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Classical Gas – Anne Akiko Meyers & Orion Weiss
by C. Michael Bailey
Anne Akiko Meyers American Masters: Barber, Corigliano, Bates Entertainment One 2013 Violinist Anne Akiko Meyers follows up her superb Vivaldi, The Four Seasons (eOne, 2014) and provides a partner to her The American Album (RCA Victor, 1996) that featured the music of Copland, Ives, Baker and Piston. On ...
Kaye Bohler: Handle the Curves
by C. Michael Bailey
"The White Tina Turner." Them is fightin' words. West coast vocalist and composer Kaye Bohler might be better described as Tina Turner covering Etta James at Muscle Shoals. Handle the Curves is a decade of original compositions that span from the Aretha Franklin-inflected “Diggin' on My Man" to the Van Morrison-ish title tune. ...
JP Soars: Full Moon Night In Memphis
by C. Michael Bailey
The blues have proven to be a most durable musical genre. They are also quite fertile and productive, providing the basis for infinite interpretation. This is good and bad. It is good for all of the exceptional music that has been made atop the rugged 12-bar harmonic structure. It is bad for all of the bad ...
Madeleine Peyroux: Keep Me In Your Heart For A While: The Best Of Madeleine Peyroux
by C. Michael Bailey
Vocalist and composer Madeleine Peyroux has a stylistic reach well beyond that of jazz. Her only peer in this respect is Nora Jones. True, she has a great fascination with Billie Holiday, but she has managed to assimilate this influence into her own presence and parlay it into the para-jazz realm with intelligent programming and song ...
Mississippi Heat: Warning Shot
by C. Michael Bailey
My father, born in 1915 and having seen and heard such, would call Warning Shot “Roadhouse Music." More technically, this is “jump blues" employing a larger-than-average band with an unidentified horn section on a majority of the 16 selections, the longest clocking in at 5:36 and the shortest at 3:00. This is an old-fashioned recording of ...
Berdon Kirksaether & the Twang Bar Kings: Latenighters Under a Full Moon
by C. Michael Bailey
It is really no longer appropriate to call American Music American. It is Global music and that is all it can be. Gone are those days when shellac and vinyl discs had to be exported. Music from anywhere on earth is as close as one's computer. Norwegian blues? Why not? Guitarist and composer Berdon ...
Nora Germain: Little Dipper
by C. Michael Bailey
Jazz fiddlers are not exactly household renowned. Joe Venuti, Ray Nance, Stephane Grappelli, Michal Urbaniak, Svend Asmussen, Jean-luc Ponty and Regina Carter pop to the forefront, but then the list falls off quickly. Presently there emerges one Nora Germain (a name made to be in lights if there ever was one) who not only fiddles but ...
Donna Deussen: High Wire and On the Street Where You Live
by C. Michael Bailey
More telling than her Berklee College of Music magna cum laude degree is singer Donna Deussen's private instruction under Tierney Sutton. Sutton is second only to Cassandra Wilson when considering the seismic styleistic shifts in jazz vocals over the past 20 years. Deussen integrates her instruction intelligently, avoiding imitation. Her lessons learned are made her own. ...
Philip Corner: Satie Slowly
by C. Michael Bailey
Pianist Philip Corner slows down Erik Satie and shows where Philip Glass, Terry Riley and Steve Reich came from. Satie Slowly is exactly that: the piano music of Satie vastly slowed down compared to most contemporary performances and recordings. The lengthy subtitle to the release says it all: “Avoid All Sacrilegious Exaltation." The large insert, assembled ...
Ray Charles: Genius Love Company – 10th Anniversary Deluxe Edition
by C. Michael Bailey
"The way these days just rip along, too fast to last, too vast, too strong..." --Jackson Browne The final recording of Ray Charles, Genius Loves Company, enjoys its tenth anniversary. It is striking to consider that it has been over ten years since the death of Ray Charles, one of the most imposing ...
