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Art Pepper: Neon Art: Volume 2
by C. Michael Bailey
Hard on the heels of Neon Art, Volume 1 (Omnivore, 2015), Art Pepper's Neon Art, Volume 2 retains the first volume's rhythm section save for pianist George Cables taking the place of Milcho Leviev. This sets up and interesting contrast of piano styles while all else remains the same. Volume 1 was recorded from a single ...
Angelica Matveeva: Vocalese
by C. Michael Bailey
"Vocalese" is defined as, “a style or musical genre of jazz singing wherein words are sung to melodies that were originally part of an all-instrumental composition or improvisation." The grand purveyors of this jazz vocals offshoot include King Pleasure, Eddie Jefferson, Jon Hendricks and Bob Dorough. It is the most “jazzy" of jazz idioms. A grand ...
Mames Babegenush: Mames Babegenush
by C. Michael Bailey
Eastern Europe on the razor's edge. The Eastern European music called Klezmer is so pungently identifiable that only a few bars of accordion and clarinet conjures aural images that are both refreshingly foreign and comfortably familiar. It is music that lacks a self-conscience, it can be performed seriously, joyously, in satire, or complete jest and it ...
On Highway 61: Music, Race, and the Evolution of Cultural Freedom By Dennis McNally
by C. Michael Bailey
On Highway 61: Music, Race, and the Evolution of Cultural Freedom Dennis McNally 384 Pages ISBN: #978-1619024496 Counterpoint 2014 Since Samuel Charters The Country Blues (Reinhart) in 1959, beginning, effectively, the serious reportage of American Folk Music, in particular the blues, there have been two far-reaching trilogies that ...
Bach to Bach: Hopkinson Smith and Isang Enders
by C. Michael Bailey
The sweeping emotional reach of Johann Sebastian Bach's Suites, BWV 1007--1012) cannot be underestimated. Heard performed incandescently on two different instruments helps also. Throw in the Sonatas & Partitas for Violin, BWV 1001-1006, on the lute and you have a Bach free-for-all. Hopkinson Smith J.S. Bach: Sonatas & Partitas, Suites
Les McCann: Invitation to Openness
by C. Michael Bailey
It is a simple matter of acid-base stoichiometry like that learned in any quantitative chemical analysis or medicinal chemistry course. If one treats the acid element of Parliament Funkadelic's Maggot Brain (Westbound, 1971) with the sweet bass of Leroy Vinnegar, then infuse as with juniper with gin, with honey and morphine: Les McCann's monumental Invitation to ...
Ron Thomas: Impatience
by C. Michael Bailey
There is something elemental about the jazz piano trio. It is classically called the “Rhythm Section," that practical subset of a larger ensemble that produces the pulse that propels the band and compositions the band plays. It is also the most enduring of jazz performance formats that has included the giants of jazz. Whether it is ...
Avi Avital: Vivaldi
by C. Michael Bailey
On his debut recording, Bach (2013, Deutsche Grammophon), mandolinist Avi Avital played a pristine, clinically punctilious JSB. It is therefore no surprise that Avital moves a little earlier in the Baroque Era to produce a very similar collection by Antonio Vivaldi. Avital is an Israeli born in 1978 who took part in a local mandolin youth ...
ARS Antiqua Austria, Gunnar Letzbor: Biber: Sonaten Uber Die Mysterien des Rosenkranzes
by C. Michael Bailey
It is a funny thing. There are just some pieces of music that scream to be owned in multiple performances. This past Christmas, I bought my 52nd and 53rd performances of Handel's Messiah. I am not sure if one can own to many performances of Bach's Goldberg Variations or Christmas Oratorio or Mass in B Minor. ...
Red Garland: Swingin’ on the Korner: Live at Keystone Korner
by C. Michael Bailey
Dismissed as a subpar “cocktail pianist" when he joined Miles Davis' first great quintet in 1955 when Davis had returned from chemical exile, William “Red" Garland would go on to define mainstream jazz piano on a series of recordings (as leader and sideman) taped between 1955 and 1962. Readily identifiable was his easy swing, supreme command ...
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