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Bobby McFerrin: spirityouall
by C. Michael Bailey
Bobby McFerrin, Al Jarreau and Jon Hendricks are the most innovative jazz voices of the past 50 years. Our current subject, McFerrin, took the technical capabilities of the human voice, remolding them into the fantastic and delightful forms we recognise as his genius today. spirityouall is McFerrin's celebration of both his father, Robert McFerrin, Sr., the ...
Michael Dease: Coming Home
by C. Michael Bailey
Trombonist Michael Dease's Coming Home is the evolutionary culmination of all of the small group work of which he has been a part. Dease's musical personality reveals itself fully on the disc, one he has populated with a very fine band and thoughtfully composed and selected pieces for that band. Dease's previous work as a leader ...
Willie Nelson and Family: Let’s Face the Music and Dance
by C. Michael Bailey
While it is an apologia for Willie Nelson, at 80, he has more than earned the right to do as he damn well pleases when he records. When Ray Charles passed away in 2004, Nelson was the only American musician to possibly accept the Charles mantle of musician with the greatest depth and breadth, having had ...
Christopher O'Riley: O’Riley’s Lizst
by C. Michael Bailey
Hungarian pianist and composer Franz Liszt (1811-86) made a career as the consummate concert showoff. He fully learned to be a showoff from fiddler Nicolo Paganini (1782--1840), who, with Liszt, championed the idea of the “Artist as Hero." Previously, it had not been so fashionable for an artist to outshine the composer whose music he or ...
Steve Heckman: Born to be Blue
by C. Michael Bailey
Much is made of the influence of John Coltrane on multi-reedist Steve Heckman. His third recording, Born to be Blue finds Heckman delving deeper into the standards territory, Coltrane's residual influence showing up in Heckman's slightly raspy, dry tone, but not anything as caustic as Coltrane's take-no-prisoner timbre. This is not Heckman's pass at Ballads (Impulse!, ...
Raquel Cepeda: I'm Confessin'
by C. Michael Bailey
The Houston jazz mafia expands with vocalist Raquel Cepeda's I'm Confessin'. Cepeda joins the ranks of multi-instrumentalist Henry Darragh, singers Melissa Darragh, Tianna Hall, Jacqui Sutton and Danielle Reich, guitarist Paul Chester, trumpeter Dennis Dotson (who appears here), saxophonist Larry Slezak and (by extension), trumpeter Carol Morgan, Houston jazz mafiosi all. Cepeda adds eloquently to a ...
Clipper Anderson: Ballad of the Sad Young Men
by C. Michael Bailey
Hidden in the basement of Pacific Lutheran University in Tacoma, Washington is bassist/vocalist Clipper Anderson. Not ringing any bells? That's because he has been a sideman, buried behind the principals on upwards of 60 recordings while recording as leader on two previous releases: And to All a Goodnight (Origin Records, 2011) and The Road Home (Origin ...
Deborah Latz: Fig Tree
by C. Michael Bailey
West Coast/East Coast vocalist Deborah Latz has release two well- received CDs to date: 2004's Toward Love and 2008's Lifeline (both on June Moon Productions). Coming from a stage background, Latz has no problem instilling drama into her interpretations and does so without sounding like she is trying too hard, a pitfall of many of her ...
Transcription Prescription: Michele Campanella and Jon Kimura Parker
by C. Michael Bailey
Piano reductions of orchestral and vocal scores are a tradition meeting two ends. First, for the transcriber to show off his arrangement and performance abilities. Franz Liszt made a cottage industry of this. Second, to produce sheet music that could be played by the amateur in their perfectly appointed parlor before tea time (queue Beethoven's Symphony ...
Renee Yoxon and Mark Ferguson: Here We Go Again
by C. Michael Bailey
Here We Go Again is Canadian singer/songwriter Renee Yoxon's follow-up to 2010's Let's Call It A Day (Self Produced). She teams with pianist/trombonist Mark Ferguson for a dozen original compositions that are refreshingly familiar, meaning they all have a traditional form and mainstream sensibility that softens the blow to even the most stalwart traditionalist deaf to ...
