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Cannonball Adderley: Cannonball Takes Charge
by Robert Gilbert
The recording of Cannonball Takes Charge was sandwiched in between two events that would help earn Cannonball Adderley a permanent place in jazz lore. Just the day before the album’s first session, he participated in the completion of Miles Davis’s seminal Kind of Blue. Five months after Cannonball Takes Charge was finished, he had Riverside producer ...
Cannonball Adderley: Radio Nights
by Jim Santella
Radio broadcasts from The Half Note in New York during the last week of 1967 and the first week of 1968 make up the set of distinctive material on Radio Nights. The live audience reaction puts the listener right there, to share in each exciting moment. Cannonball Adderley was at his best, and the ensembles remained ...
Cannonball Adderley: The Definitive Cannonball Adderley
by Jim Santella
Recorded between February 1957 and August 1971 and featuring Cannonball Adderley in various contexts, Blue Note’s definitive collection touches upon all the high points of a memorable career. The alto saxophonist influenced thousands of followers. His collaborations with his brother Nat, leader Miles Davis and arranger Gil Evans made unforgettable music. Cannonball Adderley brought the blues ...
James Clay & David "Fathead" Newman: The Sound of the Wide Open Spaces
by David Rickert
The wide open spaces referred to in the title is not a reference to free jazz, but rather a description of Texas, the home state of both Clay and Newman. Cannonball Adderley, who began producing records with this album in the hopes of giving credit to lesser-known musicians, brought together these two tenormen for ...
Cannonball Adderley: Know What I Mean?
by David Rickert
It must have seemed like a winning combination at the time; Evans and Addereley, two contributors to the Kind Of Blue album, paired with the bassist and drummer from the Modern Jazz Quartet. Unfortunately the results are less than stellar, resulting in a merely good album instead of a classic one. In actuality Evans and Adderley, ...
Cannonball Adderley and the Poll-Winners
Label: Capitol Records
Released: 1999
Track listing: The Chant, Lolita, Azule Serape, Au Privave, Yours Is My Heart Alone, Never Will I Marry, Au Privave-alt. take (44:11)
Cannonball Adderley: Cannonball Adderley and the Poll-Winners
by C. Andrew Hovan
When surveying the vast catalog of work left for us by alto star and entertainer Cannonball Adderley, for sheer diversity of personnel, approaches, and excellence in writing, the Riverside period of the late '50s and early '60s remains a watermark in the distinguished career of this jazz legend. For just two examples, contrast the understated beauty ...
Cannonball Adderley: Phenix
by Douglas Payne
Consider how fate portions what it takes and what it gives. Cannonball Adderley's death by stroke in August 1975 robbed music of one of the most distinctive, dynamic and delightful sounds ever known to jazz. But the big man built a considerable and hugely popular musical catalog over three decades and, on the very precipice of ...
The Rudy Van Gelder Blue Note Editions
by C. Andrew Hovan
As far as jazz goes from the hard bop era, two names are synonymous with their groundbreaking work of the period-Blue Note Records and recording engineer Rudy Van Gelder. Blue Note released a canon of recordings that have been revered by collectors and musicians alike over the years and Van Gelder was the man behind the ...
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