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Christine Hitt: You
by C. Michael Bailey
Diana Krall, et al. With Love Scenes, Diana Krall has made a huge name for herself singing standards in a sexy breathy voice. No less talented, Christine Hitt, a Minnesota-born singer/pianist, caught the eye of MAXJAZZ’s Richard McDonnell who in turn caught her in the electronic medium of the compact disc, You’d Be So Nice to ...
Asa Harris: All In Good Time
by C. Michael Bailey
The Vocal Series. Borrowing the majority of Christine Hitt’s band from her recording You’d Be So Nice To Come Home To. (MAXJAZZ 107), vocalist Asa Harris makes her MAXJAZZ debut with a collection of standards that is unique in itself. The fourth in a Vocal Series released by the new label, Harris is preceded by the ...
Ray Vega: Boperation
by C. Michael Bailey
Viva La Musica. Pregnant with percussion, Boperation is a standards light beam passed through a Latin prism. The result is an infectious salsa slant on hallowed music ably directed by trumpeter Ray Vega. Vega chooses carefully songs composed by ostensibly his greatest influences if not those he recognizes for the necessary artists the are (were). His ...
Gonzalo Rubalcaba: Inner Voyage
by C. Michael Bailey
Incandesence at Absolute Zero. Cuban Pianist Gonzalo Rubalcaba exploded onto the American Music Scene with his first Blue Note release Discovery: Live at Montreux (95478, 1990). The recording details Rubalcaba in an empathetic trio setting with Charlie Haden and Paul Motian. The resulting music was a molten virtuosity quickening all in its aural path. Nine years ...
Stefon Harris: Black Action Figure
by C. Michael Bailey
Deux! Stefon Harris’ second Blue Note release is every bit as satisfying as 1998’s Cloud of Red Dust. On the current Black Action Figure we are faced with a septet that includes and is produced by label mate and altoist Greg Osby and includes Steve Turre on the ‘bone. But make no mistake, Harris is not ...
Kenny Burrell: 12-15-78
by C. Michael Bailey
Critic’s Note. This collection was also reviewed by Jim Santella in the September Issue of All About Jazz. My, How Repackaging Makes Music Better! One of the benefits of the compact disc revolution is that live performances once spread over several long-playing vinyl albums could now be brought together and heard as a cogent set. In ...
Wynton Marsalis: Sweet Release and Ghost Story
by C. Michael Bailey
Volume 5. Wynton Marsalis continues Swinging into the Twenty-first Century with this fifth installment of his projected eight volume series. So far we have had an interesting mix of classical and jazz, the orchestral and Kammermusik, the new and the old. Sweet Release and Ghost Story are two new ballets composed by Marsalis, joining his previously ...
Michael Brecker: Time is of the Essence
by C. Michael Bailey
The Main Event. Michael Brecker’s sixth release is his first for Verve. Each Brecker album has been an event since his self-titled solo debut in 1987. Since that time, he has established himself as a meticulous craftsman who carefully composes his own music while cautiously choosing other’s to interpret. Time Is of The Essence finds Brecker ...
The John Coltrane Memorial: Coltrane
by C. Michael Bailey
Academic Freedom. The John Coltrane Memorial Concert was inaugurated on July 17, 1977, the 10th anniversary of the saxophonist’s death. It was originally organized by percussionist Syd Smart, bassist Hayes Burnet, and Saxophonist Leonard Brown. The reception of this idea was so great that it developed into an annual event on the Boston music scene. The ...
Soul Vaccination: The Tower of Power Live: Soul Vaccination: The Tower of Power Live
by C. Michael Bailey
You’ve Got To Funkafize. Two LPs that I wore out as a teenager were Tower of Power’s East Bay Grease and Bump City. I was not that great a fan of Motown, Memphis, or Muscle Shoals (that came later), but I really dug this gritty urban, West Coast funk. I followed these guys: Lenny Pickett going ...


