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On the Banks of the Jabbok With Chet Baker
by C. Michael Bailey
When Yale professor Harold Bloom was interviewed by NPR shortly after publication of Jesus and Yahweh: The Names Divine (Riverhead, 2005), he was quite candid about his relationship with his own Judaism and Yahweh: Bloom: ... I may, as I say, lack trust in the covenant, but though I keep asking Yahweh to go ...
Lola Danza: Life of Luxury
by C. Michael Bailey
Singer/composer Lola Danza has a pan-cultural and artistic vision expanding well beyond the traditional singer's role as performer and interpreter, though these facets do exist large in her art. The singer began a personal trend on Vision Quest (Evolver, 2005) employing a rhythm section of only two bassists. This format, with an occasional splash added by ...
Jon Hamar: Hymn
by C. Michael Bailey
Origin Arts bassist Jon Hamar effects an intimate trio with alto saxophonist Todd DelGiudice and pianist Geoffrey Keezer on Hymn. Heard most recently, prior to this date, on Richard Cole's Inner Mission (Origin Records, 2007), Hamar's Hymn is heavy on introspective yet muscular originals, as Hamar also chooses some sturdy standards upon which to improvise.
Art Pepper: Unreleased Art Pepper, Vol. VII and Neon Art
by C. Michael Bailey
Art Pepper (1929 -1982) is the story, but an important subtext is his widow, Laurie Pepper, who, since 2006, has been expanding the saxophonist's discography with unreleased live recordings from the 1980s. At the time, Art Pepper was enjoying his comeback, which began in 1975 with the release of Living Legend (Contemporary), hitting its stride in ...
Kurt Elling: 1619 Broadway: The Brill Building Project
by C. Michael Bailey
Where female jazz vocalists are plentiful, male jazz vocals exist in vast minority. With Mark Murphy in twilight, Kurt Elling has few peers in the realm of male jazz vocals where sheer inventiveness and muscularity are concerned. Elling's facility is one so great and his musical vision so clear that, at least for the time being, ...
Blackberry Smoke: The Whippoorwill
by C. Michael Bailey
Blackberry SmokeThe WhippoorwillSouthern Ground2012 In the same way that Southern Democrats became gentrified Republicans with a cracker patois over the two generations since LBJ's Civil Rights Act of 1964, Southern Rock has become what passes for Outlaw Country Music on the fringe today. Forget Willie Nelson and ...
Joey DeFrancesco: Wonderful! Wonderful!
by C. Michael Bailey
B-3 specialist Joey DeFrancesco has enjoyed a long and successful Career; so long, that Wonderful! Wonderful! is DeFrancesco's tenth HighNote release. With Tony Monaco his only real traditional" jazz organ peer, DeFrancesco pretty well has the market cornered for greasy chitlin' circuit funk jazz cum Italian-American savoir faire. Joined by legends, guitarist Larry Coryell and drummer ...
The Billie Davies Trio: All About Love
by C. Michael Bailey
Jazz compressed into small places, as it is in drummer Billie Davies' trombone trio, often gives the most unpredictable yet satisfying results. Piano-less trios are nothing new, but one lead by a trombonist, while still being comparable to Sonny Rollins' tenor saxophone trios of the 1950s, certainly is. Trombonist Tom Bone Ralls is careful to fill ...
Little Feat: Rooster Rag
by C. Michael Bailey
Too often lumped in with jam bands like Phish, String Cheese Incident or Widespread Panic, Little Feat more properly belongs with The Allman Brothers Band, which developed a greater popularity early on before settling in for largely improvisatory concerts based on its own band book and covers. Little Feat diverge from the ABB in that it ...
Milton Suggs: Lyrical, Volume 1
by C. Michael Bailey
Vocalist/composer Milton Suggs released Things To Come to certain positive acclaim. In an arid male jazz vocals landscape, Suggs recalls a simpler time ruled by the likes of Joe Williams and Johnny Hartman. His voice is deep and rich, with Betty Carter's pliability and Jon Hendricks' smokiness. On Lyrical, Volume 1 he fronts a larger-than-average band ...


