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Cassandra Wilson: Silver Pony
by C. Michael Bailey
Brilliant in spite of its ragged texture, Cassandra Wilson's Silver Pony justly illuminates the important influence Wilson has had on all jazz vocals, since her artistic breakthrough with 1993's Blue Light 'Til Dawn (Blue Note). A sharp solution of live and studio performances, Silver Pony reveals the depth and breadth of both Wilson's enigmatic singing and ...
Jenny Davis: Inside You
by C. Michael Bailey
Jenny Davis' It Amazes Me (Self Produced, 2006) was a relaxed tuneful affair employing a crack quintet capable of multiple layers of musicianship. For Inside You, Davis whittles her quintet to a duo, featuring her regular guitarist Chuck Easton, and bassist Ted Enderle, furnishing a stripped-down swing that depends on its own momentum with which to ...
Lutalo Olutosin: Tribute to Greatness
by C. Michael Bailey
Vocalese is the pinnacle of jazz singing; a jazz singing style based on lyrics composed to melodies that were originally part of non-vocal compositions or improvisations. There are only a handful of truly proficient vocalese lyricists, a short list including Eddie Jefferson, Babs Gonzales, King Pleasure (Clarence Beeks), Jon Hendricks, and Mark Murphy. East Chicago native ...
Doug Ferony: It Had To Be You: The Lovers CD
by C. Michael Bailey
Vocalist Doug Ferony belongs in the same company as Roger Cairns and Tom Culver. These are durable male vocalists, conservative in their performance and interpretation approach, with distinctive voices in their own right. They are modern keepers-of-the-flame out of the Frank Sinatra/Tony Bennett tradition. Jazz singers? Maybe. Song Stylists? Absolutely. Ferony has made a career singing ...
Tom Culver: Tom Culver Sings Johnny Mercer: I Remember You
by C. Michael Bailey
Johnny Mercer was a class act as a lyricist. He, alone, could well populate the jazz songbook of standards. Singer Tom Culver pays special tribute to Mercer with I Remember You, a sporting collection of Mercer's finest that include “Day In, Day Out," “Skylark," “Moon River," and the title cut. Culver is a vocalist cut from ...
Russell Malone: Triple Play
by C. Michael Bailey
Guitarist Russell Malone has found a durable and receptive home at MAXJAZZ, resulting in three fine recordings: Playground (2004); Live at Jazz Standard, Volume 1 (2006); and Live at Jazz Standard, Volume 2 (2006). He sports an elegant, unpretentious method and a shimmering, round and slightly velvety tone that compliments his considerable abilities. Triple Play is ...
Anna Webber: Third Floor People
by C. Michael Bailey
Those who stand up and give the finger to the status quo must be honored. New York saxophonist/flautist Anna Webber does exactly that, with a recording that brags not one, but two bass-less quartets. Third Floor People is a collection of 11 original compositions by Webber, employing two quartets--one from Montreal and one from New York ...
Bettye LaVette: Interpretations: The British Rock Songbook
by C. Michael Bailey
Cross Nina Simone with Tina Turner and you get Bettye LaVette. Finally receiving the attention she deserves, LaVette finds herself on a most receptive world stage. LaVette appeared at the 2008 Kennedy Center Honors, in tribute to The Who's Peter Townsend and Roger Daltrey, singing “Love Reign O'er Me," from Quadrophenia (Polydor, 1979). Video of the ...
Kellylee Evans: Nina
by C. Michael Bailey
Every once in a while an homage project comes along actually doing what it sets out to do: pay homage. That the object of the present homage is the enigmatic Nina Simone makes Canadian Kellylee Evans' Nina that much more a definitive statement of a courageous cultural career. Add to this that Evans thoughtfully does not ...
Danielle Eva: Road and Moon
by C. Michael Bailey
Danielle Eva emerges a fully formed jazz vocalist on her debut, Road and Moon (Devour Music, 2010). She has assimilated the influences of the finest jazz vocal talent of the last 20 years: Cassandra Wilson, Cheryl Bentyne, Tierney Sutton, Karrin Allyson, and nominally, Norah Jones. Drawing equally from Wilson's organic approach, Allyson's timbre-perfect pitch, and Jones' ...
