening her trio with saxophonist Andy Sheppard and bassist Steve Swallow, most recently heard on Trios (ECM, 2013). The grouping gives much more focus on her piano playing than her large group ...

2

Article: Live Review

Dialoghi Jazz per Due - Pavia

Read "Dialoghi Jazz per Due - Pavia" reviewed by Paolo Peviani


Dialoghi Jazz per Due -18a Edizione Santa Maria Gualtieri Pavia 04.03-12.04.2016 La rassegna pavese Dialoghi Jazz per Due è arrivata alla diciottesima edizione. Un traguardo importante per una manifestazione nata, come spesso accade, un po' per caso e un po' per gioco, e che nel corso degli anni è riuscita a ...

Article: Album Review

Michael Formanek Ensemble Kolossus: The Distance

Read "The Distance" reviewed by Alberto Bazzurro


Riporta alla mente esperienze tipo quelle, gloriose, consumate a cavallo fra anni Sessanta e Settanta dal cenacolo raccolto attorno alla premiata ditta Carla Bley/Michael Mantler, questo notevole nuovo lavoro di Michael Formanek (incisione del dicembre 2014). Ora come allora, un manipolo di solisti (ma anche compositori, leader, ecc.) tra i migliori in circolazione si riunsicono attorno ...

1

Article: Album Review

Roy Nathanson: Nearness And You, Duets and Improvisations

Read "Nearness And You, Duets and Improvisations" reviewed by Mark Corroto


On saxophonist Roy Nathanson's 2009 disc Subway Moon (Yellowbird), he covers the R&B song “Love Train" a huge hit for The O'Jays in 1973. Nathanson's version was a relaxed take on the age old wish for world peace. By decelerating the music he accelerated the intimacy. He utilizes the same device on Nearness Of You, an ...

43

Article: Live Review

Big Ears Festival 2016

Read "Big Ears Festival 2016" reviewed by Mark Sullivan


Big Ears Festival Knoxville, TN March 31-April 2, 2016 Since its beginning in 2009, the Big Ears Festival has always been willfully, unapologetically eclectic. Their own self-description is “a dynamic, interactive experience that explores connections between musicians and artists, crossing all musical genres while interfacing with film, performance and the visual arts." ...

4

Article: Album Review

André Fernandes: Dream Keeper

Read "Dream Keeper" reviewed by Roger Farbey


Born in Lisbon in 1976, guitarist André Fernandes is becoming a significant international player in jazz. He studied at the Lisbon Hot Club School and later at Berklee College of Music for two years in the late nineteen nineties. He has contributed to the projects of many internationally renowned jazz musicians including Julian Arguelles, Avishai Cohen, ...

Article: Album Review

John Clark: The Odd Couple Quintet +1

Read "The Odd Couple Quintet +1" reviewed by Angelo Leonardi


John Clark ha acquisito notorietà negli anni settanta, quando fu tra i principali strumentisti dell'orchestra di Gil Evans. Si sa che l'arrangiatore canadese aveva un debole per il corno francese e non se ne privò al varo della big-band “elettrica." Con John Clark lo strumento è uscito dal ruolo di strumento occasionale che aveva avuto ...

9

Article: Album Review

Samo Salamon Bassless Trio: Unity

Read "Unity" reviewed by Mark Sullivan


Adventurous Slovenian guitarist Samo Salamon is one of the most wide-ranging jazz guitarists working today, and one of the most prolific. This is his 19th album as a leader, and his third employing the “bassless trio" format, following Little River (Sazas, 2015) and Duality (Samo Records, 2011). British saxophonist Julian Argüelles (Loose Tubes, Django Bates, Carla ...

7

Article: Profile

Barry Guy: Ploughs into Swordshares, Part 1-3

Read "Barry Guy: Ploughs into Swordshares, Part 1-3" reviewed by Duncan Heining


Part 1 | Part 2 | Part 3 Edgar Varèse's defiant statement in the face of public and critical indifference -"The present day composer refuses to die"—could so easily apply to composer-bassist Barry Guy. He has earned over the years a deep and lasting respect from certain fans and critics, though more so in ...

3

Article: Album Review

Marc Mommaas / Nikolaj Hess: Ballads & Standards

Read "Ballads & Standards" reviewed by Budd Kopman


Many, if not most, of today's jazz players end up, sooner or later, becoming composers. Hence, on top of searching for and hopefully finding their personal means of expression when performing (composing in real-time), they now must also develop a personal compositional style which fits their aesthetic outlook, and which is accessible enough by other players ...


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