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Monty Alexander: My America
by C. Michael Bailey
I want to go back to the Islands... Monty Alexander is the Jamaican Gene Harris. Both play with a dual-fisted, churchy style. Where Harris is the pinnacle of blues piano, Alexander rules the Caribbean rhythms. These rhythms and flavors he infuses into every piece on his new release, My America. This is an interesting collection that ...
Karrin Allyson: In Blue
by C. Michael Bailey
How Does One follow-up Ballads?... With the Blues Kansas City cum Omaha/San Francisco native Karrin Allyson has been recording since the early 1990s. She produced six well-received recordings for Concord Jazz before she reached the pot-of-gold with 2001's Ballads: Remembering John Coltrane. Celebrated by the critical community on many end-of-the-year lists (including mine), Ballads ...
Larry Goldings Trio: Sweet Science
by C. Michael Bailey
Organ Trio 2000' ' Sweet Science is a sweet ethereal trip with a classic greasy organ-guitar trio minus the grease (this is not to say that the disc does not swing, it does, in spades). The music provided by Messrs. Goldings, Bernstein, and Stewart is complete sophistication. The music would fit well as the soundtrack of ...
Ruth Naomi Floyd: Fan Into Flame
by C. Michael Bailey
In the Spirit?Ruth Naomi Floyd begins her new recording Fan Into Flame where she left off with her last, Walk and Not Be Faint . That would be with the sleek, swinging delivery of the Good News using jazz as the chariot. Ms. Floyd mines the contemporary (Duke Ellington's “In the Beginning ...
Various Artists: Telarc Jazz-- Celebrating 25 Years
by C. Michael Bailey
A solid track record... Telarc International ( Telarc.com ) is celebrating its Silver Anniversary. Originally founded in 1977 and centered in Cleveland, Telarc began its life as a classical music recording company. In the past 25 years, the label has recorded a bountiful number of American and Foreign artists and orchestras. Not surprisingly, Christoph von Dohnanyi ...
Bill Charlap: Stardust
by C. Michael Bailey
Charlap or Meldhau?... Pianist Bill Charlap's intelligent musicality is quietly validated in the choice of guests he brings to his new recording of Hoagy Carmichael standards, Stardust. Right on the closing chords of a rousing trio reading of “Jubilee," the listener is treated to the opening lines of “I Get Along without You Very Well" a ...
Joe Louis Walker: In The Morning
by C. Michael Bailey
Memphis barbecue... The blues ain't the meat and potatoes they used to be. Conforming to the old 12-bar or 9-bar recipe as definition has not happened in 20 years. The brand of blues that San Franciscan Joe Louis Walker serves up on In the Morning is fine Memphis barbecue, a tangy mix of everything from Stax/Volt, ...
Dr. Michael White: Jazz from the Soul of New Orleans
by C. Michael Bailey
At the burning bush... The problem I have had with Dr. Michael White has been that I felt him overtly reverent to New Orleans Jazz to the point of its asphyxiation (a complaint I frequently voice for Wynton Marsalis and the music of Ellington on). Jazz from the Soul of New Orleans causes me to ...
Various Artists: In The Pocket: A Taste of Blues Harmonica
by C. Michael Bailey
Something Old, Something New, Something Borrowed, ... Telarc Blues culls their considerable holdings to provide a wholly satisfying collection of contemporary blues harmonica by contemporary and not-so-contemporary blues musicians. Represented here is approximately equal the rural harmonica style common to the Mississippi (e.g., Sonny Terry) and the close-miked, hyperamplified flavor pioneered by Marion “Little Walter" ...
Patrice Williamson: Free to Dream
by C. Michael Bailey
Carefully... Free to Dream is the second recording by vocalist Patrice Williamson. The thirtysomething Memphis native follows up her 1998 debut, My Shining Hour with a contemporary collection of originals and standards accented with intelligence and pathos, both in choice and performance. Her originals are epistles of spirituality and self-actualization...and they swing, albeit with a humid ...
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