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Serge Chaloff: Boston Blow-Up!
by AAJ Italy Staff
Pubblicato finalmente su CD, questo disco di Serge Chaloff è stato una rarità per decenni. Già pochi anni dopo la sua incisione per la Capitol (aprile 1955) andò fuori catalogo, rimanendo in quel limbo fino ai primi anni ottanta, quando l'etichetta Affinity ne curò una fugace riedizione. Considerando che riemerge sul mercato ogni venticinque anni, chi ...
Stan Kenton: Sophisticated Approach
by Edward Blanco
Sophisticated Approach is a reissue of eighteen iconic ballad arrangements by Stan Kenton, originally recorded in 1961 with his unique and controversial four-piece mellophonium horn section. The ballroom circuit was the life-blood of the Kenton Mellophonium Orchestra in the late '50s and early '60s, and this album, arranged by Lennie Niehaus, was intended as an addition ...
Lou Rawls: The Best of Lou Rawls: The Capitol Jazz & Blues Sessions
by Chris M. Slawecki
This twenty-song anthology delivers the definitive overview of Lou Rawls' vocal accomplishments before his late-1970s run with Gamble & Huff for Philly International records popped him into the mainstream. Like so many other blues-influenced pop singers, Rawls begins right from The Source, the family church, through the opening “Motherless Child, from The Soul Stirring ...
Julian "Cannonball" Adderley: Why Am I Treated So Bad!
by Chris May
By the time Why Am I Treated So Bad! was recorded over three sessions in March and July 1967, Cannonball Adderley's joyous soul jazz had begun to develop a rictus. Things could still get greasy, but the music was starting to get formulaic around the edges. Mercy, Mercy, Mercy!, recorded by the same lineup in 1966, ...
Stan Kenton: Sophisticated Approach
by Chris May
The Donald Rumsfeld of American big band jazz in the 1940s and 1950s, Stan Kenton didn't so much embrace his audiences as shock-n-awe them into submission with relentless carpet bombing. Kenton's monstrous orchestras--the most overblown being the 43-piece Innovations In Modern Music outfit of the early 1950s--specialised in heavy-footed, portentous, screaming brass performances which left zero ...
Serge Chaloff: Boston Blow-Up!
by Chris May
Baritone saxophonist Serge Chaloff lived a short, often ugly and painful life. A hard-line, nodding off, ankle-scratching junkie with bad personal hygiene problems, he died horribly at the age of 34. Yet he was a master of his cumbersome instrument and capable of creating music of extraordinary beauty. Boston Blow-Up!, made in 1955 as part of ...
Cannonball Adderley: Great Sessions
by Chris May
A less cohesive and chronologically compact collection than the others in Blue Note/Capitol's new budget priced Great Sessions series, Cannonball Adderley's set offers a potpourri of three albums recorded for Blue Note, Riverside and Capitol between 1958 and 1966, charting the saxophonist's trajectory from blues-drenched Charlie Parker disciple to soul-jazz pioneer. The cream in the coffee, ...
Lou Rawls: The Best Of Lou Rawls: The Capitol Jazz & Blues Sessions
by Chris May
Although they're included almost as a postscript to this gorgeous collection of jazz and gospel-inflected blues, the last three tracks on The Best Of Lou Rawls are headline news in themselves. Three previously unissued tracks featuring legendary trumpeter Dupree Bolton!! Almost as under-recorded and unchronicled as Buddy Bolden, Dupree Bolton spent most of his adult life ...
Lou Rawls: The Best of Lou Rawls: The Capitol Jazz & Blues Sessions
by Jim Santella
The emotional catch in Lou Rawls' voice and the unmistakable sound of his persona have long been staples of modern music: easy to love and comfortably familiar. When Rawls sings, everybody wants to absorb the lyrics. And following the message that accompanies each of his songs comes as natural as intimate conversation between two good friends.
Sammy Davis Jr.: Sammy Davis Jr.: Satan Swings Baby and That's the Truth, The Whole Truth and Nothing But...
by Trevor MacLaren
It's no secret that The Candyman was digging the Dark Lord in the early '70s, when he was awarded an honorary Warlock degree by the Church of Satan. But this long-lost recording of odes to the devil is a bit a surprise. These seven tracks were recorded in Los Angeles in 1974 with a small swing ...
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