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The Sisterhood Of Saxophone Players: Sharel Cassity, Nancy Wright and Pattie Cossentino
by C. Michael Bailey
Once a novelty, women saxophone players have been claiming center stage in the last twenty years. Virginia Mayhew, Idit Shner, Clair Daly and Christine Jensen are among the most notable artists in this sisterhood. Add to this list three more names to consider. Sharel CassityJust for YouDW Records2009 Sharel Cassity ...
Laurence Hobgood: When The Heart Dances
by C. Michael Bailey
Kurt Elling's long-time pianist, Laurence Hobgood, is no stranger to leading a recording session. He has released four previous recordings on Naim Jazz in the last 10 years. He is a durable pianist, a bit of a cross between Red Garland and George Winston, with a smidge of Bill Evans thrown in for seasoning. On When ...
Bill Anschell / Brent Jensen: We Couldn't Agree More
by C. Michael Bailey
By definition, the classical or jazz duo is the most intimate performance format. Intimacy requires two parties sharing with a base empathy. An example is Eddie Daniels and Roger Kellaway's A Duet of One (2008, IPO), where the two principles shared a great love for the mainstream and its sensitive presentation. Enter west coasters, pianist Bill ...
Donald Malloy: Spirituality
by C. Michael Bailey
Jazz's most searing spiritual statement is not John Coltrane's A Love Supreme (1964, Impulse!); it was his recording, “Alabama," released a year earlier on Live at Birdland (1963, Impulse!). Written in the wake of the Ku Klux Klan's bombing of the 16th Street Baptist Church in Birmingham on September 15, 1963, “Alabama" was an improvisation on ...
Craig Buhler: Skykomish
by C. Michael Bailey
On Capistrano Sessions (Discernment Music, 2007), saxophonist/arranger Craig Buhler boldly updated the sound of West Coast Cool, effectively making him the heir proper to composer Marty Paich. Buhler tempers his grip on said inheritance with Skykomish, an effort to add to the new book of jazz standards while suggesting two of his own. An “everyman" musician, ...
Jon Balke: Siwan
by C. Michael Bailey
The competent and successful musico-cultural eutection promoted by ECM founder Manfred Eicher since the release of Jan Garbarek/Hilliard Ensemble's Officium (ECM, 1993) takes another quantum step with keyboardist Jon Balke's imaginative and far reaching Siwan. Balke enters a realm of cross-cultural pollination evolving from Officium, through that same collaboration's expanded vision on Mnemosyne (ECM, 1999) to ...
Carol Fredette: Everything In Time
by C. Michael Bailey
Jazz vocalist Carol Fredette's singing is characterized as a clinic in singing with perfect diction. With a linguist's ear, Fredette concretely pronounces every word to every song she sings as if to commit them to platinum casts for use by International Bureau of Weights and Measures. Fredette accomplishes this not in some self-conscious way, but with ...
Diana Krall: Live in Rio
by C. Michael Bailey
Diana Krall Live In Rio Eagle Eye Productions 2009 There are some music critics who will fault a successful artist for “selling out," for appealing to the lowest common denominator with music that is either highly processed or mediocre for the sake of not being offensive (read that, ...
High On Classical Gas: Jacques Loussier, Tiempo Libre and James Galway, Burgstaller Martignon
by C. Michael Bailey
Jazz and classical musics should be friends. They have much in common. It is conceivable that a synthesis of the two could be achieved as successfully as that existing between jazz and rock. However, most attempts to meld jazz and classical have yielded mediocre results. Some headway has been made. The recent appearance of pianist Enrico ...
Enrico Pieranunzi: Enrico Pieranunzi Plays Domenico Scarlatti
by C. Michael Bailey
Italian jazz pianist Enrico Pieranunzi uses a very liberal interpretation of the allegro notation when interpreting the tempi of several of the sonatas on Enrico Pieranunzi Plays Domenico Scarlatti. This is evident right off the bat with the opening Sonata in E Major, K. 531. Allegro is defined as “fast and bright." Okay: well, jack that ...
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