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12

Article: Opinion

On the Banks of the Jabbok With Chet Baker

Read "On the Banks of the Jabbok With Chet Baker" reviewed by C. Michael Bailey


When Yale professor Harold Bloom was interviewed by NPR shortly after publication of Jesus and Yahweh: The Names Divine (Riverhead, 2005), he was quite candid about his relationship with his own Judaism and Yahweh: Bloom: ... I may, as I say, lack trust in the covenant, but though I keep asking Yahweh to go ...

4

Article: Catching Up With

Lola Danza: Life of Luxury

Read "Lola Danza: Life of Luxury" reviewed by C. Michael Bailey


Singer/composer Lola Danza has a pan-cultural and artistic vision expanding well beyond the traditional singer's role as performer and interpreter, though these facets do exist large in her art. The singer began a personal trend on Vision Quest (Evolver, 2005) employing a rhythm section of only two bassists. This format, with an occasional splash added by ...

1

Article: Album Review

Jon Hamar: Hymn

Read "Hymn" reviewed by C. Michael Bailey


Origin Arts bassist Jon Hamar effects an intimate trio with alto saxophonist Todd DelGiudice and pianist Geoffrey Keezer on Hymn. Heard most recently, prior to this date, on Richard Cole's Inner Mission (Origin Records, 2007), Hamar's Hymn is heavy on introspective yet muscular originals, as Hamar also chooses some sturdy standards upon which to improvise.

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Article: Bailey's Bundles

Art Pepper: Unreleased Art Pepper, Vol. VII and Neon Art

Read "Art Pepper: Unreleased Art Pepper, Vol. VII and Neon Art" reviewed by C. Michael Bailey


Art Pepper (1929 -1982) is the story, but an important subtext is his widow, Laurie Pepper, who, since 2006, has been expanding the saxophonist's discography with unreleased live recordings from the 1980s. At the time, Art Pepper was enjoying his comeback, which began in 1975 with the release of Living Legend (Contemporary), hitting its stride in ...

6

Article: Album Review

Kurt Elling: 1619 Broadway: The Brill Building Project

Read "1619 Broadway: The Brill Building Project" reviewed by C. Michael Bailey


Where female jazz vocalists are plentiful, male jazz vocals exist in vast minority. With Mark Murphy in twilight, Kurt Elling has few peers in the realm of male jazz vocals where sheer inventiveness and muscularity are concerned. Elling's facility is one so great and his musical vision so clear that, at least for the time being, ...

5

Article: Extended Analysis

Blackberry Smoke: The Whippoorwill

Read "Blackberry Smoke: The Whippoorwill" reviewed by C. Michael Bailey


Blackberry SmokeThe WhippoorwillSouthern Ground2012 In the same way that Southern Democrats became gentrified Republicans with a cracker patois over the two generations since LBJ's Civil Rights Act of 1964, Southern Rock has become what passes for Outlaw Country Music on the fringe today. Forget Willie Nelson and ...

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Article: Album Review

Joey DeFrancesco: Wonderful! Wonderful!

Read "Wonderful! Wonderful!" reviewed by C. Michael Bailey


B-3 specialist Joey DeFrancesco has enjoyed a long and successful Career; so long, that Wonderful! Wonderful! is DeFrancesco's tenth HighNote release. With Tony Monaco his only real “traditional" jazz organ peer, DeFrancesco pretty well has the market cornered for greasy chitlin' circuit funk jazz cum Italian-American savoir faire. Joined by legends, guitarist Larry Coryell and drummer ...

4

Article: Album Review

The Billie Davies Trio: All About Love

Read "All About Love" reviewed by C. Michael Bailey


Jazz compressed into small places, as it is in drummer Billie Davies' trombone trio, often gives the most unpredictable yet satisfying results. Piano-less trios are nothing new, but one lead by a trombonist, while still being comparable to Sonny Rollins' tenor saxophone trios of the 1950s, certainly is. Trombonist Tom Bone Ralls is careful to fill ...

5

Article: Album Review

Little Feat: Rooster Rag

Read "Rooster Rag" reviewed by C. Michael Bailey


Too often lumped in with jam bands like Phish, String Cheese Incident or Widespread Panic, Little Feat more properly belongs with The Allman Brothers Band, which developed a greater popularity early on before settling in for largely improvisatory concerts based on its own band book and covers. Little Feat diverge from the ABB in that it ...

1

Article: Album Review

Milton Suggs: Lyrical, Volume 1

Read "Lyrical, Volume 1" reviewed by C. Michael Bailey


Vocalist/composer Milton Suggs released Things To Come to certain positive acclaim. In an arid male jazz vocals landscape, Suggs recalls a simpler time ruled by the likes of Joe Williams and Johnny Hartman. His voice is deep and rich, with Betty Carter's pliability and Jon Hendricks' smokiness. On Lyrical, Volume 1 he fronts a larger-than-average band ...


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