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Lena Bloch: Feathery
by Hrayr Attarian
Saxophonist Lena Bloch's Feathery is a cerebral album laced with a mature, tender passion. It is also a collaborative effort with her sidemen contributing to the creative process democratically while maintaining their individuality.Drummer Billy Mintz's thunderous beats and crashing cymbals set an expectant and dramatic mood on Guitarist Dave Miller's solemn and ethereal “Rubato." ...
Lena Bloch: Feathery
by Dan McClenaghan
Russian-born tenor saxophonist Lena Bloch carries a cool burning torch for the music of saxophonist Warne Marsh and the Lennie Tristano school of jazz. For Feathery, her debut CD as a leader, Bloch has assembled a quartet that can rival the loose and interactive and spontaneous ensembles of alto saxophonist Lee Konitz--a Tristano acolyte and Bloch's ...
Lena Bloch: Feathery
by Jack Bowers
On one level, the Russian-born, New York-based tenor saxophonist Lena Bloch's debut album is like stepping into a time machine; on the other hand, one could argue that her approach to music in general and jazz in particular is timeless. Foremost among Bloch's influences are Lee Konitz, Warne Marsh and Lennie Tristano, and the mood on ...
Starry-Eyed
Album: Feathery
By Lena Bloch
Label: Thirteenth Note Records
Released: 2014
Duration: 7:05
Jane Ira Bloom: Sixteen Sunsets
by Hrayr Attarian
Soprano saxophone virtuoso Jane Ira Bloom's intensely intimate and simultaneously cinematic Sixteen Sunsets is quite different from her preceding albums, Like Silver, Like Song (Artistshare, 2005), Mental Weather (Outline, 2008) and Wingwalker (Outline, 2010). Gone are the edgy flirtations with freer styles as well as the provocative, electrifying compositions. Instead the material is mostly standards and ...
Jane Ira Bloom: Sixteen Sunsets
by Dan McClenaghan
Sidney Bechet pioneered the use of the soprano saxophone in jazz in the early 20s. John Coltrane brought that “straight horn" out of a relative dormancy of use in 1959 with his anthem-like take on Rodgers and Hammerstein's “My Favorite Things" on his Atlantic Records album of the same name. Steve Lacy took the soprano “out ...
Take Five with Aruan Ortiz
by AAJ Staff
Meet Aruan Ortiz: Named “the latest Cuban wunderkind to arrive in the United States" by BET Jazz, this classically trained violist and pianist from Santiago de Cuba, considers himself “a curious person who loves music," and portrays his music as an architectural structure of sounds, incorporating contemporary classical music, Afro-Cuban rhythms, and improvisation as primary material ...
Guitarist Tomas Janzon Basks in Bassists
by Fradley Garner
Guitarist Tomas Janzon Basks in BassistsPlayers who lead trios and duos featuring a bassist tend to stick with one. Tomas Janzon is happy with Essiet Essiet, 56, drummer Art Blakey's last bassist.Yet, “There are so many extraordinary bassists in New York," the Big Apple-based Swedish guitarist tells me, “that I am happy ...
Richard Sussman Quintet: Nyack, NY, July 22, 2012
by David A. Orthmann
Richard Sussman QuintetNyack Jazz Week at the Turning Point CafeNyack, NYJuly 22, 2012Unlike the performance of certain forms of popular music, in which musicians dutifully strive to reproduce perfect versions of tracks from a record, a jazz CD release party proceeds from entirely different expectations. Befitting the music's emphasis on improvisation ...
Vision Festival, Days 3-5: New York City, NY, June 13-15, 2012
by John Sharpe
Days 1-2 | Days 3-5 | Days 6-717th Annual Vision FestivalRouletteBrooklyn, NYJune 11-17, 2012Wednesday night at the Vision Festival was given over to the celebration of a lifetime of achievement by multi-instrumentalist, Joe McPhee, a deserving and popular choice. In presenting him with the envelope (presumably holding a check), ...
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