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Roy Nathanson: Nearness And You, Duets and Improvisations
by Mark Corroto
On saxophonist Roy Nathanson's 2009 disc Subway Moon (Yellowbird), he covers the R&B song “Love Train" a huge hit for The O'Jays in 1973. Nathanson's version was a relaxed take on the age old wish for world peace. By decelerating the music he accelerated the intimacy. He utilizes the same device on Nearness Of You, an ...
Big Ears Festival 2016
by Mark Sullivan
Big Ears Festival Knoxville, TN March 31-April 2, 2016 Since its beginning in 2009, the Big Ears Festival has always been willfully, unapologetically eclectic. Their own self-description is “a dynamic, interactive experience that explores connections between musicians and artists, crossing all musical genres while interfacing with film, performance and the visual arts." ...
André Fernandes: Dream Keeper
by Roger Farbey
Born in Lisbon in 1976, guitarist André Fernandes is becoming a significant international player in jazz. He studied at the Lisbon Hot Club School and later at Berklee College of Music for two years in the late nineteen nineties. He has contributed to the projects of many internationally renowned jazz musicians including Julian Arguelles, Avishai Cohen, ...
John Clark: The Odd Couple Quintet +1
by Angelo Leonardi
John Clark ha acquisito notorietà negli anni settanta, quando fu tra i principali strumentisti dell'orchestra di Gil Evans. Si sa che l'arrangiatore canadese aveva un debole per il corno francese e non se ne privò al varo della big-band “elettrica." Con John Clark lo strumento è uscito dal ruolo di strumento occasionale che aveva avuto ...
Samo Salamon Bassless Trio: Unity
by Mark Sullivan
Adventurous Slovenian guitarist Samo Salamon is one of the most wide-ranging jazz guitarists working today, and one of the most prolific. This is his 19th album as a leader, and his third employing the “bassless trio" format, following Little River (Sazas, 2015) and Duality (Samo Records, 2011). British saxophonist Julian Argüelles (Loose Tubes, Django Bates, Carla ...
Barry Guy: Ploughs into Swordshares, Part 1-3
by Duncan Heining
Part 1 | Part 2 | Part 3 Edgar Varèse's defiant statement in the face of public and critical indifference -"The present day composer refuses to die"—could so easily apply to composer-bassist Barry Guy. He has earned over the years a deep and lasting respect from certain fans and critics, though more so in ...
Marc Mommaas / Nikolaj Hess: Ballads & Standards
by Budd Kopman
Many, if not most, of today's jazz players end up, sooner or later, becoming composers. Hence, on top of searching for and hopefully finding their personal means of expression when performing (composing in real-time), they now must also develop a personal compositional style which fits their aesthetic outlook, and which is accessible enough by other players ...
Hristo Vitchev Quartet: In Search of Wonders
by Roger Farbey
With six previous albums already to his name, guitarist Hristo Vitchev has now released a double album of his own compositions, benefitting from the inclusion of three exceptionally talented musicians constituting his quartet. Vitchev's dextrously lithe playing is evident from the start on the (initially) pastoral opener “The Transitory Nature," recalling the styles and fluidity of ...
2015: The Year in Jazz
by Ken Franckling
The year 2015 was a curious blend of ups and downs, with glimmers of optimism offset by its losses. Venues opened to great fanfare, but others closed for a variety of reasons. UNESCO's International Jazz Day became firmly entrenched as the exclamation point on Jazz Appreciation Month activities in April. Daily arts journalism took a hit ...
Jazztopad 2015
by Henning Bolte
National Music Forum Jazztopad 2015 Wroclaw, Poland November 21-25, 2015 The city of Wroclaw by the Odra River in the southwest of Poland has occupied a pre-eminent position throughout its long, turbulent history, and it still does. Wroclaw's Jazztopad festival is a relatively young one. This year celebrated had ...
