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Mames Babegenush: Mames Babegenush
by C. Michael Bailey
Eastern Europe on the razor's edge. The Eastern European music called Klezmer is so pungently identifiable that only a few bars of accordion and clarinet conjures aural images that are both refreshingly foreign and comfortably familiar. It is music that lacks a self-conscience, it can be performed seriously, joyously, in satire, or complete jest and it ...
On Highway 61: Music, Race, and the Evolution of Cultural Freedom By Dennis McNally
by C. Michael Bailey
On Highway 61: Music, Race, and the Evolution of Cultural Freedom Dennis McNally 384 Pages ISBN: #978-1619024496 Counterpoint 2014 Since Samuel Charters The Country Blues (Reinhart) in 1959, beginning, effectively, the serious reportage of American Folk Music, in particular the blues, there have been two far-reaching trilogies that ...
Bach to Bach: Hopkinson Smith and Isang Enders
by C. Michael Bailey
The sweeping emotional reach of Johann Sebastian Bach's Suites, BWV 1007--1012) cannot be underestimated. Heard performed incandescently on two different instruments helps also. Throw in the Sonatas & Partitas for Violin, BWV 1001-1006, on the lute and you have a Bach free-for-all. Hopkinson Smith J.S. Bach: Sonatas & Partitas, Suites
Les McCann: Invitation to Openness
by C. Michael Bailey
It is a simple matter of acid-base stoichiometry like that learned in any quantitative chemical analysis or medicinal chemistry course. If one treats the acid element of Parliament Funkadelic's Maggot Brain (Westbound, 1971) with the sweet bass of Leroy Vinnegar, then infuse as with juniper with gin, with honey and morphine: Les McCann's monumental Invitation to ...
Ron Thomas: Impatience
by C. Michael Bailey
There is something elemental about the jazz piano trio. It is classically called the Rhythm Section," that practical subset of a larger ensemble that produces the pulse that propels the band and compositions the band plays. It is also the most enduring of jazz performance formats that has included the giants of jazz. Whether it is ...
Avi Avital: Vivaldi
by C. Michael Bailey
On his debut recording, Bach (2013, Deutsche Grammophon), mandolinist Avi Avital played a pristine, clinically punctilious JSB. It is therefore no surprise that Avital moves a little earlier in the Baroque Era to produce a very similar collection by Antonio Vivaldi. Avital is an Israeli born in 1978 who took part in a local mandolin youth ...
ARS Antiqua Austria, Gunnar Letzbor: Biber: Sonaten Uber Die Mysterien des Rosenkranzes
by C. Michael Bailey
It is a funny thing. There are just some pieces of music that scream to be owned in multiple performances. This past Christmas, I bought my 52nd and 53rd performances of Handel's Messiah. I am not sure if one can own to many performances of Bach's Goldberg Variations or Christmas Oratorio or Mass in B Minor. ...
Red Garland: Swingin’ on the Korner: Live at Keystone Korner
by C. Michael Bailey
Dismissed as a subpar cocktail pianist" when he joined Miles Davis' first great quintet in 1955 when Davis had returned from chemical exile, William Red" Garland would go on to define mainstream jazz piano on a series of recordings (as leader and sideman) taped between 1955 and 1962. Readily identifiable was his easy swing, supreme command ...
Airelle Besson and Nelson Veras: Prelude
by C. Michael Bailey
French trumpeter and composer Airelle Besson and Brazilian guitarist Nelson Veras have stuck up quite the duet relationship that manifests itself properly on the present Preludes. The trumpet/guitar format is not your typical duo, but it works extremely well in the hands of these two like-minded musicians. The two share a warm aural intimacy even more ...
Alekos K. Vretos: K On Top
by C. Michael Bailey
All musical genre can be blended with one another. As I get older and more persnickety, I am coming to believe that just because two musical traditions can be blended that they necessarily should be. I have listened to countless experiments with cross-pollination that best have been left alone. Gratefully, this is not true of Greek ...




